Elizabeth + Ricky’s Elegant Trellis Wedding Invitations

These wedding invitations from Sarah at Foglio Press combine classic elegance with Spring garden-inspired details and a bit of Southern Charm. Sounds like the perfect combination to me!

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From Sarah: Elizabeth and Ricky’s garden-style wedding was a classic and elegant affair, with a hint of Southern charm. Their stationery suite design was inspired by the lush Spring florals used throughout their reception, and the trellis patterns found throughout the decor. With its understated style and gorgeously printed details, this suite quickly became one of my personal all-time favorites to date!

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In order to reflect the couple’s classic yet natural style, we combined a traditional serif font with a handwriting inspired script, and created a simple monogram to carry from the save the dates through to their wedding day stationery pieces. The mix of pattern, texture and borders throughout each piece of the suite added interest and depth to an otherwise simple and minimal design style.

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The groom was in favor of a photo magnet style save the date, but the bride wanted something more traditional. As a compromise, we printed the couple’s engagement portrait (including their favorite four-legged companion!) onto a wallet-sized magnet, and adhered the magnet to a more traditional printed save the date. The magnet could easily be removed from the thick paper backing as a memento, keeping the printed save the date in tact.

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For the wedding invitation suite, it was all about elegance and high quality printing and materials. The invitation suite was letterpress printed for us by Mama’s Sauce on Crane’s Lettra – we used double thick, 220# stock for the main invitation to get the most out of the rich blind impression of the couple’s signature trellis pattern and monogram. The text and additional suite elements were printed in an antique gold ink, with simple garden-inspired printers ornaments scattered throughout. Finishing touches included an organic feeling, dupioni silk ribbon band in lush evergreen, and handmade paper envelope liner with a hint of gold shimmer.

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Thanks Sarah!

Check out the Designer Rolodex for more tal­ented wed­ding invi­ta­tion design­ers and the real invi­ta­tions gallery for more wedding invitation ideas!

Photo Credits: Foglio Press

Brick + Mortar Q + A: Perfecting your Stationery Show Booth

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Illustration by Emily McDowell for Oh So Beautiful Paper

Dear Emily, 

I was sketching out booth designs for the National Stationery Show and had a few questions (see below!)

xoxo, Sarah

Parrott Design Studio

1. Do you find it helpful to label the card category (eg Birthday, Thank You) above/near the cards?

NSS 2014: The Paper Cub via Oh So Beautiful Paper

The Paper Cub uses their own signature lettering in a larger size, making it well branded and easy to read!

Labeling cards by category is a great idea, but make sure it integrates well into your booth. It should be well branded with the rest of your booth design, not a messy/half-done afterthought. These labels are your table of contents, and act as your megaphone (Hey! These are the cards/accessories I sell! Come in for a closer look) so use type that’s large enough to read if I’m standing in the aisle. Also, don’t feel constricted to the normal categories. Birthday, Thank You, Baby, Wedding, Sympathy are all important, but if you have an unusual category let us know what you call it, that can start a conversation. If you don’t create cards in traditional categories, think of this as a reminder to highlight or embolden your line in smaller sub-groups, so that buyers can view it in bite-size chunks.

2. I have never highlighted what is new and what is a best seller, but I found I was constantly pointing them out to buyers. Is it helpful for buyers to see this or is it a better idea to highlight these categories in their own section? 

NSS 2014: Fugu Fugu Press via Oh So Beautiful Paper

Fugu Fugu Press highlights new additions on their stickers with a different color, the perfect visual cue to buyers.

It’s a good idea to highlight new and best seller cards for obvious reasons, but I would be careful that these tags don’t become visual clutter. I like little flags/stickers that note new cards cards because this shows you’re coming up with fresh content. Noting “best sellers” may be smart, if you’ve done a significant volume of sales. But if you’ve never sold wholesale before, or only have a few stockists, it may be a subjective/possibly irrelevant distinction to the buyers you meet at the Stationery Show. By telling me what a best seller is, you’re giving a recommendation, so make sure you’re confident. I would always recommend a small sticker or flag next to the card, rather than creating a whole section to note new or best sellers. A mailer or email is a great way to send me a visual of all new cards, but at the Stationery Show, I want to see all of your birthday cards together, because I’m comparing them against each other to make my selections.

3.  A lot of exhibitors are taking orders digitally. I still love writing out an order and feel like too much can go wrong at the Javits (wonky wifi, computer error), etc. As a buyer, do you like leaving a booth with a physical piece of paper/receipt, or are you happy with an emailed order?  Or does it really matter as long as we take the order quickly and correctly?

