About

Welcome! Oh So Beautiful Paper is a leading lifestyle and design blog that makes beautiful design accessible to everyone. Since 2008, we’ve been sharing awesome entertaining and DIY ideas, gorgeous paper goods, beautiful wedding invitations, home décor inspiration, and original cocktail recipes. We’re all about bringing an extra dose of fun and beauty to everyday life. Please have a look around – I hope you enjoy our posts and archives! You can also find us on FacebookTwitterInstagram, and Pinterest.

About Oh So Beautiful Paper

Launched in 2008, Oh So Beautiful Paper reaches an audience of more than 100,000 unique monthly viewers and is a daily read for creative people around the world. Oh So Beautiful Paper also has a loyal social media following, with more than 150,000 Facebook fans, 58,000 Pinterest followers, 16,000 Twitter followers, and 62,000 Instagram followers. Our pins on Pinterest reach an average of 4.2 million monthly viewers, and pins from Oh So Beautiful Paper reach an average of 435,000 daily viewers.

Oh So Beautiful Paper readers value beauty and fantastic design, and they want beautiful things in all aspects of their lives. Our readers are interested in everyday design, DIY projects, food and cocktails, home décor, fashion, travel, and more. 85% of Oh So Beautiful Paper readers are female, and the majority of readers are between the ages of 25 and 34.

Interested in working together? Oh So Beautiful Paper offers sponsored content opportunities (blog posts and social media posts), traditional sidebar banner ads, and styling work (prop and food styling). We’ve worked with a variety of brands, from small independent stationery and design studios to large ‘household name’ brands, including Home Depot, Post-it Brand, Fiskars, and My M&MS. Get in touch with us here for more info!

OSBP-Family-Photos-Charlie-Juliet-Photography-17

Photo by Charlie-Juliet Photography

About Founder + Editor Nole Garey

Hi everyone! I’m Nole Garey, and I like to say that I’m a recovering diplomat turned full time creative blogger. I previously worked in international diplomacy at the U.S. Department of State from 2003 – 2010 before leaving to pursue Oh So Beautiful Paper full time. I hold a B.A. in Political Science from the University of Central Florida and an M.A. in International Affairs from George Washington University (where I met my husband Andrew), but I’ve been passionate about design and all things paper my entire life.

I fell in love with the world of wedding invitations and stationery while planning my May 2008 Washington, DC wedding and started Oh So Beautiful Paper in large part to help connect other engaged couples with talented designers. Andrew and I welcomed our first daughter Sophie (you can see her awesome birth announcements here) in 2012 and our second daughter Alice (you can see her beautiful birth announcements here) in 2014. We currently live in Washington DC’s Capitol Hill neighborhood with several adorable cats.

Our Philosophy

At Oh So Beautiful Paper, we believe that stationery is an extension of your personal style. It’s a nice and all too rare treat to come home to a handwritten letter or card. We believe sending paper – taking the time to buy, write, and send a card – has enormous interpersonal value. Sending handwritten mail has become a signifier: a mark of the importance and value that the sender places on the relationship with the recipient.

We believe stationery has a role to play in a beautiful lifestyle. Our goal is to help you find paper products that represent you and your personality, whether you live in DC or California or Australia, while also helping to support local businesses, small businesses, and eco-friendly businesses. It might not seem so at first glance, but stationery supports all of these goals. We’re not focused on the mass market, but on stationery that is unique and different, just like you and me.

In The Press

Print

New York Times (June 2016)

The Chronicle Herald (January 2017)

Brides Magazine (April 2011 and November 2012)

Southern Weddings (2010, 2011, and 2014)

Stationery Trends Magazine

Online

The Huffington Post: Caipirinha Recipes You Should Be Downing During the World Cup (06/2014)

The Etsy Blog: Guest Curator, Stationery to Make You Smile (05/2014)

Imbibe: The Summer Rose Cocktail Recipe  (03/2014)

The Huffington Post: Brunch Cocktails: Booze Recipes for the Time Between Breakfast and Lunch (08/2013)

The National Stationery Show: Capture Press Attention with Booth Design (03/2012)

The Etsy Blog: Guest Curator (09/2010)

 

Contributing Editors

 

Emily Blistein / Hello Brick + Mortar

Emily Blistein owns Clementine, a little shop in Middlebury, Vermont where she curates an ever-changing collection of goods to help feather your nest, delight your loved ones and swaddle your little ones. She is a letterpress admirer, typewriter enthusiast, recovering lawyer and lobbyist for women’s health, advocate for small businesses and cheerleader for things handmade. She lives with four boys (aged toddler to husband), is an ENFP (which explains why having a brick & mortar is heaven), and she really, really likes to laugh.

