Behind the Stationery: Egg Press

From the PNW, Kara and Tess are here to share their story Behind the Stationery at Egg Press! As partners in leading a growing company in Portland, collaborating on all fronts is a key part to their success. Beyond greeting cards, Egg Press partners with local companies, started the Write_On campaign to promote written correspondence, and actively gives back in their new GOODS FOR GOOD collection. Take a look inside their day to day! â€”Megan Soh

Behind the Stationery: Egg Press

From Kara and Tess of Egg Press: In 1999, Tess left her job as a graphic and surface designer for Nike so that she could be in her letterpress studio more. Her intent was to print custom work for the local design community, but when she took a handful of card designs to a trade show in SF on a whim, Egg Press was born.

Behind the Stationery: Egg Press

Our studio is located in beautiful NW Portland, Oregon on the third floor of the Schoolhouse Electric building, a 1910 brick factory and warehouse. We love coming to this inspiring space every day and of being part of a long tradition of American manufacturing. It’s gratifying to use these old machines (the basic design of some of our presses goes back to the 1800’s) to make wholly new things. We have 12 presses including Heidelberg windmills and Chandler and Price clamshells. They all have different personalities which have garnered nicknames. One of our Heidelbergs may be one of the oldest of its kind still in use. We also have sewing machines, a screen printing set up, as well as old-school gadgets for corner rounding, paper jogging, and notebook padding.

Behind the Stationery: Egg Press

Kara and Tess work in the back office near the train tracks. Conversations are occasionally brought to a stop as loudly whistling train pass by. It’s all part of the charm. Tess and Kara work side by side every day – Tess on the left, Kara on the right collaborating on most everything that leaves the studio.

Behind the Stationery: Egg Press

On a typical day Tess and Kara can be found working on design deadlines, collecting inspiration, creating illustrations for a local grocery chain, taking meetings and thinking about what’s next. The print room comes in early and creates their to-do list, juggling custom printing needs, inventory needs, and R&D for new products or formats. The folks in the office make sure all is running smoothly with accounts, customer service, and orders, while the shippers hustle to get boxes picked, packed and ready for the postman by 3:00pm.

Behind the Stationery: Egg Press

Behind the Stationery: Egg Press

Photo by Micah Fischer

We are still a small enough company to be nimble. While each person has a set of responsibilities and things to do each day, we all wear many hats and are able to come together to accomplish a lot as a team. This means we can respond to exciting opportunities as well as bumps in the road in a timely fashion.

Behind the Stationery: Egg Press

First and foremost, we are inspired by the letterpress process and the technical constraints of designing for it. We love Japanese and Scandinavian design and are also inspired by vintage ephemera, Bauhaus typography, interesting color combinations and word play.

Behind the Stationery: Egg Press

We start by collecting inspiration and with our marketing and sales team, considering needs in the marketplace. Once we have solid ideas that get us juiced up and a design direction established we begin to sketch, draw, paint and compose on the computer. When we have enough contenders we review the designs to narrow down the offerings.

Behind the Stationery: Egg Press

Behind the Stationery: Egg Press

At this point plates are ordered, colors are specified and the cards move to the printing process. This is where the real magic happens. There is nothing better to see the cards come to life fresh off the press.

Behind the Stationery: Egg Press

Usually new formats start with what inspires us. For example, we love textiles, so within our SPK line (Social Preparedness Kit) we offer small batch soft goods, designed, printed, and constructed from start to finish in our studio. SPK also includes stationery products for the desk and other goods that help make letter writing easy.

Behind the Stationery: Egg Press

Another big initiative we design and produce for is Write_On, our annual letter writing campaign. This was born from founder Tess Darrow’s desire to get in the habit of writing more letters. It’s fun to brainstorm products that will inspire folks to write. We’ve created letter writing advent style calendars, totes to carry your materials, and enamel pins to show your support for the cause.

We don’t typically produce a lot of postcards but are excited to heed recent requests for political postcards while raising money for some of our favorite causes. Along with totes and screen printed t-shirts, they’re part of our recently launched GOODS FOR GOOD line in which all proceeds are donated to organizations that are working to better the lives of all people.

Behind the Stationery: Egg Press

All photos by Christa Fowles except where noted.

Interested in being featured in this column? Reach out to Megan at megan [at] ohsobeautifulpaper.com for details.

