Hello Brick & Mortar: Daydreams + Unprompted Requests, Part 2

Customers often visit Clementine and tell me what I should sell. Their ideas are well intended but often there’s a good reason that I don’t take the suggestion. As small business owners, we know our business best. We know our capacities and our style. We know what we like and where we want to invest. I, for example, don’t want to sell soap dispensers or small ceramic cat sculptures (actual suggestions). But sometimes someone makes a perfect suggestion and I dive in to explore its potential. I offer the daydreams with the chance they might click as something you want to invest in and because I would sell each of them. (None of you should make soap dispensers.) ~ Emily of Clementine

Brick + Mortar by Emily Blistein of Clementine for Oh So Beautiful Paper / Illustration by Emily McDowell

Illustration by Emily McDowell for Oh So Beautiful Paper

Part 1 of this post was my daydream pairings between a few favorite stationery and non-paper lines. This half looks at products you already make and imagines them as a new product. It is born mostly from instagram perusing and your introduction mailers.  Thank you for sharing your work through the mail and on social media. It’s why I complain about never getting anything done, but it’s also my favorite part of the day.

Ok, on to PART 2. You’d make a great…

  • Birdwalk Press sent their beautiful holiday card – a snap from their wedding with gold foil embossed with the words THIS MUST BE THE PLACE. I pulled it out of the envelope and immediately said: I want this to be a print. Just the words (they’re a beautiful couple, but for marketability…). It would make a great card and an even better print (8″x10″ or larger). My imagination already has it framed over my bed.

Birdwalk Press Holiday Card

Birdwalk Press holiday mailer, photo by Lockie Photography

  • The Library Press. You know when an adult tells a kid “you’re so cute, I could eat you up,” and the kid looks back at the adult like they’re crazy? Well, picture the same exchange, but I’m the grown up and The Library Press’s tiny series of chairs is the kid. I mean, what don’t I want these little chairs on: cards, prints, wallpaper, stamps, some kind of custom candy? Yes, I could just eat them up.

The Library Press Perpetual Calendar

The Library Press, perpetual calendar

  • Shanna Murray’s illustrated decals. Shanna has hinted that her decals may be cards in the future. I’m happy to offer a little nudge. Recently she sent me a ‘You Are So Beautiful Decal’ affixed to a card. I happened to feature it in a store display and it gets more than a few requests (cough sneeze, hint nudge)…

Shanna Murray You Are So Beautiful Decal

Shanna Murray’s You Are So Beautiful Decal

  • Nottene. I met Kimberly briefly at a recent Renegade Craft Fair and was pretty smitten with her booth. Her illustrations translate beautifully between mediums: wrapping paper, textiles, print. I would love to see her design a wallpaper collection, but I’d settle first for having some of her recent playing card illustrations turned into greeting cards. Take the Queen, is it not the perfect Mother’s Day card?

Nottene Queen of Hearts Playing Card

Nottene Queen of Hearts

  • Leah Duncan, color trends: Leah Duncan is another whose work translates seamlessly from print to fabric to endless products, so what’s left for her to do? I’d settle for a bi-annual color chart where she tells me what colors to paint my house, or dress in, or simply sends a mailer of color chips to use as bookmarks.

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Leah Duncan ~ Desert Flowers

  • Sad Shop. Everybody loves an 8 x 10 print, but Katie’s cards, with their bold, clean, perfect sentiments should be bigger. I’d vote for 16 x 20+.  And, I know I’m already asking for something, but I’d love to have them letterpress printed too. Even though the space over my bed is getting crowded, I’d make room, because I like these cards, and naps.

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Sad Shop Let’s Make A Blanket Fort

  • Wild Ink Press. Last year, I encouraged Happy Cactus Designs to make mini-Valentines (and she did, and they’re fantastic!). This year, I saw Wild Ink Press’s mini classroom notes and thought: ug, these are so good, make them full size cards! There are so few cards for young kids, especially boys (not that diggers and trucks are only for boys…) to give or receive. Each of Rebekah’s designs below would make a perfect birthday or hello card. I wheelie like them.