View all of Emily’s Brick + Mortar posts right here!

 

Megan Soh / Behind the Stationery

Megan is obsessed with beautiful stationery, which makes her the perfect author for our Behind the Stationery column! You can find Megan on her blog, Petitely, and on Instagram.

View all of Megan’s Behind the Stationery posts right here!

 

Andrew Whitehead / Cocktail Contributor

Andrew Whitehead is a DC-based cocktail enthusiast (and just happens to be Nole’s husband). You can find him on Instagram, where he shares cocktail recipes and a behind-the-scenes peek into his liquorary concoctions.

View all of Andrew’s cocktail posts right here!

 

About The Design

The design and layout of Oh So Beautiful Paper® was created by Nole with hand lettering and watercolor graphics by Liz Libre of Linda & Harriett and web development by Eli Van Zoeren. For those of you obsessed with pretty fonts like me, I have featured many of of the fonts used on Oh So Beautiful Paper in a weekly column here. If you have any questions or would like to say hello, please email me!

Thanks for visiting!

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Online Art Classes We Can All Do At Home

Wildfield Paper Co Watercolor Swatches

Image via Wildfield Paper Co.

Hi friends. How are you all holding up? Hopefully everyone is safe and quarantining at home, and during these uncertain times I know some of us are looking to the arts to help us de-stress and pass the time at home. So for those of you looking for online art classes we can all do at home – primarily calligraphy, painting, illustration, and printmaking classes – I thought I’d share a few of my faves for you!

 

Written Word Calligraphy

Image via Written Word Calligraphy

CALLIGRAPHY

  • Calligraphy is so meditative and therapeutic – and there’s so much you can do with it once you master the skill! After teaching more than a thousand students through sold-out in person workshops, Karla Lim from Written Word Calligraphy just launched her first online workshop! Karla worked really hard to make her in-person workshops completely virtual, with printable worksheets, notes for troubleshooting, group live sessions, private Facebook groups, and feedback from Karla to help students get where they want to be. Enrollment is only open until April 14 – sign up right here!

 

 

  • For those of you looking for a full introduction into all things calligraphy, I highly recommend the Modern Calligraphy Summit! There are two installments so far – Modern Calligraphy Summit 1.0 and Modern Calligraphy Summit 2.0 –and the classes including brush lettering, invitation design, envelope layouts, basic copperplate, writing on non-traditional surfaces, digitizing watercolor illustrations, and so much more! And as much as an in-person workshop would be totally amazing, it’s just as incredible to be able to learn from so many talented calligraphers from the comfort of your own home. The Modern Calligraphy Summit also includes handy templates and handouts, a private Facebook community to support you as you learn, and lifetime access to all the amazing content so you can go back and watch the videos as many times as you need to practice and get the hang of things. Enroll right here!

 

Carolyn Gavin

Image via Carolyn Gavin

PAINTING + ILLUSTRATION

  • For those of you who enjoy watercolor painting, the Watercolor Summit is right up your alley. Learn how to mix custom colors, paint landscapes and skies, florals of every variety, and even animals with layers and depth with over sixteen hours of instruction from teachers like Jenna Rainey and Annie Mertlich of Wildfield Paper Co. The Watercolor Summit includes a list of recommended supplies, a private Facebook community, and lifetime access to all the course materials. There’s also a bonus pack just focused on Annie’s botanical paintings and a full second installment of the Watercolor Summit focused on gouache painting coming on May 11! Enroll right here!

 

  • If you already have all your supplies and want to learn how to paint specific kinds of flowers, a few of my favorite watercolor artists offer more detailed classes on their own channels. Watercolor artist Yao Cheng has several classes on Creativebug, while Jenna Rainey also has a ton of video tutorials on her YouTube channel, covering everything from anemones to peonies to leaves!

 

 

 

  • And since many of us are staying indoors these days, landscape painting could be a great way to remember our favorite places – or the places we plan to visit when it’s safe to travel! I’ve always been drawn to loose Impressionist-style landscapes. This landscape painting class uses oil paints, but you can totally follow along in acrylics or watercolor depending on your preference.

 

 

Katharine Watson

Image via Katharine Watson

PRINTMAKING

  • I took a printmaking class back in college and absolutely loved it – I’ve been wanting to get back into it ever since, and I would love to teach my girls when they’re a bit older! I’m definitely signing up for this linoleum block printing class from one of my favorite printmaking artists, Katharine Watson and this monoprinting class from Courtney Cerutti.

