Nicole + Chris’s Watercolor Photo Save the Dates

It’s so fun to include an engagement photo on a wedding save the date – especially when done in a modern and refreshing way, like these save the dates from Alex of Goodheart Design!

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From Alex: Over the past couple years, I have done tons of save the date styles that entailed lettering over an engagement photo and making it into a cute postcard or fold over card. This time I wanted to put a creative spin on it! I wanted to still include the engagement photo but I didn’t want it to be the main focus of the design or be printed on glossy photo paper. I loved the idea of each one being slightly different so I individually watercolored the front of each save the date! The front was gold foil printed on 110# Fluorescent Lettra paper and the back was digitally printed on the same paper and then duplexed together by Czar Press. I also really loved the idea of showcasing the lettering in two different mediums, gold foil and digital printing. Each one was placed in an off-white envelope and addressed in gold ink.

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Thanks Alex!

Design + Lettering: Goodheart Design

Letterpress Printing: Czar Press

Check out the Designer Rolodex for more tal­ented wed­ding invi­ta­tion design­ers and the save the date gallery for more wedding save the date ideas!

Photo Credits: Goodheart Design

Alli + Jon’s Holographic Geometric Wedding Invitations

Forget metallic foils – after this past National Stationery Show, I’m officially obsessed with some of the more non-traditional foil options! Hologram foil, oil slick foil, sparkly iridescent foil… so many options! And today we get to see it in a wedding invitation! These invitations designed by Blake and Irene at Sparkvites and printed by Mama’s Sauce combine holographic foil on black paper with geometric shapes. And the wedding itself sounds like a SUPER fun night!

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From Irene: This invitation set was super fun to design. Alli and Jon wanted to incorporate as much color possible in their invitations to reflect their wedding style. From Alli: “If I had to come up with a theme to describe it I’d say…elegant burning man?! 501 Union is already a gorgeous space, but the walls and floor have a dark swanky supper club feel, so I am adding lots of whimsy with glowing multicolor LED orbs on the tables, a DIY LED installation for a large wall with faux fur and LED light strips underneath. The colors of the wedding are ALL THE COLORS. Lots of pops of color with pom poms mixed with flowers.”

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Thanks Blake + Irene!

Design: Sparkvites

Printing: Mama’s Sauce

Check out the Designer Rolodex for more tal­ented wed­ding invi­ta­tion design­ers and the real invi­ta­tions gallery for more wedding invitation ideas!

Photo Credits: Sparkvites

So You Want to Get into the Stationery Business: A Brief Overview

It’s been such a fun week guest blogging here at OSBP. Thanks for following along with me! (Don’t forget, OSBP readers get 25% off all items in the Happy Cactus shop through June 15. Use code OSBP25 at checkout.) I am often asked how I got my start in this industry and thought that as we wrap things up I could offer some thoughts and pieces of advice for those of you who may be thinking of launching your own stationery or greeting card line.

One of the greatest things I love about the community of stationery and greeting card designers is that it is truly is a welcoming community that supports newbies. I received so much advice and assistance when I launched Happy Cactus Designs’ first collection in 2011. I never imagined how nice and helpful fellow designers would be to me. I was also fortunate enough to take a continuing ed class on launching a greeting card business at New York’s School of Visual Arts with Joyce Wan and shortly thereafter took Tradeshow Bootcamp’s webinars. Both helped immensely and introduced me to many good friends I’ve made in this industry.

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One of my very first card designs that is still a best seller years later!

So, Where to Begin?

Do you have dreams of crafting a collection of greeting cards? Have you just opened an online shop? Are you thinking about exhibiting at a tradeshow? Here’s some valuable tips I’ve learned along the way.