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Wild Ink Press Classroom Valentines

  • 200 Lemons. Megan spends a bit of time each week at Clementine, arranging fresh and paper flowers and generally saving me from the chaos of my desk. Lately, watercolor pet portraits have appeared in her feed. I would love to see this series of sweet faces become card sets: dogs, sea creatures, wildlife, flora, fauna. But to be completely honest, my endgame is a storybook with her watercolors illustrating some lucky adventurer and their trusted animal friend. I think this guy agrees:

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200 Lemons French Bulldog

Since social media is such a big part of where these daydreams arise, I linked to the artists above with their social handles and internet sites. Go follow them and tell me who your current favorites are below!

Yours in daydreams and adventures ~ xo Emily

Guest Post: Raising Your Baby & Your Business

I’ve asked some of my favorite creative mamas to help out while I’m adjusting to life with our new baby. Today, our very own Emily from one of my most favorite shops – Clementine â€“ and the author of our Brick + Mortar column is sharing some thoughts on growing a business while raising a child! This post in particular makes me love Emily about a billion times more than I already do – thanks Emily! –Nole

Hoo-rays and congratulations to Nole on the birth of baby Alice! Making a baby is no joke and we should probably start sending birth-day cards to moms. (Might I suggest “Happy Birth Day, from my uterus to yours!”) I love joining you all here in the Brick & Mortar column and I’m excited to share the behind-the-scenes jungle gym that is my life as a small-business-owning mom. â€“Emily of Clementine

Thoughts on Growing a Business while Raising Children by Emily of Clementine via Oh So Beautiful Paper

  • Surprise! I found out I was pregnant a month after opening Clementine; and so began my life rearing the Irish twins of boutique & baby. Three years in, I only have time to skim articles about work/life balance. I appreciate the intent. I have studied, worked, and advocated for women to be able to make healthy choices for themselves and their families. I also know that the simple question of “Can women have it all?” can lead to simply feeling defeated. I’m more interested in conversations about the struggles we’re actually facing as parents, makers, and small business owners:  Am I making enough to justify daycare? How do I plan for a baby while running a small business? How do I support my friends who are struggling to conceive? How can I become a more loving step-mom? How do I strengthen my marriage while raising a business and a baby? Will this work sustain me? These conversations (and not the answers, which are often fleeting, if found) helped me grow, happily, into my thirties and feel confident that the choices I make for my business and my family are mine, even if they are difficult to make.
  •  A Day In The Life: My Imagined vs. Actual Day. My every-day mom struggle is a common one: How do I keep it together and feel successful when my imagined day is often so different from my actual one? Online, a lot of us look like super-woman. I’m not. I can take a good photo, and mask exhaustion with humor, but every time someone asks how I “do it all?” my answer is simple: I don’t. It’s sharing the honest struggles that helps me feel human and face the day. And oh what a whirlwind 24 hours can be!

Imagined Morning: Julian sleeps through the night and totally wears underwear all the time and actual clothing for most of the day. He eats a good breakfast and gets to pre-school on time. I do a lot of yoga and leave the house in an outfit free of yogurt/snot/something unidentifiable.  Thoughts on Growing a Business while Raising Children by Emily of Clementine via Oh So Beautiful Paper

Actual Morning: I slept, sort of. Some people have eaten; other people have shoved cheerios into the couch and put on one sock. Julian is only wearing underwear, refuses to put anything else on and is halfway down the block on a scooter. No one has showered. We get to pre-school only 10 minutes late (success.) I give Julian kisses and talk about fire trucks. I hug him, tell him to have a totally fantastic day. Sometimes he still cries, it is still excruciating. Sometimes he runs off with friends, that is bittersweet too. Either way, I try to leave quickly (quick exits are the key to success). 

Imagined Day At Work: I am super productive, I get caught up on orders, inquiries, and bills. All new shipments get priced and displayed in the shop. I eat an actual lunch. I make good use of my time. My desk looks good. I answer the phone when it rings. (Just kidding, I hate answering the phone.)Thoughts on Growing a Business while Raising Children by Emily of Clementine via Oh So Beautiful Paper

Actual work day: Before going to work, I manage to carve out 30 minutes to take a walk and listen to a new podcast (bliss is walking in one direction, by myself, with the space to think). I shower! I get dressed. I jet. On my 5 minute drive, I make a mental list of 12-24 things that must get done today. I open Clementine’s doors at 10:35 (only 5 minutes late!) I love the smell and sight of Clementine. The windows, the light. I feel genuinely lucky and forget at least 12 things on my to-do list. I unlock the door to my coffee shop neighbor and order. I write down everything I need to do today. (Just kidding, I like lists < answering the phone.) Instead, I drink my coffee and “work on social media marketing” for an hour. Good thing I’m the boss.