It doesn’t really matter. Do the system you’re most comfortable with and do it well. I don’t care if you give me paper that I throw away, I do care if you lose my order. If you are doing digital orders, I would suggest sending an email confirmation asap. I’m making a lot of orders and I don’t remember what I ordered a day later, especially if there’s no physical record, this can lead to confusion a month later when my order arrives. If you are taking the order by hand, do your best to make it clear. Many of the paper orders I get are so messy, I can’t tell what I’ve ordered based on what vendors write down. Which ever way you do it, get it to the retailer clearly and as quickly as possible. (If you do go digital, it’s probably not a bad idea to have a backup system, just in case!)

4. Show Specials – I remember you asking me if I had one last year (I did not) and you were trying to maximize specials at the show and would order from me after if I didn’t have one (and you did!). I am thinking of offering one this year as I think it would help with not only new orders, but re-orders. We have been talking about this on the Tradeshow Bootcamp forum on Facebook and we all seem to agree they are a good thing!

I just think show specials are smart. They are a marketing tool. They serve as: 1) a nice way to say “hey, this is a special time, thanks for coming out!” 2) a good incentive for a buyer who is on the fence about placing an order at the show, or 3) A great way to make existing retailers take their credit card out again. If I know I’ll be buying from you later in the year, I’ll certainly do it now with financial incentive. I talked about show specials in this post, but essentially, I think there are two smart specials: 1) Free shipping 2) A percentage off or free product for buying a little more. How do you decide what this should be? Look at your average order – is it $200, then make the incentive 10% off for orders over $250; or order $250 and get $25 in free product; or order 12 dozen cards get 6 cards free. In other words, you’re giving me a benefit, while giving me the incentive to order a little more than I might normally. Different incentives will appeal to different retailers. If you have a handful you trust, why not ask them now what they’d respond to at the show? (I would love to know some of the ideas that you’ve discussed in Tradeshow Bootcamp!)

5. I would love to hear if you have further thoughts on how booths are laid out and what you, as a buyer, find helpful when you have a million booths to see and what makes shopping a breeze!

Well, since you asked, I do have a few:

  • I would really encourage sellers to display their cards without sleeves this year. I know you run the risk of getting them damaged, but it just looks so much better.
  • Please make your booth numbers easy to read. Consider a nice, bold font that can been seen from at least several booths away.
  • Showcase your work. To me, this means framing your prints and showing your accessories in use. Your booth is a mini-shop, merchandise it!

National Stationery Show 2014: Gingiber via Oh So Beautiful Paper

Gingiber’s pillows are stuffed and cozy and her prints are framed so you can picture them on your walls.

National Stationery Show 2014: Blackbird Letterpress via Oh So Beautiful Paper

I think we can all agree, it’s helpful to see the Blackbird Letterpress 3D cut + fold vehicles when they’re actually put together.

  • Find a place for calm within your booth: Maybe it’s one wall with just your name or a large counter with nothing on it. In a day, I see thousands of cards, prints and accessories. My eyes are exhausted. Smart blank spaces will stand out more than anything. Your deep blue wall from the Stationery Show last year is a great example of this:

National Stationery Show 2014: Parrott Design Studio via Oh So Beautiful Paper

  • Finally, do that thing you’re excited about and a little afraid of doing. You know your line and your aesthetic better than anyone else. When in doubt, when you’re sleep deprived and questioning everything, ask yourself: what you I best? What do I love doing? Then trust it. Add it in to your booth, or pump up an element that seems to be working. You’ll love it, and you’ll be memorable because of it.

All images swiped from Nole’s prior National Stationery Show recaps. They’re great, I’d totally suggest perusing them now. See you in a few weeks!

xo Emily

Seasonal Stationery: Mother’s Day Cards, Part 2

Yesterday I kicked off my Mother’s Day card round ups with twelve awesome cards – but who says you have to pick just one? If you really want to make your mom’s day, pick a few favorites and send her a card a day for an entire week!

2015 Mother's Day Card Round Up by Oh So Beautiful Paper

1. Our Heiday

2. Detroit Card Co.

3. Hartland Brooklyn

4. Print for Love

5. Emily McDowell

6. Yellow House Handmade

2015 Mother's Day Card Round Up by Oh So Beautiful Paper

7. Sea + Lake Paper Co.

8. Steel Petal Press

9. Anemone Letterpress

10. Betty Turbo

11. Four Wet Feet

12. Sapling Press

If you’re looking for something else – you can find 150+ beautiful Mother’s Day cards in the OSBP Market List right here!

