Behind the Scenes: Oblation Papers & Press

Oblation Papers & Press was founded in 1989 by Ron and Jennifer Rich.  In 1998 they opened the retail space for which they are well known within the Pearl District of Portland, Oregon.  The reach of their business is really quite impressive – not only do they offer a well curated retail shop in the front of the space, they also house an urban paper mill, letterpress print shop, custom invitation gallery and design and produce their own line of wholesale goods that are warehoused and shipped from this very same location.

| Storefront |

Storefront with signs

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Love the current window display – nothing says Portland quite like a cute bicycle and a few raindrops.

| Retail Space |

Retail counter

Retail viewRetail - Gift Wrap

Retail View 2

Oblation stocks a selection of the finest stationery and gift items. They also offer an impressive selection of European accouterments to add an extra special touch to your correspondence.

| Custom Invitation Gallery |

Customs invitation

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Their custom letterpress offerings include: Classic Wedding, Baby, Correspondence and Black & White Wedding portfolios.

| Wholesale Line |

Oblation wholesale

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Oblation also offers a comprehensive wholesale letterpress card and gift line. The collection is stocked in stores worldwide and is also available in their online shop.

| Urban Paper Mill |

 Urban Paper Mill

Urban Paper Mill 2

Papermaking is where Ron and Jennifer got their start in the business. Oblation continues this tradition by producing their own cotton paper using recycled remnants from the garment industry. Their handmade paper is perfectly suited for letterpress printing.

| Letterpress Print Shop |

Printshop

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Oblation has six platen presses in their studio. At this time, the print shop is entirely operated by women. Oblation’s printing practices include the use of wind power, soy inks and recycled cotton.

Thanks again to Oblation Papers & Press for opening their doors to me and allowing me to share their story and space.

Photo Credit: Carina Murray

“Behind the Scenes: Oblation Papers & Press” is a guest post by Carina Murray of Crow & Canary

The Printing Process: Digital Printing

In addition to awesome guest posts over the next two weeks, I’ll be running a series of special posts on the various printing processes while I’m away.  I’ve asked some designers and printers to share their expertise and lots of photos to fill you in on what you need to know about different printing methods, along with a few tips and advice if you’re considering a particular printing method for your wedding invitations or other personal stationery projects.  Today we start the series off with a guest post about the most familiar printing method – digital printing – from Ellie at Mint and Hello Tenfold!

Hello, OSBP!  I’m Ellie from Mint and Hello Tenfold.  I’m excited to be guest blogging today to help clear up the sometimes confusing world of printing methods, starting with digital printing!

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What is Digital Printing?

Although I design letterpress and screen printed invitations, I also do a lot of digitally printed invitations and “day-of” wedding stationery, like ceremony programs, menus, escort cards, and more.  I’m sure you have a good idea of what digital printing is; most of us have home or office printers, and the digital printing I use on invitations is similar, but with a fancier and bigger printer.

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Unlike offset or letterpress where printing plates are involved, digitally printed invitations are printed directly from a digital file on a computer.  Digital printers transfer four colors of ink (cyan, magenta, yellow, and black) to paper simultaneously, producing a full-color print after only one pass through the printer – meaning that each invitation takes less time to print and is less expensive to produce than other printing methods.  Unlike letterpress, which leaves a relief impression, and engraving, which produces raised text, digital printing produces a flat image without any texture.

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Digital printing is the most commonly used printing method because it’s fast and inexpensive.  Since printing plates aren’t required, it’s a cost effective way to print a low number of pieces (like 50 invitations, for example), and you aren’t limited to the number of colors you can use in one piece.  That means it’s a great way to reproduce scanned imagery (think collages, hand drawn illustrations, or paintings).

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The Printing Process

There are two common digital printer types: laser and inkjet.  Laser printers use laser beams, electrical particles, heat, and a plastic particle called toner to create an image, whereas inkjet printers spray ink from cartridges directly onto the paper.

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Typically, laser printers handle type and graphics better than inkjets, and inkjets are better for printing photographs. If you’re purchasing a home printer, inkjets are less expensive up front but the ink cartridges can make them more expensive in the long term.

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Speaking of home printers, there is a big variety in the quality of printers, as you’ve no doubt noticed!  The printer you have at home probably isn’t as good as the on-demand printing company down the street, and that printing company may not have as high quality machines as a larger, professional printing company.

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Tips and Advice

Fortunately, getting proofs of digitally printed work is inexpensive or even free, so if you’re going the DIY route it pays to try different companies to find one that works.  You’ll also want to make sure the company you work with can print on the exact paper you choose, and will pay attention to details like perfectly centered invitation borders if they’re doing the cutting and folding for you.

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I often suggest digital printing to brides who don’t have the budget for something like letterpress, but still want modern, well-designed and/or completely custom invitations.  However, digital printing does have limits: papers must be able to withstand heat and to go through a curved or straight path in the printer, which means you are limited in paper weight and thickness.

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Also, the lighter paper weight can give a more casual feel than other printing methods, like engraving or letterpress.  But saving money on the printing process can mean extra room in the budget for things like belly bands, envelope liners, and envelope printing (which are also great ways to up the formality of your invitation).  And if you’re reproducing handmade images, it’s often the best (or only!) route to take.

Thanks Ellie!  You can check out more of Ellie’s fabulous invitations and day-of wedding stationery over on Hello Tenfold!