Thoughts on Growing a Business while Raising Children by Emily of Clementine via Oh So Beautiful Paper

The mail arrives. MAIL! Gorgeous letters and packages. God I love you all. I drop whatever I’m doing  to unwrap, delight and instagram new inspirations. Back to work, I try to reply to product submissions (thank you, especially for the sweet notes). This means reviewing your catalog and making a yes, maybe, no determination of how your product would fit at Clementine. It’s not always easy, I try to send a reply email immediately. I don’t always (please follow up!). I flip to the other 15 tabs open on my computer (bills, orders, inspiration, content writing, consulting). I’m interrupted every 5 to 30 minutes by customers. Some days I plow through, others times I dive into conversations with friends and customers about life, parenting, design, paint, color, marriage, that we must grab coffee (we both mean wine). I love these conversations. I will drop anything for them. I will also drop every thing for a milkshake or anything from Middlebury Chocolates. Is it 3 yet? Close enough.

Thoughts on Growing a Business while Raising Children by Emily of Clementine via Oh So Beautiful Paper

Megan comes in, she gets actual work done. I love her. I love trusting someone to help me. I have time to place my orders, shipments get priced, updated online and out on the floor. I wrap and write notes for Clementine’s online orders. Sometimes this means making quick emergency orders with vendors because something a customer ordered is out of stock (you know the feeling?) By 4pm I’m on a great roll, I’m totally in the zone and bam, it’s 5 o’clock. My desk is a total mess, but I have to bust out of the shop and down the hill to my car. I am only 3 minutes late for Julian pick up. He chatters and gives me a hug and the world stops. I love this moment more than anything in the world. Anything ever. Sometimes I get out early and when I do, we go on tiny adventures. I try to have no agenda and let him lead.

Thoughts on Growing a Business while Raising Children by Emily of Clementine via Oh So Beautiful Paper

Imagined evening: My family eats an actual dinner, we talk, we snuggle, we fall asleep happily before 10.

Actual life: People eat stuff, some of it is green and healthy (it’s Vermont, y’all, I may be busy, but our chicken nuggets are organic and I sneak in kale whenever possible.) It’s a wild nightly tangle of Julian, my husband and Julian’s big brothers. There is laughing and chasing and eating and did someone say ice cream? We have fights and whining. We have belly laughs. Some teeth are brushed. We read the same book again, because: toddlers. We talk about our day. Most people fall asleep. I finish all of the work I didn’t finish during the day. I place most of my orders between 10pm-12am. Bills I thought I already scheduled actually get paid. I have ideas. I plan for tomorrow. I hear the Colbert Report end. Time for sleep. Good night friends.

  • Balance: Being a mom and a small-business owner is a mildly ridiculous exercise in productivity. Everyday is a new game of ping-pong: a symphony of joy, a cacophony of frustration. I won’t say I don’t believe in balance, but as a mom who loves her work, there is an unshakable tension between the two. I’m not Type A or overly organized. I get incredibly frustrated with that because it breeds a messy desk and some internal anxiety, but I happily abandon perfection to focus on making Clementine a space where community builds and people are intoxicated with design and craft just by walking in the door.

Thoughts on Growing a Business while Raising Children by Emily of Clementine via Oh So Beautiful Paper

I try to go easy on myself when I don’t get it all done. I try to focus on friendships and experiences that fill my life (and my family’s) with as much laughter, creativity and kindness as we can stuff in. I believe that we can and should share the pretty instagram photos with a dash of the scared, ugly, unsure feelings.  We can be ourselves and moms. We can recognize that people we love are struggling to become moms. We can send more cards. We can have more laughs. We can be kinder. We can fail and start over. We can climb mountains to be creative. We can fill this life with more love.

First & last photo by Jessica Anderson, delicious chocolate photo by Middlebury Chocolates all others by Emily.

