Behind the Stationery: The Paper Cub Co.

Known for playful hand lettering and vibrant colors, it’s hard to believe that The Paper Cub Co. is only a couple years old! Owner and designer Shannon Kennedy started out in apparel design before transitioning to work freelance and, ultimately, starting The Paper Cub Co. in 2013. Following her desire to be her own boss, Shannon has found ways to make her business scalable, primarily by outsourcing printing and focusing on designing – working smarter, not harder. Read the rest of her business story below! –Megan

Behind the Stationery: The Paper Cub Co. / Oh So Beautiful Paper

Prior to starting The Paper Cub Co., I had a collection of art prints and accessories for kids called sass&peril. Before that, I was an in-house Graphic Designer for a juniors apparel brand out in California. After working in the corporate design world for 4.5 years and experiencing the highs and lows associated with that, I began to feel the tides start to shift. I felt I wasn’t fully able to satisfy my creativity at the workplace, so I began pulling my own art prints at night and on the weekends. I realized I could actually create my own products to sell online and essentially become my own boss, which is what I had always wanted all along. Plus, paper was an exciting new medium for me after all those years in fashion!

Behind the Stationery: The Paper Cub Co. / Oh So Beautiful Paper

I went freelance for a number of years, which allowed me to pour more into my own creative endeavors but still have some steady work to rely on as I built things up. In the Spring of 2013, I showed a small collection of greeting cards along with my kid’s stuff at the National Stationery Show and the stationery side of the business really took off from there. A few months later I decided to consolidate the two brands into one and focus more on paper goods under The Paper Cub Co.

Behind the Stationery: The Paper Cub Co. / Oh So Beautiful Paper

Each design originates in my sketchbook. If I am feeling the idea, I will work out the design elements using brush and ink and/or various pens on paper. Sometimes ideas are taken straight to the computer if it is a simple type-driven composition, but the majority of the designs in our collection have a hand-drawn element to them. My sketched elements get scanned into Photoshop where they are cleaned up and made into .tiff files to be used for mocking up designs in Illustrator. I finalize all designs using Illustrator as it is perfect for screen printing because it produces vector-based elements and nice solid shapes.

Behind the Stationery: The Paper Cub Co. / By the Robinsons / Oh So Beautiful PaperPhoto by By The Robinsons

Once designs are dialed in and colors are determined, I will pair them up with other designs of similar colors so that they can be “ganged up” on a sheet for printing. What this means is that I can print up to eight different designs as long as they share the same colors on a single sheet of paper. (No more printing one card at a time, how’s that for efficiency?)

Behind the Stationery: The Paper Cub Co. / Oh So Beautiful Paper

If I am doing the job myself, I have films printed for each color layer (called separations) and then I coat and burn screens using the films and photosensitive emulsion. This creates a “stencil” of the design in the screen for which ink is pulled through with a squeegee to create a print. It is quite a process, but so fun and rewarding!

Behind the Stationery: The Paper Cub Co. / Oh So Beautiful Paper

I used to screen print each one of our greeting cards, one at a time, by hand. It was a great way to utilize my skills while building the brand and creating initial inventory. I could kind of see how designs performed and create products on demand. When I entered the wholesale market and volume became an issue, I decided to get some help.

Behind the Stationery: The Paper Cub Co. / Oh So Beautiful Paper

Our friends over at Mama’s Sauce are amazing printers so it was a no-brainer to employ their screen printing services for our cards as they can fit many more designs per sheet. Since all they do is printing, they have access to bigger and better equipment and offer more professional-looking finishing services. Not to mention they are local and we can pop in for press checks or just to say hi! It’s a win-win. I still screen print our art prints and special projects, but the best decision I made was partnering with them for card printing as it leaves me with more time to design and market our brand.

Behind the Stationery: The Paper Cub Co. / By the Robinsons / Oh So Beautiful PaperPhoto by By The Robinsons

Switching to outsourcing has taught me how to work smarter and to really get the most bang for my buck out of every business decision I make. You know, pay attention to margins and all that fun stuff. I was spending so much of my own time and valuable billable design hours being the manufacturer when it was more efficient for me to be the designer.