  • Create a cohesive collection that exemplifies your own personal style. Think about what distinguishes your work from everyone else’s out there. Is it your spectacular hand lettering? Your innovative printing method? Your funny puns and play on words? Play to your strengths and focus on what makes your work unique. It takes a lot of work to build an initial collection, but debuting with 20+ designs will help give people a greater sense of what your work is all about.
  • Do your own research on the industry and build relationships with vendors. I can’t tell you how much time I spent Googling questions as I designed my initial collection and laid the groundwork for what would become Happy Cactus Designs. (Full disclosure: I still spend a ton of time with my pal Google. The struggle never ends.)
  • Invest in getting samples of your work from various printers if you are outsourcing the job. Research local printers and online printing options. Don’t be afraid to ask questions either. Coming from a non-design school background, I had no idea what the difference between RGB and CMYK was or how to set up a file with bleeds. Just ask!
  • Trial and error: Trust me, it takes a LOT of trial and error to get things right. Every designer has a story about the cards that were printed incorrectly, or the catalogs with horrible ink bleeds, or the printing press that broke down just as a big print run was to begin. Just remember it’s all part of the learning process!
  • Observe what is happening in the stationery industry. OSBP is the best resource for doing this as Nole has her finger on the pulse of all things paper. Stationery Trends, a quarterly magazine targeted specifically to the trade, is another great place to scope out new trends and to read interviews with both designers and shop owners.
  • Be respectful of other designers. Each has been in your position and while some may freely share their sources/vendors, others may be reticent to share this information as they have spent a lot of time working to get things right (see the points above!).

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I introduced a line of foil stamped cards at the National Stationery Show in 2013. Adding a new method of printing to my collection took many, many hours of research, not to mention a large investment. That big gold balloon makes me so happy.

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Over the years I’ve learned techniques to improve my product photography. It takes a lot of time and practice and many outsource this job.  You can imagine my surprise when the shot above was featured on the cover of Stationery Trends!

  • Think about how you want to sell your cards:
    • Research and sign up for local craft fairs. Listen closely to customers as they can provide a wealth of feedback on your products. Are they looking for particular types of cards? What designs are they responding to? Are your price points on target?
    • Consider an online storefront: Etsy or your own shop, or both. I could write an entire post on my thoughts about the two (I run my own e-commerce site via Shopify and have an Etsy storefront that plays second fiddle to my store). Each has its own set of pros and cons and building an online shop takes a tremendous amount of work upfront. From product photography and marketing to packaging and shipping, it’s no small feat to open an e-commerce site, but it’s one of the best ways to establish your brand.
    • If you are thinking about dipping your toes in the wholesale pool, seek out opportunities to learn how it all works. It is an entirely different beast. My personal favorite learning tools include Tradeshow Bootcamp, Eva Jorgensen of Sycamore Street Press’ class on Atly, local continuing ed classes, Emily’s brilliant Brick and Mortar column here on OSBP, and Meryl Hooker and Rob Fortier’s book on the industry. I’ve also found that talking to shop owners I’ve grown friendly with is a great way to get pointed advice about the world of wholesale.

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My first booth at the National Stationery Show in 2012. Exhibiting at a tradeshow takes a tremendous amount of work. Looking back, there’s many things about my debut that I’m proud of and many things I’d change. Drawing on the walls, while risky, was my favorite part.

  • Say yes to new opportunities! Some of my best learning experiences came from just saying yes to new projects, inquiries, professional development opportunities, and events.

Please feel free to offer your own words of wisdom or ask questions in the comments below!

Tropical Stationery and More from Happy Cactus Designs

It’s Brannon from Happy Cactus Designs, and I’m back with some more products from my new collection. There’s no doubt that tropical motifs have been working their way into fashion, home, and the world of entertaining lately (see Nole’s post on Paper Party 2015 to get inspiring ideas for a tropical summer bash). My own recent work was inspired by my honeymoon to the island of Kauai (seriously one of the most beautiful places on Earth).

I think about that trip nearly every day and recollections of those beaches, seashells, and jungle hikes worked their way into my newest card designs. Now I’m just longing to escape to a warmer place again! And don’t forget, OSBP readers can get 25% off the new collection with code OSBP25 at checkout (valid through June 15).