 

  • I took a Suminagashi paper marbling class a couple years ago and it was SO fun – and incredibly meditative. My 6 year old took the class with me and also loved it, so it’s kid friendly for those of you with artistically-inclined kids! I was thrilled to find this online version that anyone can take at home. 

 

Happy learning everyone!

Inspiring Calligraphers: Virginia Lucas Hart

Hey everyone! Sometimes it helps to look for inspiration from the masters. And in the calligraphy world, Virginia Lucas Hart is definitely one of them. As a published author of a calligraphy book on creative lettering, a teacher of modern calligraphy, and a calligrapher who’s worked with some big names (Estee Lauder, The Knot, Sotheby’s, and the New York Design Center, to name a few), she’s officially a calligrapher with skills. But as any paper lover knows, beautiful lettering is a mix of talent and heart. And as an artist, Virginia pulls both together in her work. So let’s dive in with some inspiration of the lettering sort. – Jen

Inspiring Calligraphers: Virginia Lucas Hart

Inspiring Calligraphers: Virginia Lucas Hart

Virginia offers a range of lettering styles, but she says her hand lends itself to looks that are playful and whimsical. “Even though I frequently practice the rules I’ve gleaned in my professional education, I’m truthfully always looking for ways to break them, allowing my lettering to be fresh and fun,” says Virginia. “My favorite calligraphy styles are those infused with a lot of personality.”

Inspiring Calligraphers: Virginia Lucas Hart

Inspiring Calligraphers: Virginia Lucas Hart

Virginia has written on loads of different non-paper surfaces, but her favorites include large-scale mirrors or any sort of tile or agates for place cards. “They truly become keepsakes for your guests!” says Virginia.

Inspiring Calligraphers: Virginia Lucas Hart

Estee Lauder sign: Photo by Jane Houle

“When my clients grant me some creative control on a direction of a custom piece, I love pulling inspiration from a few places,” shares Virginia. Besides the obvious social media spaces to reference, she also pulls inspiration from simply browsing stores in NYC. “Whether it’s paper goods or fashion accessories, a simple color combination can inspire a whole direction,” says Virginia. But once she has a vision in mind, everything starts with a pencil, a piece of paper, and a giant eraser.

Inspiring Calligraphers: Virginia Lucas Hart

Inspiring Calligraphers: Virginia Lucas Hart

Other highlights: “I was beyond thrilled to calligraph Met Gala invitations earlier this year for those wearing Prabal Gurung!” shares Virginia.

Inspiring Calligraphers: Virginia Lucas Hart

Inspiring Calligraphers: Virginia Lucas Hart

And for anyone looking to learn calligraphy, Virginia wrote a book, published by Ulysses Press, that came out at the end of 2017. “Although it’s a children’s book, it’s truly a great resource for all ages,” she adds. “I share all of my favorite supplies, tips and tricks, and break things down into easy-to-follow steps.”

A big thanks to Virginia for sharing a peek into the different types of calligraphy work she’s doing. So inspiring!
Photo Credits:: Monica Chimes did the florals around the large mirror photo. All images via Virginia Lucas Hart except where noted.

Want to be featured in our calligraphy column? Reach out to us at submissions [at] ohsobeautifulpaper [dot] com with the subject line “Calligraphy Feature” for more details!

Behind the Stationery: Katharine Watson

Today’s installment of Behind the Stationery is a very special one, as we sit down with printmaker and business owner Katharine Watson! Katharine carves and prints each linoleum block entirely by hand to produce all kinds goods from stationery to textiles. Today she’s sharing her carving process with us, along with how local shows helped launch her full-time business and why she doesn’t believe in creative block. She’s a longtime favorite here on the OSBP and wrote our guide to block printing if you want more details on that! Take it away, Katharine! —Megan Soh

KatharineWatson_profile

Photo by Maika Lindsay

From Katharine: My name is Katharine Watson and I run my namesake business from my studio in Portland, Maine. I started my business in 2009 after graduating from college and wanting to make the jump into being an artist. I started out doing linocuts on paper and stationery, and have since expanded to working with home goods, doing licensing for other companies, and doing custom design based on my linocuts.