Happy Weekend!

Happy Friday everyone! I survived my first week of Mama Camp with my two girls – hooray! So far, we’ve been blackberry picking, visited some farm animals, visited our local splash pad and a few playgrounds, and went to check out the Hive installation and kid-friendly exhibits at the National Building Museum. I’m super excited for our adventures next week! But in the meantime…

Caladium Illustration // Juliet Meeks

Illustration by Juliet Meeks via #dailydoseofpaper

…a few links for your weekend!

A huge congrats to the ladies of Gus & Ruby Letterpress on their second store in Portland, Maine! They open at noon TODAY – Portland, go say hello for me!

I feel like I need this sequin top in my life ASAP

I really appreciated this post on Design Mom about having a big family. I constantly feel overwhelmed as the mom of two kids under 5 – but maybe it’s just because of their young age? I don’t plan to have more children, but I’m curious to see if I’ll feel less overwhelmed once both of my kids are over the age of 4.

Stationers and printers: have you seen this gorgeous new Strathmore letterpress paper?? It even comes in pale gray and pink!

Loving Knot & Bow’s latest rainbow-inspired collection, which includes party plates, napkins, and double-sided gift wrap

Did you see that West Elm is having a huge lighting sale this weekend?? This is one of my all-time favorite chandeliers, and I really love these sconces for bedroom reading lights. 

MAKE: Elote queso dip

Card of the week!

 

This week on Oh So Beautiful Paper:

Here’s how I’m staying organized during back to school season with the Pilot G2 pen

Going Behind the Stationery with Meghan of And Here We Are!

A few favorite punny greetings from the 2017 National Stationery Show…

…and some favorite notebooks, notepads, file folders, and more from the show!

The gorgeous and ethereal calligraphy of Kelsey Malie Calligraphy

 

That’s it for me this week! I’ll see you back here on Monday! xoxo

Behind the Stationery: And Here We Are

Everyone has such unique stories about how they came into the stationery world and Meghan from And Here We Are is no exception. Meghan eased into the stationery industry after designing and printing her own wedding invitations, and after 9 years in New York, moved her Brooklyn studio to Columbus, Ohio where she recently moved (again!) to an industrial space. Walking us through her design process from brainstorming and sketching to printing techniques, here’s Meghan! —Megan Soh

Behind the Stationery: And Here We Are

From Meghan: Hi there! I’m Meghan, owner and founder of And Here We Are, a design & letterpress printing studio based in Columbus, Ohio. I went to school for graphic design – and back again for typeface design – and in past lives have worked as a textile designer, a designer in a traditional firm, an in-house designer for a PR firm, and finally, a print designer at a television network. I live in the Short North neighborhood here in Columbus with my husband, John, our son Wiley, and our dog Martha.

Behind the Stationery: And Here We Are

And Here We Are launched in 2012 out of our apartment in Greenpoint, Brooklyn. It started after I went a little nuts on our personal wedding invitations and paper goods, and the press led to several more custom wedding commissions. I always loved letterpress printing, which I’d discovered in college, and was really excited about the idea of getting my hands dirty again!

Behind the Stationery: And Here We Are

I worked nights and weekends for about a year before I officially left my day job to purse paper goods full time. At first I was working out of the corner of our living room, meeting clients in coffee shops and renting letterpresses at a local studio in Brooklyn. We bought our first letterpress in 2015, and moved out here to Columbus (after 9 years in New York) in search of affordable space. We were lucky to find an adorable little Victorian house just north of Downtown with a 400 square foot sun room that made a perfect home studio.

We worked out of this studio until it was just about bursting at the seams; we recently moved all of our equipment and product stock out into a 1,000 square foot space across town. Being in this industrial space will allow for more (and heavier) equipment, and I plan to host events and workshops, too.

Behind the Stationery: And Here We Are

In addition to custom design and printing, we have a full line of letterpress printed greeting cards and accessories that we sell both retail and wholesale (we exhibited in our first National Stationery Show this Spring). We do all of our letterpress printing in house, but offer all sorts of printing methods through our network of trusted vendors here and back in New York. We often combine letterpress printed pieces with foil stamping, digital printing or die cutting.