Hello Brick & Mortar: Packaging for Retail

I judge books by their covers, wine by its label and brands by their logos. I know the good stuff is on the inside, but I could ogle good packaging all day and have been known to buy things for reasons far divorced from utility. (I’d guess I’m not alone in this crowd.) Packaging may not seem like the sexiest topic, but good packaging is an invitation to purchase, and that’s an invitation we want to extend. –Emily of Clementine

Hello Brick + Mortar by Emily of Clementine for Oh So Beautiful Paper

Illustration by Emily McDowell for Oh So Beautiful Paper

First, the golden rule of retail packaging: They’re going to try to open it anyway. I know, you wrote “blank inside.” Customers will still look at me and ask “is it blank inside?” while opening the cellophane. I know, it’s sealed with a sticker. They will carefully peal back the sticker and reach for the card. I know, you labeled what’s inside and drew a little picture on the back showing the 6 different cards in a card set. Maybe they’ll ask me to open it. Why? I think it’s human nature. If you close something, people want to open it. Especially if it’s pretty. But let’s see if we can make your packaging something customers want to open, but instead choose to purchase and wait until they get home to break into. How? 90% of it is simple show & tell.

1. Tell them what’s inside. Pretty basic, but I receive a lot of beautiful, poorly labeled stationery. Is it a flat card? Is it blank inside? Is it a card set? How many card are in the set? Are they all the same or different? How big is that print? Is it a sticker or a mini-note? What’s it for….? I watch customers fumble through unclear packaging every day. Often, I can interrupt a quizzical look to explain what’s inside, but if I don’t, she’s stranded and will put it back down. If you don’t know what to include, try calling a friend and describing what the product looks like. Then find a well designed way to say the same thing. (Where? My vote is usually on the back. Unless you can make it work with the image.)

Hello Brick + Mortar: Packaging for Retail by Emily of Clementine for Oh So Beautiful Paper

J. Falkner’s Perfect Little Notes use paper bands to tell what’s inside without interfering with the product. The bands are a slight deterrent for customers to open the box and allow retailers to slip the band off for a photo, and put it back on for customers. Win/win!

2. Show them what’s inside. In your online shops, you can clearly photograph and explain. In person, your packaging must speak for the contents. Unless you are packaging a single card or print that is clearly visible, you need to show what’s inside (with a photo, a great good drawing or innovative packaging). Every time customers pick up a box of cards, they’re asking “what’s inside? Answering this clearly increases the likelihood that your product will sell. (Where should you put this information? My vote is for the back if it’s a card/set/calendar or smack in the middle if it’s a tube.)

Hello Brick + Mortar: Packaging for Retail by Emily of Clementine for Oh So Beautiful Paper

The Albertine Press letterpress library is one of the few products, I (happily) display without cellophane. The spine tells what’s inside and a quick flip open reveals the cards. The packaging itself feels like a gift and looks beautiful displayed in multiples.

3. Extend your branding. The cost of packaging increases the price of your products, but don’t make it a throwaway purchase. Good packaging makes your product feel like a gift, and if done well, can make an indelible mark that the customer returns to.

SHP_Packaging3

Scout’s Honor Paper packages her prints in stiff craft sleeves with a strong branded stamp on the front and back that tells the print name and size. Though she totally breaks my rule of showing what’s inside, I can easily take one print out to display and house the extras behind. 

4. Packaging should keep it together and look great. Do you want the parade of horribles? I’ve had cello sleeves crumple or split as customers shove cards back in; stiff cello boxes that pop open; sealed small notes that aren’t affixed within the package so they jumble, but I can’t adjust them without damaging the package; prints with crumpled corners after being dropped; boxes that obscure the card design; gorgeous prints, postcards and tea towels that no one buys because they have no idea what’s inside; closure stickers that pop open more than they stick; belly bands that come unstuck and end up all over the floor; twine that frays and looks frumpy; calendars and prints with no backing that slide to the floor; products that fade in the window; and (through fault of my own) a cello box or two melted each winter due to radiator proximity. Those horribles are not so horrible, but these are costs that retailers absorb, if a product remains poorly packaged we won’t take the risk. You can’t always avoid these pitfalls, but you can mitigate by simply using the packaging yourself: pack your product up, throw the box around, unpack it and leave it on a table for a few weeks. See which of your items still shine, and adjust the rest.