I now have the ability to take on more freelance and commissioned work, which pays more per hour than me printing my own stuff, and it has allowed me to grow more creatively. I’m truly glad that I did it all in the beginning because investing in inventory can be a calculated risk, but partnering with the right people to help you grow your business is equally as important. Just because you can do something doesn’t mean you always should!

Behind the Stationery: The Paper Cub Co. / By the Robinsons / Oh So Beautiful Paper

Photo by By The Robinsons

All photos by The Paper Cub Co. except where noted.

Interested in participating in the Behind the Stationery column? Reach out to Megan at megan[at]ohsobeautifulpaper.com for more details.

Behind the Stationery: Modern Lore

Inspired by the increased popularity of Instagram and Facebook, Lauren and Joel (the founders of Old Tom Foolery) created another line of primarily photo-based stationery called Modern Lore. I’m thrilled to feature the other brand under their umbrella as Lauren shares how they made the jump and transitioned to creating another brand and aesthetic. –Megan

Behind the Stationery: Modern Lore / Oh So Beautiful Paper

Modern Lore was started in 2013 out of a love for contemporary photography and paper goods. My husband, Joel, and I had been creating cards and gifts since 2007 through our other brand, Old Tom Foolery, but over the years, there were many times we had an idea for a project that didn’t fit the OTF brand qualities of being humorous, type driven, and gender neutral.
Behind the Stationery: Modern Lore / Oh So Beautiful Paper

At the same time, we saw people communicating with photos more than ever before. As people began to go everywhere with a camera built into their phones, we all began sharing moments with our images, and telling stories through social media like Instagram and Facebook. But for some reason, this trend of so many people creating beautiful, contemporary-style images hadn’t yet made its way to the stationery industry. We knew so many talented people taking great photos of both their journeys and everyday lives and decided to jump in and fill that void in the increasingly illustration-driven stationery marketplace.
Behind the Stationery: Modern Lore / Oh So Beautiful Paper

While some of our first photographers already were well-known for sharing their images and documenting their lives, like Victoria Smith of sfgirlbybay, many of our initial partners were friends of ours or people we had met in our pre-stationery careers in advertising.

But as we’ve grown, we’ve been able to partner with a fantastic group of photographers from all over the country, and together they take us on so many adventures through their photos. We work with illustrators like Lisa Congdon, bloggers like Nole and Anne Sage, and jet setting go-getters like Patrick Janelle.

Behind the Stationery: Modern Lore / Oh So Beautiful PaperInstagram photo by Patrick Janelle

It’s been really fun to watch the brand evolve over the past two years. Our first products only featured photos, and we’ve gradually incorporated text—some sweet, some cheeky—and have now added stylized illustration and color-blocked designs into the mix.

Behind the Stationery: Modern Lore / Oh So Beautiful Paper

The response to Modern Lore has been exciting to see, especially since we were a little nervous to go down a new path for boutique stationery. But as it turns out, we’re not the only ones who enjoy a nice photo and we’re proud to be stocked in so many great small shops and some larger retailers we really respect like Anthropologie and Paper Source.

Behind the Stationery: Modern Lore / Oh So Beautiful Paper

Modern Lore shares the same office and team as Old Tom Foolery, and we are based in Minneapolis, Minnesota. Our office is located just behind our retail shop, Greater Goods, which has proven to be a fantastic testing ground and sounding board for new products.

Joel and I both work on both Old Tom Foolery and Modern Lore, though I’m generally the point person for communicating with our photographers and collecting images to choose from for our next release.

Behind the Stationery: Modern Lore / Oh So Beautiful Paper

As our business has grown and we’ve launched new brands like Modern Lore and Greater Goods, we definitely have more projects to juggle and tasks to complete. But we are able to stay on top of things with the help of our incredible team. Free task management tools like Asana are a lifesaver for us, and our new, more complex version of QuickBooks is helping us keep track of inventory in ways we never could before.