Behind the Stationery: And Here We Are

Behind the Stationery: And Here We Are

We currently have a Vandercook SP-15 letterpress, which carries about 90% of the load, and a C&P pilot press which we use mostly for coasters and some smaller items. We trim on a Challenge Triumph hydraulic trimmer. A Windmill or Kluge letterpress is probably not too far off in the future, and I’d like to bring foil-stamping in house too.

Behind the Stationery: And Here We Are

Behind the Stationery: And Here We Are

From 2014-16, my husband John was also working with me, but went back to a day job last year when we found out we had a baby on the way. So for now, I’m working by myself again, with the occasional part time or temp helpers. Now that we’ve moved into our new space I’m hoping to bring on 1-2 members to join the team.

Behind the Stationery: And Here We Are

There really isn’t such a thing as a typical day when you run a business and have an 8-month-old; most days we’re up at 6:30, having breakfast and taking a long walk before heading into the studio. Around 8:30, I drop the baby off at day care or bring him with me, depending on the day of the week. I could be drawing, printing, trimming, filling orders, or writing estimates and invoices (the most glamorous part of the job). There’s always a lot more emailing and administration than I’d like, but I’m often able to tackle those tasks at home after the little one’s gone to bed.

Behind the Stationery: And Here We Are

Even when I’m not in the studio, I’m almost always carrying a notebook or sketchbook to jot down new ideas, doodles or notes. I usually start with just a list of words that I keep on my phone, which I then distill into a few categories and then every month or two I’ll block out a few solid days to sketch out some lettering and illustrations, and then spend another week or two refining those.

Behind the Stationery: And Here We Are

I usually move from pencil sketches to brush and ink or brush pens, often drawing and redrawing an idea through layers of tracing paper to distill it down to the simplest form possible. Sometimes I work backwards from an ink color I really want to use, or a print method I want to try. Then the drawings get scanned into the computer, cleaned up and digitized. I assign ink colors on the computer (although I often change my mind when I’m on the press!), prep the files for letterpress printing, and send the art out to have plates made.

Behind the Stationery: And Here We Are

Often, I start with art prints, then extend the artwork through other items like totes, coasters or cards. I usually release new collections about once a quarter.

Behind the Stationery: And Here We Are

Custom work is a whole other monster. These start with a client meeting and idea board; then I’ll ruminate on it a bit and pull some visual examples into a Pinterest board. I keep my sketchbook handy and usually in a week or two I’ll hit on an idea that I can get excited about (and when I’m lucky, the client is excited about it too!). Totally custom jobs usually go through about 3-4 rounds of design before we hit the press. Since we had the baby, I’ve been shifting the focus of And Here We Are toward the retail and wholesale side of the business, but do still take a limited amount of custom projects each season.

Behind the Stationery: And Here We Are

And Here We Are is a member of the Designer Rolodex – see more of their beautiful work right here!

Follow along with And Here We Are on Instagram and Twitter.

Studio photos by Adam Lowe Photography; others by And Here We Are.

Interested in being featured on the Behind the Stationery column? Reach out to Megan for more information at megan[at]ohsobeautifulpaper.com.

NSS 2017: New Exhibitors, Part 2

I’m back to highlight a few more of the first-time exhibitors at this year’s National Stationery Show! Today’s round up is full of colorful illustrations and playful hand lettering – plus one booth with a totally different vibe from anything else at the show this year. Let’s start with one of my favorite booths from the show: Frog & Toad Press! They make the sweetest letterpress printed greeting cards, along with pennants and embroidered patches that you’ll be seeing in a separate round up a bit later on. 

NSS 2017: Frog & Toad Press

NSS 2017: Frog & Toad Press

NSS 2017: Frog & Toad Press

Frog & Toad Press (see the full booth here!)

Fun colors, seriously cute copywriting with a sense of humor, and pretty hand lettering from Friendly Fire Paper. I’m pretty sure I need the art print below in my office!

NSS 2017: Friendly Fire Paper

NSS 2017: Friendly Fire Paper

Friendly Fire Paper (see the full booth here!)

We saw Boss Dotty Paper Co. in last week’s Lady Power round up, but I couldn’t resist sharing a bit more from this booth! Also, I’m pretty sure La Croix was the food trend at this year’s show.

NSS 2017: Boss Dotty Paper Co.

NSS 2017: Boss Dotty Paper Co.