I always knew I wanted to be an artist, but in college it seemed like being a fine art painter was the only real career path. Once I graduated I started working at a stationery store, continued printmaking in my free time, and began to do some small shows where I sold prints and hand-printed stationery. It started going well and I realized that there was a market for printmaking. I was surprised because I didn’t see being an artist as a full-time career option, but after about a year of working like crazy on the side, I was able to quit my other jobs and pursue printmaking and art full-time. I definitely credit doing all those local shows at first for some of my success: it was so helpful to get feedback in the early stages (whether it was vocalized or through what people purchased). It really helped me to figure out what would sell, and seeing people get excited about my work and style in the beginning was an amazing push to get started.

Katharine Watson Studio and Printing Press

When I started my business I lived in Washington, D.C., and have since lived in rural Vermont and am now settled in Portland, Maine. My studio is in a converted barn behind my house, and that was our main requirement when we were house-hunting. I briefly considered getting a studio a little more separate from our house, but I love being able to work so close from home or run in quickly when I think of a good idea (and the commute is pretty great when it’s snowing).

Katharine Watson Linoleum Block Printing

All of my stationery starts with hand-carved linoleum blocks, and we also offer block printed art prints, home goods, textiles, and custom work. I love stationery and printmaking, and it made sense to me when I was starting out to put the two together. When I first started, I didn’t know of anyone else who was working with linocuts, and that definitely helped me stand out in the beginning. Now, thanks to social media, I know of so many other artists working with linoleum. It’s so great to see other people’s work be more visible thanks to the internet, and also to see the resurgence in interest in printmaking that’s happened in the last few years.

Katharine Watson Inventory

My day usually starts with me working on email and social media messages, and taking care of the less glamorous business tasks like submitting files, tweaking designs, and putting invoices together. Those parts aren’t as Instagram-friendly as some of the other work I do, but I actually love doing it because it’s what allows me to work full-time for myself. I always appreciate every new inquiry or order because it keeps my business going, and I love getting requests that are a little outside of my comfort zone as they help me develop new ideas and styles. One of the nice things about being self-employed is that I don’t really have a set schedule. Some parts of the year I am working twelve hour days and rushing to get shipments out and meet deadlines, and other times I get to be more creative, try new styles, and work a little less. I’ve really gotten used to that balance, but it was one of the harder adjustments to running a business. At first I thought that slower times were a sign that things weren’t going well, and now I am able to recognize them as a necessary time to reset and keep pushing new ideas. I definitely wouldn’t be able to come up with new work if every month were as busy as December.

Katharine Watson Block Printing and Paper

When I’m thinking of a new design or product, I’ll start with a thumbnail sketch, and then draw the design out on linoleum and start carving. One of my favorite things to do is experiment with new patterns and see what I can do with them: after a new block is printed, I might scan it and move it into Photoshop to turn it into a repeat pattern, or use a piece of the design on a new wedding invitation. Usually one new idea will snowball into lots of new ones, and that’s my favorite thing about having a little extra time to create vs. being on a tight deadline. People often ask me about creative block and it’s not something I really believe in: if I don’t have any ideas, I’ll just start doodling or look through old work, get something down on paper and see what happens. I don’t think that a lack of creative block means that you’re consistently doing good work, just that you’re getting ideas out of your head and onto paper, even if they are terrible. I usually find that there is something there worth exploring, and if not I can just keep getting shapes down on paper.

Katharine Watson Linoleum Block Carving

My process starts with a plain piece of linoleum, and I draw the border for the size of the piece I want to make. I always carve on linoleum from Blick, but I always recommend that people try out different types of linoleum to find which one works best for them. Every type has a different feel and a different texture when printed, and it took lots of experimenting for me to figure out what worked best with my style. I carve with Speedball carving tools, and again, different people have different preferences for tools but these are the ones I’ve always liked most.

Katharine Watson Sketch

I start by sketching out my design with a ballpoint pen, usually just drawing freehand and sketching out the lines as I go. Once I have the pattern laid out, I’ll go over it with Sharpie so I can see exactly which lines need to be carved out. From there, I start by carving away the smallest details and work out to carving away the larger background pieces. I then use a wide marker to draw over what I’ve carved so I can see what still needs to be worked on.

Katharine Watson Printing Press

Once a block is finished (which can take anywhere from 2 to 20+ hours depending on the size of the block, but most A2-sized blocks take about three hours) I’ll print it on one of our two presses. We have a C&P that we use to print smaller blocks and all our block printed cards (or anything smaller than 8×10), and a Challenge Proof Press that I use for larger blocks and art prints. I mostly use rubber-based VanSon inks, but I also like Speedball oil-based inks.