5. There’s no right answer. When in doubt, reach out to a retailer you trust or hop into your favorite store and see what’s working. You should decide on the packaging you want, but here are some considerations:

  • Single Cards – Cellophane sleeves are a must. I’m torn on whether a sleeve with the fold over seal is preferable. A little sticker on the back can tell the customer if the card is flat or folded, how big it is and whether the card is blank inside.
  • Card Sets – Card sets are the slowest sellers. I think they’re also the most vaguely labeled. You can only show one card on the front, but you can show and tell on the back of the box. How many cards are in there? Are they all the same (if not, please include a label with a photo or drawing), what color is the envelope? Tying it with twine can look pretty or obstruct your image. Stickers can make a pretty seal but the occasional customer that ignores the sticker’s purpose and opens it, leaves me with a damaged product.

Hello Brick + Mortar: Packaging for Retail by Emily of Clementine for Oh So Beautiful Paper

Moglea’s vibrant packaging shows both envelope and note, while the sticker draws your eye from the front to the back of the box where you learn the details of what’s inside!

OSBPblackbirdback

The cute peephole on the back of this card set from Blackbird Letterpress invites the customer to look closer while communicating basic info about this card set.

  • Tiny notes, gift tags, book plates, recipe cards – These things don’t often get much respect in a retail setting because they’re little and often confuse the customer. They benefit from super clear packaging, and a bit of personality to invite the customer to pick them up.

EMexistingnote

 

Emily McDowell draws people in with words alone. By the time customers read what her notes say, they’re already sold on the sentiment, with little need to even know the function.

 

  • Pads of paper, journals & notebooks – You guys, wars could be started over whether a notebook should have lined or unlined pages. Let the customer know upfront. Also, let them know how many pages are in there. Cello sleeves help keep the corners neat and the pages clean.
  • Prints – Customers often buy prints for gifts or quick decor, so including the dimensions is crucial. A sturdy piece of cardboard lets retailers display the print safely. Prints packaged in tubes are the most difficult to sell. I often have large prints professionally framed, but if the framed print sells, we’re back to the tube. A large color sticker is the best way to show what’s inside.
  • Calendars – Customers who are on a calendar hunt want the days to be in boxes, customers who fall in love with your designs don’t care! Either way, it’s nice to show the customer whether or not there are boxes and display each month on the back (customers want to see their birth month, it’s often what sells them.) Like prints, a sturdy piece of cardboard is helpful for display and protection. I see a lot of dual purpose calendars these days (eg, once used, each month can be a print!) I love this idea, but make sure it’s clear so the customer knows they’re getting two uses for the price.
  • Coasters – Coasters are one item where the packaging might be saved for storage, so this can be a great chance to extend your brand into a customer’s home.

Hello Brick + Mortar: Packaging for Retail by Emily of Clementine for Oh So Beautiful PaperRifle Paper Co’s coasters are packaged in boxes that make adorable storage for any other little thing. It’s a perfect extension of branding and makes the packing bridge into extended use.

  • Tea Towels – Tea towels are almost always displayed folded. To prevent constant unfolding, a nice wide belly band with an image of the opened towel can help. (Bonus: offer to send a sample to display if your retailer buys a certain quantity.)
  • Temporary tattoos – Temporary tattoos are often shared, or used as party favors, so people want to know how many they’re getting. I also think they look better on the body, so a photo of them in action is a super plus.

TattlyAnimalDrivers

Tattly’s packing shows the products on (uh, adorable) models, then the back manages to be fun while describing exactly what’s inside.

  • All other beauties – You makers are so darn prolific, I can’t even keep up with all of the areas that you’re branching into, so I’ll leave you with something simple: let the product speak for itself. Let it guide the packaging and be ok with being simple. Sometimes, that’s the best approach.

Hello Brick + Mortar: Packaging for Retail by Emily of Clementine for Oh So Beautiful Paper

I’m utterly blown away by the beauty created by mixing the talents of Angela Liguori and Maybelle Imasa Stukuls. All I want to know is more about this ribbon, and Angela’s simple spool and clear font on a card give me just that. 