Ten years ago, I never would have thought that Joel and I would both be working full-time on a family of brands we built from scratch. It’s been an adventure, and full of lessons we’ve learned along the way. We’re still figuring things out as we go, but we love what we’re doing and sincerely appreciate the support from all of our retailers, customers, and cheerleaders. We wouldn’t be here without you!

Behind the Stationery: Modern Lore / Oh So Beautiful Paper

All photos by Modern Lore, except where noted.

Interested in being featured in the Behind the Stationery column? Please reach out to Megan at [email protected]

Behind the Stationery: Printerette Press

For today’s Behind the Stationery, the fun and whimsical Printerette Press is letting us in on their traditional design process as they incorporate hand painted and hand drawn elements into all of their designs. You may recognize their work from Sophie’s 1st Birthday invitations. Catherine shares about going from fashion to stationery, her team, and how they balance their calendar to split the wholesale and custom parts of the business. –Megan

Behind the Stationery: Illustrated and Hand Painted Letterpress Stationery by Printerette Press / Oh So Beautiful Paper

Behind the Stationery: Illustrated and Hand Painted Letterpress Stationery by Printerette Press / Oh So Beautiful Paper

As a little kid I always wanted to be a clothing designer. I got an art degree in Fashion Design and a job right out of college designing clothing for a big box retailer here in Minneapolis. Funny though — after working in my “dream job” for a few years, it just didn’t feel like my thing any more. The stars sort of aligned when a friend asked if I had any interest in her aging dad’s print equipment. I thought it was the weirdest, most random thing I’d ever been approached with. I had almost zero print experience and immediately told her I wasn’t interested, but then I went back to my little cubicle and ruminated on it for a while. Eventually I decided I couldn’t live without letterpress in my life. (I’m really hot and cold – can you tell?). I printed on the side while keeping my job for a year or so and eventually made the leap to full-time Printerette. The rest is inky, greasy history.
Behind the Stationery: Illustrated and Hand Painted Letterpress Stationery by Printerette Press / Oh So Beautiful Paper

We’re located in the Seward neighborhood of lovely Minneapolis — a neighborhood famous for the enormous amount of backyard chickens per capita. Depending on the day, our little shop is either a beautifully sunny, breezy, and an inspiring place to be or it’s a blazing-hot, steamy inferno. Depends. Today it’s the latter.

Behind the Stationery: Illustrated and Hand Painted Letterpress Stationery by Printerette Press / Oh So Beautiful Paper

We are a letterpress print shop and so that’s our specialty. We also do some flat printing and actually love to combine the two methods to get both the color impact of flat printing and the textural impact of letterpress printing. Our combo print method wedding suites are our big thing right now.

Behind the Stationery: Illustrated and Hand Painted Letterpress Stationery by Printerette Press / Oh So Beautiful Paper

Our product line is in two parts: We have a small line of ready-made items like greeting cards, letter sheets, and note pads and we also have a custom line for weddings and social events. The combo really keeps us busy and on our toes! We really focus on weddings during the spring and early summer. Then, when our custom business slows down a bit, we ramp up our wholesale ready-mades. It’s a nice balance!

Behind the Stationery: Illustrated and Hand Painted Letterpress Stationery by Printerette Press / Oh So Beautiful Paper

Our design process for custom orders starts with a casual consultation. We like to get to know our clients and their event as much as possible before throwing in our two cents about how to create the perfect paper for them. When I’ve gathered as much info as I can, I take it to my sketchbook. Nearly all of our designs start on paper with regular old pencil, pen, and paint which is what gives our work its signature hand-illustrated and whimsical look. I only bring my sketches to the computer for small layout tweaks. Otherwise, it’s done old-school style.
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My design process always starts in my sketchbook where I love to combine brushwork and pen work into my illustrations. I hand draw and hand paint all of our designs and only really digitize them when we’re ready to make plates and go to print, so you’ll see a lot of charming irregularity in my illustrations.