Boss Dotty (see the full booth here!)

First time exhibitor Frankie’s Girl came all the way to New York from Sydney, Australia! Aren’t these calligraphy greeting cards so pretty?

NSS 2017: Frankie's Girl

NSS 2017: Frankie's Girl

NSS 2017: Frankie's Girl

Frankie’s Girl (see the full booth here!)

The sweetest illustrated stationery from JooJoo Paper, with plenty of florals, animals, and gold foil sprinkled throughout the collection:

NSS 2017: JooJoo Paper

NSS 2017: JooJoo Paper

JooJoo Paper (see the full booth here!)

I’ve been a fan of Red Cruiser‘s foodie-inspired stationery for years – especially the beer pairing cards! – and this year they finally exhibited at the National Stationery Show!

NSS 2017: Red Cruiser

NSS 2017: Red Cruiser

Red Cruiser (see the full booth here!)

Tiny Bones Press was a complete surprise at this year’s show – and I absolutely love their delicate, minimalist vibe. The entire booth was filled with the most beautiful, simple designs in letterpress and gold foil and looked totally different from anything else at the show this year.

NSS 2017: Tiny Bones Press

NSS 2017: Tiny Bones Press

Tiny Bones Press (see the full booth here!)

Love these colorful matchsticks in tiny glass jars and snarky prize ribbons from Frankie & Claude!

NSS 2017: Frankie & Claude

NSS 2017: Frankie & Claude

Frankie & Claude (see the full booth here!)

Such a fun preppy, nautical vibe from new-to-me stationers Grove Street Press.

NSS 2017: Grove Street Press

NSS 2017: Grove Street Press

Grove Street Press (see the full booth here!)

Colorful illustrated cards, gift wrap, notebooks, and notepads from There Will Be Cake:

NSS 2017: There Will Be Cake

NSS 2017: There Will Be Cake

There Will Be Cake (see the full booth here!)

Cute illustrated cards with a sense of humor from Tylre!

NSS 2017: Tylre

Tylre (see the full booth here!)

Browse all the booths from this year’s show right here – check back tomorrow for a more favorites from the show!

Photo Credits: Nole Garey and Hannah Nowack for Oh So Beautiful Paper

NSS 2017: Lady Power

If 2016 was the year of the boss lady, then 2017 was definitely the year of lady power at the National Stationery Show! Several booths had entire collections dedicated to female empowerment, from celebrating female relationships to historical perspectives on women’s rights and the role of women in political change. Today I thought we’d take a closer look at some of those booths, starting with a booth completely dedicated to celebrating strong women – She Paper!

NSS 2017: She Paper

NSS 2017: She Paper

NSS 2017: She Paper

She Paper (full booth here!)

If you’re looking for a bit of extra motivation for political action, Dahlia Press has you covered!

NSS 2017: Dahlia Press

NSS 2017: Dahlia Press

NSS 2017: Dahlia Press

Dahlia Press (full booth here!)

Female empowerment and a healthy dose of history from Blackbird Letterpress:

NSS 2017: Blackbird Letterpress

NSS 2017: Blackbird Letterpress

NSS 2017: Blackbird Letterpress

Blackbird Letterpress (full booth here!)

New exhibitor Boss Dotty Paper Co.‘s entire booth was dedicated to female empowerment, from besties to boss ladies!

NSS 2017: Boss Dotty Paper Co.

NSS 2017: Boss Dotty Paper Co.

Boss Dotty Paper Co. (full booth here!)

Lady power postcards from Party Sally!

NSS 2017: Party Sally

Party Sally (full booth here!)

Paper Epiphanies has a full collection devoted to empowering women, from art prints to mugs and notepads!

NSS 2017: Paper Epiphanies

NSS 2017: Paper Epiphanies

Paper Epiphanies (full booth here!)

I love Emily McDowell‘s realistic take on lady power – women helping empower other women through late night text message exchanges! So I’m not the only one??

NSS 2017: Emily McDowell

Emily McDowell

In the Banquet Workshop booth, an art print and tea towel featuring the silhouettes of radical women!

NSS 2017: Banquet WorkshopNSS 2017: Banquet Workshop

Banquet Workshop (full booth here!)

Photo Credits: Nole Garey and Hannah Nowack for Oh So Beautiful Paper