The final golden rule of packaging is this: if you have an innovative idea, go for it. All of this is open to your interpretation. I don’t like cello sleeves, but I’m pimping them out here because it’s the current best solution to selling cards. If you have a better idea, please, go on. As long as your packaging shows and tells what’s inside, you’re meeting your retailers’ needs. If you can make it inventive and even more fun, you’re taking a step further to extend your brand and build a relationship with your retailers and customers.

Search outside of the stationery world for ideas. When I need a bit of inspiration (like how to finish up this post) I pull a collection of items from Clementine to see where themes emerge. I love the packaging below for all kinds of reasons: font, color, utility. Mostly, because it draws you a step closer to the product, making the customer one step closer to falling in love and taking it home.

Hello Brick + Mortar: Packaging for Retail by Emily of Clementine for Oh So Beautiful Paper

Just another day in the shop, lost down a rabbit-hole of the beauty you all make via my Instagram.

I can’t wait to see what you pack up next! xoxoxo – Emily

Happy Weekend!

Well, hello August! My dad is coming down this weekend to help with some pre-baby house projects – and he’s staying all week, such a treat! I’m excited for Sophie to get some Grandpa time, which sadly doesn’t happen nearly often enough. I’m heading out to prepare for a few projects and (ahem) tidy up the house a bit, but in the meantime…

White-Blush-Pink-Bouquet-KTMerry-McKenziePowell-MSW

Bouquet by McKenzie Powell / Photo by KT Merry via Martha Stewart Weddings

…a few links for your weekend:

This week on Oh So Beautiful Paper:

Check back soon for this week’s cocktail! I hope you all have a wonderful weekend, and I’ll see you back here next week! xoxo

Hello Brick & Mortar: NSS Through a Retailer’s Eyes

First things first: 1. I’m going to need more adjectives to effectively re-cap the 2014 National Stationery Show and 2. You are all even nicer/prettier in person. Ok, let’s begin:

Hello Brick & Mortar by Emily McDowell for Oh So Beautiful Paper

Illustration by Emily McDowell for Oh So Beautiful Paper

A few point-of-view factors for this re-cap: I based my NSS plan of attack without factoring in several-dozen people I just wanted say hello to (thanks, this column!), I came for two days (not enough time), and, I am a talker (surprise!). These forces combined to make the show a true whirlwind of incredible moments. I missed booths and didn’t get to say hello everyone. Still, the whole experience was the icing on stationery cake.

Trends I loved:

  • Tiny Cards. I have been coveting Ashkahn‘s You’re Cute cards since Carina sent me one several months back. Now they will be all be mine (or yours, dear customers). As written correspondence continues to make a comeback, customers are willing to try new ways to reach out. The tiny card is quick, cute and can be tucked. I also thought ThimblepressConstellation & Co.E. Frances Paper, Emily McDowelland Nightingale Projects had some standouts in this area.

Ashkahn via Oh So Beautiful Paper

Ashkahn

  • Cards +plus. I’m so impressed with the crafty way cards are evolving to give customers more excitement for their buck(s). I loved the little surprise of glassine envelopes and confetti in the new line from Ink Meets Paper, the 3D DIY vehicles from Blackbird Letterpress are so much fun, and the honeycomb cards by Ladyfingers Letterpress are totally wow-worthy. From the customer’s point of view, this helps a card evolve into a gift.

LFLaimhigh

Ladyfingers Letterpress

BBLcamper

Blackbird Letterpress

  • (really good) Sympathy Cards. Sympathy cards are hard. I often find them too distant and oddly condescending, two things I really don’t want in a sympathy card. But this year I was impressed with the breath of real, heartfelt, and sometimes appropriately funny offerings.
  • Better Wedding + Love Cards. Are you married? Is it all doves and roses? Exactly. Thankfully cards are starting to reflect the realness of relationships. I love that same-sex wedding cards are becoming regular parts of your wedding lines and that love and wedding cards are increasingly interchangeable. Ideally, at Clementine, I have cards that could be given for wedding/valentine/anniversary/love all-year-round.