Behind the Stationery: Old Tom Foolery

Our next installment of Behind the Stationery features the husband and wife duo behind Old Tom Foolery! Their clever, humorous greeting cards are my favorite to read while browsing gift shop shelves and are truly equally catered to men and women (which seems rare these days). Here’s a bit of their story, highlighting their creative process and advice for new stationers. It’s all you, Lauren and Joel! –Megan

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Photo by L&E Photography

Hi, it’s Lauren and Joel from Old Tom Foolery. (Thanks, Nole and Megan, for letting us hijack your oh-so-beautiful site for a guest post.) We’ve been asked to share our story and some wisdom we’ve picked up over the years. We can definitely share our story — not sure about the wisdom part though since we still feel like we’re learning new stuff every day, but we’ll give it a shot.

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Photo by L&E Photography

We met in grad school for advertising in Richmond, Virginia in 2003. Lauren was studying art direction and Joel was studying copywriting. While we were dating, we shopped at a great independent card shop in Richmond called Mongrel which opened our eyes to the possibility of truly fun, original cards being created by small makers. Seeing their cards made us realize that making greeting cards was a lot like making ads and it planted the seed that, hey, maybe we could do this greeting card thing, too.

Once we graduated, we worked as a creative team together at an ad agency in Seattle and then eventually moved to San Francisco where we worked at separate agencies. Advertising was both fun and incredibly stressful, and we increasingly had the itch to work for ourselves. In 2007, just after Joel had quit his agency job, Lauren serendipitously found a letterpress on Craigslist. We figured it was a sign, so we bought it, took some letterpress classes at the San Francisco Center for the Book, and Old Tom Foolery was born.

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Photo by Old Tom Foolery

From the beginning, we knew we wanted our cards to have a unique look and funny tone using premium materials and printing techniques, and appeal to both men and women. So we came up with the tagline, “Unsappy, uncrappy cards and curiosities” to convey what Old Tom Foolery is all about. That line has guided every product we’ve made since.

We officially launched OTF at the National Stationery Show in May of 2008 with 52 Footnotes Collection cards that we printed in our kitchen. We got enough orders that first year at NSS to validate our efforts and our business just kind of snowballed from there.

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Photo by Old Tom Foolery

As we got into more and more stores, it didn’t take long for us to realize that printing was a huge time commitment and we should leave it to the pros so we could focus on writing, designing, and just generally running our business. We both gradually went from working part-time on OTF to full-time. (Lauren went full-time first in 2010 and Joel followed in 2012).

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Photo by L&E Photography

We’ve also moved our office twice: first in 2010, from the kitchen of our San Francisco apartment to the basement of our Minneapolis house after we got married; and second in 2013, from our house to a shiny new office space in the fantastic Eat Street neighborhood in Minneapolis. This new space is perfect for our needs as we’re able to keep our inventory in the basement and still have office space and a retail shop on the main floor. Our team has grown from just the two of us to include a full-time accounts coordinator (Kelli), office/project coordinator (Melanie), shipping/assembly assistant (Emma), as well as three regular part-time employees (Tim, Liz, and Claire), and an official mascot (Ryder the dog). Pardon our French, but our employees effing rule. We couldn’t do it without them.

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Photo by Old Tom Foolery

As far as our creative process goes, we’re always jotting down ideas on Post-it Notes, iPhones, or journals so when it’s time to do a new release, we can start by looking through those ideas to see of any of them hold up. If so, we’ll brainstorm separately about ways to develop the idea and then come together to talk about our favorites. Generally, Lauren will work on designs and Joel will work on writing lines, but there’s a lot of overlap in these roles. It’s funny—people always ask us, “Do you guys just sit around with a bottle of wine and think up funny stuff?”. That couldn’t be further from the truth, actually. It’s hard work. Fun, but hard. We really strive to create cards that other people haven’t already done, and it’s difficult because there’s a lot of great stuff out there. (I mean, really, how many different ways are there to say “Happy Birthday”?!) We’ll write hundreds of lines and come up with hundreds of different design variations before we land on 10-20 cards that we feel are worth printing.

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Photo by Old Tom Foolery

In summary, our advice for new stationers is:
1) Quit your job if you hate it, but be prepared to supplement the income from your new stationery business for at least a few years.
2) Start with a unique point of view and stay true to it.
3) Launch your stationery line at the NSS. It’s the best way to get noticed.
4) Marry your business partner.
5) Move to Minneapolis—it’s better than you think.

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Photo by Old Tom Foolery

Interested in participating in the Behind the Stationery column? Reach out to Megan at [email protected].

Happy Weekend!

Happy Friday everyone! I’ve been spending a lot of time out in my garden lately (now that the weather is finally nice again!) and it has been so nice to see everything start to turn green after so many months of brown and gray. My peonies even have buds and the lilacs aren’t far behind! But in the meantime…

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Photo by Flowermuse via Instagram

…a few links for your weekend!

This week on Oh So Beautiful Paper: