![image 2.1 - Post 2 Banner](https://ohsobeautifulpaper.com/wp-content/uploads/2014/03/image-2.1A.jpg)
Every designer has a unique method that works for them. With so many different ways to arrive at the final product, there is always room for experimenting with different styles, supplies and ideas; it’s all about trial and error. Illustration is a process that is near and dear to my heart. I studied illustration at Syracuse University and it’s been the consistent force in my life (sorry flair jeans). I thought I’d share our illustration process here and give you a few tips on how we go about our projects. – Courtney of Swiss Cottage Designs
This one is a fun one: it was a crest for a client’s wedding invitation suite. Her last name is Buck and his last name is Scott, so they wanted to play off that and personify drawings of a deer and scottie dog to represent them. I was in love with this idea right from the get-got! Here is how we started Marie’s crest.
Tools
Every good project starts with your most tried and trusted tools. The ones shown here were not all used for this project but I thought I’d share a few of our favorites:
![image 2.1 Favorite Tools](https://ohsobeautifulpaper.com/wp-content/uploads/2014/03/image-2.1.jpg)
1. Pentel Brush Pens: I bought these while in London recently and they blew me away. They are amazing for loose sketches and lettering.
2. Poketo Ballpoint Pens: I couldn’t go a day without these guys. They have a fine point and make marking up proofs pretty neat and tidy.
3. Micron Pens: The amount of Micron pens I have is unhealthy. I color code them with Washi tape so I know which points work better than others.
Step 1: After I get my supplies sorted out, I like to start with sourcing a few inspiration images. While the internet can be both blessing and a curse (who hasn’t fallen down a Pinterest black hole before?), it’s a wonderful resource to get started! I always remind myself that I don’t have to create in a vacuum. If I’m struggling to draw a deer, a million source images are only a few clicks away. One of the lessons I’ve had burned in my mind from college was photographic reference. It helps bring a certain likeness to the drawings.
![image 2.2 Sourcing Inspiration](https://ohsobeautifulpaper.com/wp-content/uploads/2014/03/image-2.2.jpg)
Step 2: Next, I sketch out a few options in my sketch book. I love using Straedtler pencils, I find they erase nice and clean so I don’t end up with a muddy mess before it’s all over. If you find yourself at an art supply shop, there are loads of options for leads, colors, weights, etc. so you can find what works best for you and your drawing style.
![image 2.3 Process Sketch](https://ohsobeautifulpaper.com/wp-content/uploads/2014/03/image-2.3.jpg)
Step 3: Once I’m happy with the sketches, I’ll redraw them on vellum tracing paper using micron pens. Micron pens come in every thickness and weight under the sun, so I never have trouble creating the line style I’m after. Line weight change is key! The beauty of this step is that is allows me to add or subtract anything I wasn’t wild about from the original sketch.
![image 2.4 Process Tracing](https://ohsobeautifulpaper.com/wp-content/uploads/2014/03/image-2.4.jpg)
Step 4: Next I head over to my trust scanner! This little guy is key in the whole process. While I love digital illustration, nothing beats drawing by hand. Without my scanner, I wouldn’t be able to translate anything to digital. I scan in each image at a high resolution and always in black and white as I find it maintains the line integrity better.
![image 2.5 Process Scanning](https://ohsobeautifulpaper.com/wp-content/uploads/2014/03/image-2.5.jpg)
Step 5: Now that everything has been scanned, I can start working with color and placement. When I draw, I tend to illustrate everything in smaller pieces. This provides more flexibility in terms of adding, subtracting, or moving elements around. If I drew everything in one large image, it’d be more difficult to edit it down the road. Photoshop brushes are my best friend! It’s astounding how many textures and styles you can achieve using them. For this particular project, I’m looking for a softer, watercolor wash effect. This is the really fun part as it allows for experimentation. If I don’t like it, I can always undo or delete the layer.
![image 2.6 Process Coloring](https://ohsobeautifulpaper.com/wp-content/uploads/2014/03/image-2.6.jpg)
And finally (drum roll!) I’m all done and ready for the client to have a look.
… an illustration from start to finish! Some days I might bust out the watercolors or my trusty brush pens depending on the project, but it’s always great to experiment with what works best for you and refine your process as you learn. It’s always a lot of fun and very exciting to see the end result.
Photo/Image Credits: Swiss Cottage Designs