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Anke Weckmann of Red Cap Cards

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Near Modern Disaster

  • Party Accessories. The cake toppers from Parrott Design Studio, Matches from The Social Type, and the confetti push pops by Thimblepress top my list, and I loved seeing the buntings, garland, and napkins that keep me out of the sad drugstore isles the night before a party I just made up.
  • Tape & Mail AccessoriesBeve‘s gold glitter tape was magic, Oh, Hello Friend‘s masking tape is brilliant (especially for small retailers who want their online orders to have a little message!)

OHFhellotape

Oh Hello Friend

  • Ready to Mail. I’m excited to see postcards infiltrating the show. Life Is Funny LA’s booth had the super-smart giveaway of his own postcards for us to mail back home. And I  think Moglea‘s letterquette set is in a league of its own.
  • Americana. There were some really great America and state based cards and prints this year. Creating a state series is a smart way to snag a retailer’s attention for their home state. I’m not big on stocking items just for tourists, but a beautiful print of Vermont (even if based on a souvenir) is something I would stock for local and visiting customers. I was sad to miss Power & Light’s booth and had a rushed hello at Idlewild Co. but both had beautiful Vermont prints that caught my eye and remain in my future order plans.

PLPvermont

Power & Light Press

  • Saturated Color Wash Cards. I like the watercolor trend and I like dip dye, but I really like these bold, abstract color wash cards. It probably goes along with my card-to-art print fixation. Standouts included MogleaThimblepress, and An Open Sketchbook, who sat this show out, but (smartly) sent me an email a few days prior with a link to online ordering.
  • The flat note. The new indigo wash friendship collection from Sycamore Street Press is bold and brilliant and so refreshing. I am excited by the flat note and its potential to reposition stationery as affordable art.

Booths I loved:

Nole’s recaps have been pretty stellar so I thought I’d tell you why some booths stuck in my mind. Though time was not on my side, there were booths that stood out even though I only saw them in quick passing:

Betsy Ann Paper’s fluttery yellow envelopes were beautiful and immediately ushered in romantic letter-writing dreams. Liz’s drawings are small scale and the booth layout and solid colors complemented her work well. Hartland Brooklyn’s pineapple wallpaper was just a total treat. Emily’s drawings are alsodelicate, so blowing one of them up for a wallpaper display was a brilliant way to entice retailers with her own work. Ashkahn’s booth was refreshingly minimal, but the combination of random bits of funny and neon made me re-live my favorite parts of lying around in a dorm room with hilarious friends. The combination of neon and paper planes against a minimal booth at Idlewild Co. perfectly reflected Katie’s playful, strong aesthetic. The Iron Curtain Press booth was streamlined, yet cheerful with a bold stripe of yellow. I also loved how Rosanna’s prints were on one wall and cards (a full, but not overwhelming collection) on the other. This set up made it easy to step back, asses and dive into an order. Think & Ink’s colors were coordinated to cozy, modern perfection. Bambs created a home around her cards and really I just can’t stop thinking about those throw blankets.

{phew! Break. Ok, back at it}

The wallpaper in the Rifle Paper Co. booth was obviously something I would have stuffed in my suitcase had time/subtlety allowed. Meg’s paintings in the Moglea booth were fine art quality. I loved it alone (i.e., I asked her to please reproduce and sell the small stretched canvases as prints) and for the way it situated and elevated her saturated, colorful, edge painted work. I would pay cash money for someone to give me adjectives to define my personal style, so the Sycamore Street Press booth won me over before I saw it. In person it was straight out of a design magazine and blended effortlessly with Eva’s cards. Betsywhite Stationery’s clean and crisp booth was perfection. Ferme à Papier took moody travel to beautiful depths, while Yellow Owl Workshop is always a mind-bending visual delight. Banquet Atelier & Workshop has mastered the mix of prints and cards. If their booth is in sight, it’s hard not to walk right in (plus, I loved the oriental rug on the true Javitz floor, it was grounding and refreshing). Linda & Harriett was a clear standout for me. The black and white was a visual relief from all of the color at the show, and the small and large scale of her work made her identity absolutely clear, which helped me envision exactly how it would fit at Clementine. In contrast, Sue Jean Ko was such a lightening bolt of neon, it was like sitting in a sunlamp in winter. Angela Liguori’s wall of ribbon is just plain covetous. I loved the Belle & Union booth for being a relaxed, welcoming retreat that was truly the personification of Meg’s cards. Finally, let’s all let Sarah of Parrott Design Studio choose a paint color for our houses: her bold blue wall was spot on and she.had.cake.in.her.booth. Sold.