Behind the Stationery: Illustrated and Hand Painted Letterpress Stationery by Printerette Press / Oh So Beautiful Paper

Behind the Stationery: Illustrated and Hand Painted Letterpress Stationery by Printerette Press / Oh So Beautiful Paper

When we’re on press and the design is coming to reality, we’ll sometimes make some last minute color or placement tweaks as a team. Being able to do that is a big part of why I love letterpress printing so much; it’s such a hand-done method that the design process really doesn’t stop until the product is totally complete. We’re making design decisions all the way up to completion; where with modern printing, designing stops the moment you click “print”. Just today we decided to add just a spot of neon ink to one of our new card designs to make it pop a little more than I originally designed it to.

Behind the Stationery: Illustrated and Hand Painted Letterpress Stationery by Printerette Press / Oh So Beautiful Paper

Behind the Stationery: Illustrated and Hand Painted Letterpress Stationery by Printerette Press / Oh So Beautiful Paper

Behind the Stationery: Illustrated and Hand Painted Letterpress Stationery by Printerette Press / Oh So Beautiful Paper

There are three of us in the studio at Printerette. Judith is the studio manager. She handles all inquiries and most Printerette correspondence. She’s the one who takes the orders and gets the orders out when they’re produced. Judith also handles all of our social media and blogging. Molly handles most of the printing. She’s the one who makes sure colors are mixed perfectly, registration is perfectly aligned, and impression is perfect. She’s one bad-ass print maker and everything that goes out the door has her seal of approval. I oversee everything creative and do most of the designing and concepting.

Behind the Stationery: Illustrated and Hand Painted Letterpress Stationery by Printerette Press / Oh So Beautiful Paper

Behind the Stationery: Illustrated and Hand Painted Letterpress Stationery by Printerette Press / Oh So Beautiful Paper

Behind the Stationery: Illustrated and Hand Painted Letterpress Stationery by Printerette Press / Oh So Beautiful Paper

I get inspiration from lots of stuff! But lately — summer time! I’m a Minnesota gal that really lives for warm weather and I think you can see it in so much of what I make. Also, my clothing designer brain is still very much in action and I find a lot of inspiration for Printerette in clothing trends, especially with color and pattern.

Behind the Stationery: Illustrated and Hand Painted Letterpress Stationery by Printerette Press / Oh So Beautiful Paper

We’re very active on social media and as we increase followers, our client base has increased as well. We get lots of “I saw this thing you did on Instagram” inquiries which is awesome. We’ve haven’t done the National Stationery Show for a couple of years, but find it to be a great way to build name recognition. And in the wedding business, we find that word of mouth is a big player in growing our client base.

Behind the Stationery: Illustrated and Hand Painted Letterpress Stationery by Printerette Press / Oh So Beautiful Paper

Photos by 2nd Truth Photography and Printerette Press.

Interested in being featured on the Behind the Stationery column? Shoot an email to Megan at [email protected].

 

Behind the Stationery: Underwood Letterpress

I had the pleasure of meeting Cara of Underwood Letterpress in person at The National Stationery Show this year. Though it was her first show, she is no printmaking or business rookie – she is (very quickly) taking over the California coast! Here’s the scoop on her business prowess, days at work, and design process. –Megan

Behind the Stationery: Underwood Letterpress / Oh So Beautiful Paper

I learned to letterpress print about 10 years ago in a printmaking class during college, but then I took a detour from the world of design for a bit, got my masters in public policy and built a career in philanthropy working with some of the most talented and generous people that I know. I gained skills in management, planning and collaboration that have influenced the way I run my business today. I thrived in my career, but couldn’t be happier about the switch. I love working with my hands again, designing beautiful things and being my own boss. I don’t know what the future holds, but I’m excited to have embraced this non-linear career path and am excited about where it may take me!

Behind the Stationery: Underwood Letterpress / Oh So Beautiful Paper

I officially launched Underwood Letterpress in 2012. When we launched, our custom work took off really quickly and we were fortunate to get some great exposure through various prominent design blogs including Apartment Therapy, One King’s Lane and Design Love Fest. We spent two years building our custom work and with a leap of faith we decided to launch our own greeting card line this year at the National Stationery Show. We were a finalist for Best New Product and had a really great response to our card’s simple, modern designs and playful color palette.