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I also couldn’t resist adding a new gold foil stamped card to my line as well as a few other designs in card categories I felt a growing need to design for. My line already has many new baby cards, but I loved creating more cards specifically for the mom-to-be. Wanting to go beyond just “thinking of you” or “get well” sentiments, I designed an uplifting card for anyone going through a tough time as well.

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Behind the Stationery: MaeMae & Co.

There is something about Meg(an)s in stationery – there are so many of us! This is Megan of Mae Mae is she’s often known for her stunning mood boards that grace her Instagram. She’s got a killer aesthetic and has learned how to maximize and change the way she works with brides on their custom invitations. With so many options for brides (and their many requests!), Megan is here to share the system she set up for working in the custom world. Take it away, Megan! –The Other Megan
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Photo by Bethany Platter

I started MaeMae when I was a senior in college. I was studying art and LOVED all things paper and print. I thought I would pursue a career in book design/publishing after school. After graduating I couldn’t get a job (2008 – woohoo!!) and so I pushed into this tiny business I had as a side project and hustled to make it work. I call the first two years of MaeMae my “unpaid internship”. I have always worked at MaeMae “full-time” (sometimes much less, sometimes much more) but couldn’t have survived or made it work without the support of my husband, Jason, who has encouraged me, cared for me, and sacrificed a lot as I pursued this dream.

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As most creative businesses do, MaeMae has evolved overtime. When I started the business I only did custom wedding stationery. Three years into MaeMae I created a collection of characters that were ready-to-order and retailers across the country began to carry an album I created that was filled with these designs. I dug into this route because I wanted to be able to scale my business, take on more orders, and work with more people without having to start from scratch every project.

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Photo by MaeMae & Co.

My collection of characters have been alive (and growing!) now for four years, but rarely do people order the designs as they were created. I’ve realized that the nature of my style/designs and our array of print methods and paper options invites (nay, tempts!) people to customize their suite further by meshing the different characters together, requesting custom patterns, illustrations, etc. We offer almost all print methods since we outsource our production (flat, engraving, letterpress, embossing, foil, etc!) and so just requesting a change in print method oftentimes requires digging in and redesigning. Instead of pushing back on the natural inclination to really want something totally unique from us, we run with it.

Photo by MaeMae & Co.

We are currently back where we started – offering all custom invitations but inviting people to start with an existing character if they so choose, which reduces the customization fee. I LOVE IT. It was a wonderful and necessary exploration, but I’m happy to call my work “custom” once again and I adore the imaginative and open-minded clients and wedding planners we have been working with now.

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Photo by Bethany Platter

MaeMae is currently located in Minneapolis, MN – one of the world’s best cities. I started MaeMae in the Los Angeles area and moved here three years ago. I love the collaborative spirit, buzzing creative community, and craving to be outside during the warm months here. I recently moved into a really amazing space downtown called Restore Collaboartive. It is a co-working space filled with lots of other creatives who work for themselves by themselves or with a team. The energy in here is INCREDIBLE. My favorite thing about joining this space (vs. running my own studio space) is being inspired by the hustle happening all around me and the white noise of people brainstorming, talking to clients, and making cool things.

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Photo by Bethany Platter

I would love to have a schedule!! I think…maybe I don’t and that’s why I don’t. 🙂 My day consists of responding to emails with clients, production partners, and collaborative projects; creating concepts and art direction; designing; meeting with new people; helping new designers; working with my designer/stationery consulting clients; styling photos; and dreaming up new ideas. Never do all of the things happen in one day. My designer Anna handles the bulk of the wedding orders and new inquiries daily, and I handle my creative consultation clients and big picture direction on our wedding designs.

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Photo by Bethany Platter

Any success of MaeMae ALWAYS comes from moments where I am most myself and make things that reflect how I feel, what I’m into, etc. I feel like side projects, my Instagram feed, etc, create the most buzz around my company because those are the truest expressions of who I am and what I want to make. I’m inspired by stories, music, editorial shots, interior designs, and dance. Check out the MaeMae Movie for more about my artist process and sourcing and using inspiration.

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Photo by MaeMae & Co.

Interested in participating in the Behind the Stationery column? Please email Megan at [email protected].