Katharine Watson Printing Process

I love the carving process because I just turn on a TV show or podcast and get in the zone of carving. It’s very meditative and sometimes I can carve for hours without really noticing (until my hand cramps up and I have to take a break). People always ask what happens if I make a mistake and carve out the wrong part, but that’s not usually an issue unless I’m carving text. If I make a mistake on a pattern I’ll just incorporate it into the design and hide it by moving things around a bit, but if it’s text I’ll have to start over. Because of that I always carve the text first, because it’s heartbreaking to get to the end of a carving and then accidentally cut the T off of “Thank You”!

Katharine Watson Printing

Photo by Maika Lindsay

My favorite thing about the whole process is doing the first test print, when you finally get to see the carving time pay off and see how everything looks. It’s always kind of a surprise because you never know exactly what it’s going to look like, and that makes the process worth it for me!

Katharine Watson Carving + Print

Photos by Katharine Watson unless noted otherwise.

Want to be featured in the Behind the Stationery column? Reach out to Megan at megan [at] ohsobeautifulpaper [dot] com for more details.

Behind the Stationery: Worthwhile Paper

Today’s installment of Behind the Stationery takes us to Michigan with Kristen Drozdowski of Worthwhile Paper! The beginnings of Worthwhile Paper started by happenstance when they had some extra space screen printing a poster. I’m excited for Kristen to share her unique story about how she dreamt of her business name (and it stuck!), details into her screen printing design process, what inspires her art, and her goals for 2018. Take it away, Kristen! —Megan Soh

Behind the Stationery: Worthwhile Paper

From Kristen: Starting Worthwhile Paper happened organically for me like a story of cause and effect. I first discovered my passion for making cards and smaller prints almost by accident — by using the extra space on a screen when printing a poster. There were a few inches left in the layout of a poster my husband and I were screen printing so I squeezed some little positive sayings on the side and we cut them into postcards. We took them to one of our first local craft fairs and the little positive cards went over well, but more importantly I found myself connecting with the shoppers more over the positive cards than anything else. It made me feel happy and human to make connections like that, which sparked my idea of making more cards.

Behind the Stationery: Worthwhile Paper

Shortly after, I had this dream that I had my own card line and was telling someone in my dream that it was called Worthwhile Paper. I woke up thinking it was such a dorky name, but a little later when I sat down to name my business it just held on. There is this very real idea that sometimes the things that require more thought or work are the most worthwhile things, like climbing a mountain and getting to the top, doing a really long yoga practice to get to the other side of your sense of self, or going through all of the work it takes to screen print cards! It continues to fuel my work. One of my favorite things about Worthwhile Paper is that it is a business that I get to do with my husband. It has been such an adventure for us, a designer and printer love story, and he has been supportive in so many ways along the journey – always encouraging me and helping me feel empowered as a business owner.

Behind the Stationery: Worthwhile Paper

Worthwhile Paper is a collection of lively screen printed paper goods for lovers of nature, magic and meaningful design. We are a wife + husband team who love to create beautiful print work to share with others. Everything we make is drawn and lettered by hand and screen printed with earth-friendly papers and inks. Featuring a unique blend of nature and minimalism, our designs carry a goal to truly bring some positivity and love into the world through meaningful connections – whether that is a personal reconnection to nature or a connection between two people.

Behind the Stationery: Worthwhile Paper

My love for the design and print world feels like it was always here, but really took root for me in college. I was always incorporating hand drawn lettering and designs into my work and I learned how to screen print. Finding this path was more of a process of elimination and discovery than anything else – I had so many interests when it came to what I wanted to do with my design background and I tried to explore them all. At one point, I had two part-time jobs (both in the design industry) and on the side I was taking on freelance design jobs, doing calligraphy for wedding invitations, designing gig posters, and exploring more with personal side projects. But as my schedule shifted after becoming a mom I became stressed in keeping up with everything and I slowly and intentionally started dropping away from the types of work I was offering starting from my least favorite, and eventually dedicated myself to pursue Worthwhile passionately and fully.

Behind the Stationery: Worthwhile Paper

Last summer I made the exciting jump to move Worthwhile out of our house and into its own separate space. I found this amazing building nestled in between houses hiding behind pine trees and a wooden fence — so, not quite a store front but not totally hidden either. I walked inside this place and immediately felt at home. Sprinkled with windows with natural light pouring in and the perfect shade of warm white paint on the walls, it was practically made for us, and at this point I am still in denial that I actually get to work here. Inside lives my drawing studio, office, our wholesale inventory and shipping area, and a large area in the middle that during non-working hours we call “The Guest Room” – our workshop space.