Behind the Stationery: Underwood Letterpress / Oh So Beautiful Paper underwood-38

Underwood Letterpress is located in the arts district in downtown Los Angeles in a shared workspace called The Unique Space. The building is a collective of designers, entrepreneurs, writers and bloggers, and also has a co-working space that brings different creative people to the building every day. While we are all hard at work running our own small business, we often find time to collaborate on projects or just bounce ideas off of one another. It’s a creative utopia!

Behind the Stationery: Underwood Letterpress / Oh So Beautiful Paper

Behind the Stationery: Underwood Letterpress / Oh So Beautiful Paper

Our studio consists of our 12×18 Chandler and Price printing press from 1915 (yes, there’s a 100 year birthday in the house!!), our guillotine paper cutter, workspace, and as much shelving as we could fit to house our paper, inks, and other wares. We are lucky to have access to storage in the building’s basement which has allowed us to house a ton of inventory and grow our product line without crowding us out of the studio.
Behind the Stationery: Underwood Letterpress / Oh So Beautiful Paper

Our incredibly talented studio associate Mallory is running the show in L.A., while I work on expanding our business in the Bay Area. With a “minor” turn of events, my husband was recruited to northern California for a new job early this year, so I figured I would take on the challenge of bringing the business to another part of California that I love. I have set up a home studio and am fortunate to be printing at the San Francisco Center for the Book until I set up a permanent studio there. I travel to L.A. every other month for various projects and to meet with clients.Behind the Stationery: Underwood Letterpress / Oh So Beautiful Paper

Running a business in two locations means there is no “typical” day in the office. Each day is a unique combination of client consultations, emails, and designing. I am on the press about twice per week and spend the rest of the time building the business. I’ve found that I actually love working on the business side of things — finances, marketing, planning — all of it. This is an area I want to grow in and can’t wait to attend Business Boot Camp organized by the paper industry’s amazing professional network TSBC.

Behind the Stationery: Underwood Letterpress / Oh So Beautiful Paper

Our greeting card line incorporates bold color, pattern, geometry and juxtaposition. I take a lot of cues from fashion, home and lifestyle trends and love Scandinavian design. When designing a new card, I focus on color and design first. The sentiment or occasion comes next and usually organically pops right out at me.
Behind the Stationery: Underwood Letterpress / Oh So Beautiful Paper

All of the cards are hand drawn which means that I start the process with a trusty Sharpie pen. I like to lay out a large piece of paper on my workspace and cover it with doodles, to do lists and reminders. That way, I have access to a canvas all day long and can sketch my ideas as they come to me. From there, I convert the images to digital artwork, refine the designs in Illustrator and then determine the color palette.

Behind the Stationery: Underwood Letterpress / Oh So Beautiful PaperUnderwoodLetterpressStudioTour058-9UnderwoodLetterpressStudioTour069-11UnderwoodLetterpressStudioTour066-10

We specialize in letterpress printing, but offer foil printing, edge painting and embossing. We dip dye in house using a special technique that allows us to get really rich and textured color. We also work with handmade papers to create custom envelope liners and other special finishes. I’ve had a lot of people tell me that they like to frame our cards and I love that! We work hard to make sure everything we touch turns in to a piece of art which I think makes our card line unique.

Behind the Stationery: Underwood Letterpress / Oh So Beautiful Paper

We also have a love affair with vintage postage and offer curated postage sets through our Etsy shop. We believe that the outside of our mail should be just as pretty as the inside. The U.S. Postal Service has been issuing beautiful stamps for the last 150+ years, so why not send them out in to the world so they can be enjoyed! We just started selling our curated postage through card shops all over the country this year, so definitely be on the lookout!Behind the Stationery: Underwood Letterpress / Oh So Beautiful Paper

All photos by Jen Emerling.

Interested in being featured on the Behind the Stationery column? Please contact Megan at [email protected].