Ok, I see why Nole did 14 of these. You all put so much effort into your booths and there are many more that I loved, but I just have to stop. One little booth hint: The one universal wish I had for booths this year was to do away with the cellophane sleeves. You’ll notice I’m not using pictures from the show. I wanted to, but so many were so washed out and reflective. It’s hard enough to get a decent picture with those NSS lights, cellophane makes it almost impossible. (Ed Note: Nole echoes this request.)

The Nitty-Gritty of Show Orders:

  • Plans vs Reality. I had two unplanned order snafus this year. First, I really didn’t have enough time to wander and ruminate. Second, my new point-of-sale system, wasn’t accessible from my phone. So I made far fewer orders from existing lines than expected. I stuck pretty much to my pre-determined must-order from list and had a few surprise orders. The big surprise for me this year is that catalogs, which I normally loathe (for their weight, not for their beauty!) have been so helpful post-show (so have your follow up notes and emails! Just do be patient, I’m still a bit under water).
  • An extra set of cards. I love ordering online because I like to visualize my order as I’m making it. At the show, I especially loved booths that kept an extra full set of cards, soI could pull them out and arrange them together.
  • The Emotional-Mathematical equation of an order. I touched on this in a prior post, but the show brought up a few extra thoughts. In addition to the “do I love it?/will it sell?” equation, I’m also assessing whether a designer offers a full line of cards that I love and other products I could expand into in future orders. I’m thinking about who will buy each card as I order it – this is often where the “I love it! But I don’t know if it will sell.” comes into play.
  • Show Specials. I was literally racing for parts of the show and if there was no benefit to making an order at the show, I did a lot of hugging and catalog grabbing. My favorite show special is free shipping or free product, because…
  • Low/no order minimums may motivate some retailers, but if I wouldn’t spend your minimum on my first order, it’s unlikely that your line has have enough products that fit at Clementine to build a strong relationship. I have a lot of companies that I really like one or two products from, but ideally, I’m struggling to whittle my first order, not to find an additional item I may like.

A few moments from the highlight reel of my #NSS2014:

  • You! For real, I could write another post on how great you all are, but I was especially struck by how welcoming and curious you all were to ask questions to grow and expand your lines. I love this kind of discussion. It’s undoubtedly why I love writing this column and why I didn’t get through the whole show.
  • Your community. The generosity of the stationery community is a force to be reckoned with. I’m excited about this, because I believe that the more we share information, the more people will rise to the top because of talent, rather than insider knowledge. For that reason, it was especially nice to give a real life squeeze to AmberKatie and Rachel, who I think are killing it in this area. Also, the Ladies of Letterpress booth (and the fact that so many alums have gone on to their own booths) is a testament of how much is right with your world.
  • The Paper Party flowers I rescued, carted through the city to my hotel room, wrapped in Banquet Workshop’s catalog and Beve’s gold tape, checked at the coat check, carried on the train, and arranged on my mantel once home.

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Instagram photos by me from my ‘save the flowers’ campaign

  • Hugs + friendships. I’ve been waiting months to hug some of you. I had several friends and family comment on how happy I looked in all of my photos, which I really, really was. I was lucky enough to convince Annemarie to join me for part of the show, which was a win for me, because she’s whip smart and hilarious and seeing the show though her eyes (as a vendor walking the show) helped me articulate what I was drawn to. We had breakfast with Erin who I’m sure you already know, but I have to note how lovely her friendship has been to me and how wonderful it was to sit down in person to share stories of shop ownership, vendor relationships and this life. And of course, meeting Nole in person was sugar coated flower on top of the icing on top of the cupcake.

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Having a horrible time with E. Frances Paper & Scout’s Honor Paper I’m the one not wearing stripes, whose tonsils you can see.

In conclusion, my new dream job is just to be the Tim Gun of NSS. In this daydream NSS would last for 6 weeks (I know. But this is my fantasy, not yours). Someone would give me $100,000 to make orders and I would just walk around telling you all everything you’re doing right. Let’s make that work.