Photo Credits: Nina’s invitation photo by naturally nina, all others by Ellie Snow for Hello Tenfold

*Hello Tenfold is a spon­sor of Oh So Beau­ti­ful Paper; for more on my edi­to­r­ial poli­cies please click here.

{happy weekend!}

Happy happy Friday everyone!  I’m getting a teensy bit dizzy as I write this, because in a couple of days I will leave for a two-week vacation with my husband in Italy!  As you may remember, my husband has been working in Iraq for the last three months – and we’re meeting up for a nice little break in the middle of his deployment.  It’s the first real vacation for either of us in nearly three years and I simply can. not. wait.  So!  For the next two weeks I have a couple of awesome guest bloggers filling in while I’m away, along with some special guest posts giving you an inside look into the printing process.  Please be sure to show all of the fabulous guest bloggers some love while I’m away!  But in the meantime…

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…a few links for your weekend!

This week on Oh So Beautiful Paper:

That’s all for me this week!  I hope you all have a wonderful weekend!  xoxo

Photo Credit: Jenny Van Sommers via Feature Shoot via Joy

Parisian Wedding Invitation Inspiration

As a former French language student, I have a not-so-hidden love for all things French – from food to fashion to art – and of course the City of Lights, Paris!  And it looks like I’m not alone, as Nichole from Coral Pheasant sent over this stunning invitation suite that she recently created for a collaborative event, all inspired by Parisian details.

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From Nichole: I wanted to share with you an invitation suite inspired by Paris, the city of light and love.  Ladurée, the historic Parisian tea salon, and the tulle and tutus of the French ballet were our muses.  The colors of blush, gold and the signature Ladurée green were woven throughout the stationery suite.

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Golden cording and pale pink silk ribbon, reminiscent of ballerina slippers, wrap around a trifold invitation, introducing texture and further adding to the sense of grandeur.  The blush invitation unfolds to reveal a french love quote and the ceremony details. Shimmer gold outer envelopes are lined with a delicate green and gold leaf patterned rice paper.

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The design of the stationery suite was carried over to paper elements used on the tables and dessert display.  Cut corner menus are backed with ruched tulle, banner-shaped place cards are anchored by macarons and Sucre pennants adorn rock candy.

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Absolutely gorgeous!  Thank you so much Nichole!

Photo Credits: Coral Pheasant

Kathryn + Ryan’s Timeless Winter Wedding Invitations

You guys, if there’s anyone out there that loves paper as much as I do, it’s Kathryn from Snippet & Ink.  I’ve been poring over each and every detail from Kathryn and Ryan’s winter wedding (you can see the full series right here) and I’m honored that Kathryn decided to share the inspiration behind her gorgeous wedding invitations here today!  Kathryn partnered with Jill from PS Paper to create wedding invitations that truly represent her personal style – elegant, timeless, and totally stunning.

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From Kathryn: Our save the date design was a collaboration between me and Jill Sassa at PS Paper – I liked the idea of a vintage San Francisco postcard, so that was what we started with.  We used two vintage postcards for the save the dates, one of the Golden Gate Bridge for a note to our guests and one of a cable car for hotel and travel information.

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Jill added the tiniest bit of glitter to the postcards, tied them together with bakers twine, finished them off with a little tag, and then mailed them in a glassine envelope with a wrap-around address label.

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For the invitation suite, I wanted something that was both elegant and playful.  After collecting inspiration and discussing the design with Jill and Laurie Arons (my planner), I played around in Photoshop with different fonts, motifs, colors until I got very close to the look that I wanted.

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The final design, brought to life by Jill and letterpress artist Alan Hillesheim, used gray and red ink on thick 100% cotton paper from Crane’s in pearl white.  In addition to the red and gray letterpress, we incorporated a blind press wreath in each piece of the suite.

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Red hand-painted edges on the invitations and envelope flaps were a simple touch that added a pop of color.  We wanted guests to receive something that they’d be excited to open, which I think we accomplished by using Betsy Dunlap‘s calligraphy and vintage stamps from The Paper Nickel.  Other playful details: on the invitations, our first names were the only thing printed in red; our reception cards were coasters, hinting at the supper club feel of our venue; and the RSVP cards gave guests room for personal responses (my favorite response was from my teenage cousin who wrote in gigantic capital letters: I WILL BE THERE. THAT’S A PROMISE.).

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Can I just say how much I’m in love with this red, gray, and white color palette?  So perfect for a winter wedding – sophisticated and festive without being overly Christmas-y.  In addition to stunning wedding invitations and save the dates, Kathryn had some of the most adorable paper details at her wedding – from beautiful glittery menus to playful calligraphy button escort cards:

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Thank you Kathryn!  You can read more about Kathryn’s invitations (and the printing process) here and here, and see all of the amazing images and details from Kathryn’s wedding right here.

Invitations and Save the Dates: PS Paper

Wedding Invitation Calligraphy: Betsy Dunlap

Vintage Stamps: The Paper Nickel

Letterpress Printing: Alan Hillesheim

Escort Card Calligraphy: Maybelle Imasa-Stukuls

Photo Credits: Elizabeth Messina, with the exception of the save the date photo by PS Paper

p.s. If you haven’t seen Kathryn’s wedding video… it’s the most beautiful wedding video I’ve ever seen and I dare you not to tear up while you watch it.  Go. Now.