Behind the Stationery: Hello!Lucky

The ladies of Hello!Lucky are busy moms and stationers based in beautiful San Francisco. These savvy business women are here sharing their experiences in partnering with a printer and expert tips on hiring staff. As a former stationery studio manager myself, I think their advice is so crucial for small businesses looking to attract top talent amongst the big corporations.  â€“Megan

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Eunice: I was a freelance illustrator and graphic designer. I was working retail in a boutique pet store on the weekends and designing the store’s windows. I offered to create a line of dog and pet-themed cards for the owners because the existing options were pretty skimpy, and it was from there that Hello!Lucky was born. Searching for a way to print my own work, which would allow for more ability to experiment and keep initial overhead low, I took a class at the San Francisco Center for the Book and was immediately hooked. Having some issues with restraint, I bought a press on eBay the next week and our letterpress card business was born.

Sabrina: I was working as an education strategy consultant having just gotten my MBA from Stanford Business School. I have a degree in Art History and had focused professionally on arts education and helping emerging artists access funding and build their careers. I offered to help Eunice, the most talented artist I knew at the time, start the card business and quickly fell in love with being an entrepreneur and returned to my passion for merging creativity and business.

We’re based in San Francisco, in a studio space in Eunice’s home, a historic Edwardian in the Haight Ashbury district. We’re lucky to have sweeping views of the city, a couple friendly studio dogs, and a few studio babies to keep things entertaining!

OSBP_window

Eunice: I am constantly juggling work and kids and everything else. My day starts at 6:30 in the morning (yay, kids!) and ends around midnight. The first order of business is a giant mocha to get the gears turning! A double shot of espresso may be the most critical element in my creative workflow. Most of my time is spent designing new cards and working on other client projects. I’ve been slowly but surely moving beyond just cards, so as of late, there are always a new and exciting things in the works, like designing textiles for a swimwear line (I spent a whole day drawing bitchy looking persian cats on a background of diamonds – it really doesn’t get better than that!). My job is, at times, ridiculous in the best way possible. In between design projects, we are constantly working on bits and bobs for marketing and brainstorming the next batch of card ideas.

My biggest struggle is juggling my kids, life and work – luckily, I’m the queen of multi-tasking and Imogen is a reasonable studio baby (Alex is remarkably tolerant of the endless episodes of Elmo and constant and thorough destruction of the studio). I also have an awesome nanny a couple days a week and a great (and patient!) husband who, at the moment, is at home and spends a lot of time with Gigi so that I can beaver away in peace.

Sabrina: I work weekday mornings and all day on Thursdays; my day typically consists of checking email, brainstorming / reviewing card designs with Eunice and Alex, and then working on various marketing and advocacy campaigns such as Write_On and Share Trade, and the book I am writing. As a busy mom of three, I get a lot of my work done in the “spaces in between.” For example, I “write” via voice memo during my commute, and use any moments of downtime to cross things off my to-do list so that I can be fully engaged with work during work time and kids during kid time.

OSBP_letterpress

We work in collaboration with the fabulous Egg Press in Portland, Oregon. They do all our printing (letterpress) and distribution. We used to do all of our own letterpress printing in our San Francisco studio and we also offered custom digital printing through a trade printer in the Bay Area. Once we decided to stop doing custom printing (e.g. wedding invitations) and focus exclusively on our greeting card business and licensing our designs, we realized it made sense to partner. Egg Press is a company that we love and it’s been a great, mutually beneficial experience collaborating with them: they have a large studio, a wonderful production staff, and complementary products, customers, and distribution. We share similar values and vision and have found that, working together, we can grow both our businesses more effectively than they could have developed on their own.

OSBP_studio

We started hiring employees in 2003. Our first employees were friends, including Eunice’s roommate, Sabrina’s old room mate, Eunice’s cleaner, and Sabrina’s old friend who was living in London and offered to start our London office out of her apartment. We didn’t have a recognizable brand to attract employees, so we relied on hiring people who already knew us and had faith in what we were doing. Later on, we started hiring people for real by posting jobs on Craigslist and using our growing network of business acquaintances to get the word out (this was pre-Facebook and LinkedIn).

Over the years, we’ve hired dozens of people and been fortunate to get great employees across the board. The process typically has was handled by Sabrina and consisted of putting together a job description and posting it / sharing via email with friends and acquaintances.

Here are 5 things we’ve learned about hiring and attracting great employees:

1) Have a compelling vision for your business.
Communicate where your business is going and the values that you stand for.
2) Have confidence in yourself as a small business.
Small business owners often lack confidence because they can’t afford to pay big corporate salaries. The reality is that there are tons of people who *want* to work in a small business environment where they’re not just some replaceable cog in the wheel, and will have opportunities to see how running a business works up close and wear multiple hats.
3) Give your employees a lot of responsibility and treat them like co-owners of your business.
This is totally win-win – they get great leadership experience and a sense of ownership and engagement that leads to higher productivity, creativity, and commitment.
4) Make your small business a fantastic stepping stone to bigger / better opportunities by giving your employees lots of responsibility.
Many of our employees went on to great jobs at large companies like Paperless Post and Williams-Sonoma, started their own small businesses, or got admitted to top-tier business schools (Cornell and Kellogg).
5) Make up for what you can’t pay in salary with an awesome work environment.
Encourage people to have fun, be positive, and be a flexible and compassionate manager. Liking the people you work with and looking forward to going to work every day is harder to find than you think – that alone will attract great candidates and get them to stay.

In the interview process:

1) Pay attention to passion, intelligence, communication skills, desire to learn, and self-awareness.
If someone has these attributes, their past work experience becomes practically irrelevant since they can quickly learn what needs to be done on the job and will be a great team player and contributor.
2) Find out why the person made the key decisions in their life.
How they chose their college and major, or how and why they chose their past jobs and/or chose to leave them reveals a ton about whether their values and motivations are aligned with those of your business and the rest of your staff.
3) Get to know the candidate on a personal level as much as you can during the interview.
Their personal character traits will matter more in the long run than their most recent job experience. If the person is someone you’d want to be friends with, or who you might have a professional crush on, that’s a great sign.
4) Trust your intuition.
Don’t pay too much attention to surface level resume details like working at sexy or well-known large corporations, fancy-sounding job titles, etc. Hire the whole person, not the image they project on paper.

OSBP_writing

We count ourselves so lucky to get to spend every day doing what we do. Doing the creative work is definitely the most interesting part of the business! There has been more than one occasion when we’ve stopped to laugh at the fact that we spend a good part of each day trying to come up with butt and unicorn related puns and marveled at the ridiculousness that is our job. Working out new concepts and figuring out new collaborations keeps things interesting. We love exploring new outlets for our designs and collaborating with other cool and inspirational brands.

Eunice: We get inspiration everywhere! I love to travel and do as much traveling as two kids and our crazy busy lives allow. I’ve done some of my best work on the road. I’m a sponge for texture, pattern, color and trend inspiration. Valencia Street in San Francisco is one of my favorite places to pick up on visual inspiration; there’s so much creativity happening here right now. I’m also heavily influenced by French and Japanese style and culture.

That being said, I think our most creative space is really our studio – the three of us get together, bringing our individual influences to the table and the creative juices really get going. I do my best work when I have Alex and Sabrina around for feedback and brainstorming!

Sabrina: I get a lot of my inspiration from reading and writing. I read a new book every couple of days. I also do a lot of brainstorming while driving, and I keep my phone with a dark screen (so I don’t wake up my husband) by my bedside so I can capture ideas in the middle of the night in Evernote

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We also love figuring out new ways to connect with and inspire our customers. The Write_On campaign is a great example: it’s a campaign to challenge our fans to write 30 letters in 30 days for National Letter Writing month in April. The campaign has inspired our customers and fans to connect with friends and family and to give thought to people that they might not normally stop to thank. It’s also great for our brand and greeting card sales – this year we brought on Paper Source and a handful of our independent boutique customers on board, and it’s been great for their businesses as well.

All photos by Hello!Lucky

Interested in participating in the Behind the Stationery column? Reach out to Megan at [email protected].