Behind the Stationery: Worthwhile Paper

We have been hosting a variety of creative workshops here including my own design and lettering workshops as well as other crafty events for beginners like weaving, macrame, and terrariums. We’ve been having open shop events and appointment based shopping hangouts with local customers too, and it has been so fun to be able to have a physical space to bring people together. It excites me! Where we print is not a far trek — just down the road is VGKids, the screen printing shop my husband co-owns. They screen print a variety of wonderful things but their specialty is large scale art posters and tee shirts. We print all of our own things there when a press opens up or on the weekends.

Behind the Stationery: Worthwhile Paper

During the day at the studio I am usually either drawing, finishing designs on my computer, making layouts, attending to emails, bookkeeping, taking styled photos for social media, and making tea (and then forgetting about it until it’s too cold). I have a few super amazing women working for me too, to help with managing our wholesale accounts, updating spread sheets, pulling orders and packaging our items. I am so grateful to have a team, I couldn’t keep up at this point without them.

Behind the Stationery: Worthwhile Paper

I am always thinking of ideas. Sometimes when I start a design, it feels like the end of a process instead of a beginning because the idea may have been living in my head for a whole year or so! If you spied on my phone and went through the notes app, you would find hundreds of one line ideas or phrases that pop into my head that I jot down there. (I’m guilty as ever for using my phone instead of a notebook, don’t send the paper police). Once I’ve reached the point where I want to start bringing some ideas to life, I will start with small, very fast thumbnail sketches. This allows me to get the ideas of how I want a design layout to be quickly without judgement about details.

Behind the Stationery: Worthwhile Paper

Then, I work up toward a more finalized design in pencil, using a light tablet to trace over and make revised copies until I get to an original that I draw either with black ink or a combination of black and colored gouache paint. Sometimes if I am working with multiple colors I like to make separate layers because that is how my screen printing brain works, and then I scan everything in, make the final layouts and choose ink colors via the Photoshop Pantone matching system, which is how we determine our screen printing inks.

My design process is usually a very fun and fulfilling challenge. Lately, bringing a collection together has become more slow and organic rather than strategic. For the collection of art prints that will come out soon for spring, I started by simply sitting down and drawing what I liked and wanted to explore. After I had a substantial amount of work, I laid it all out in front of me and chose what I wanted to keep and what I wanted to make out of it. To start, I usually draw from multiple points of inspiration. This ranges from inspiration from nature to deep inspiration that stems from feelings, or sometimes it’s more obvious inspiration from my existing work (maybe I tried something once and want to expand upon it, or there is a certain color palette I want to use more, or a theme/direction I want to pursue further). All in all, the inspiration that I find the most meaningful are my day to day interactions and emotions.

Behind the Stationery: Worthwhile Paper

Phrases in my cards may have started as something I said out loud, wrote in a note once to someone, or something I wrote in my journal. It is really important to me that my approach as an artist who makes material things for sale isn’t centered around what I think will make me the most money or based on the most popular on-trend thing. When I am designing, I want it to feel real, so I always ask myself things like, “Who in my life would I send this card to right now? Where in my house would I hang this print? What would I use this notebook for?”. If the answer is nothing or nobody, than I scrap the idea. If I don’t want to use it, how can I assume anyone else will? It’s an easy game of “do I like this or do I not?”.

If I am being honest, the fact that anything I make resonates with anyone and makes them smile or feel happy truly feels like a gift. Sometimes I can’t believe that this is what I get to do for a living, and I am excited to continue growing and learning.

Behind the Stationery: Worthwhile Paper

The business end of this is fun and all, but I live for the times I am able to turn away from my computer and phone and just zone into the creative abyss in my plant-filled studio where engaging with technology is not allowed (unless you count my light tablet for tracing). I almost never even have a light on because the window light is my best friend. One of my struggles is wishing I had more time to just make art for art’s sake and explore creativity. It is so hard to break away from the mindset of making art that gets turned into a product. I have this deep desire to just make to simply make, to explore and use making as a way to learn things about myself and dig deep, but part of me feels this fear of not even knowing how to anymore.

Behind the Stationery: Worthwhile Paper

I know that even if I lived in a cave in the middle of nowhere I would find a way to make something and share it with someone. Maybe the desire to share is just something we have as humans, and it’s not all that bad. Nevertheless, I am really feeling a nudge to create more space for exploration and fun in the new year. I’ve been getting back into painting and I just installed a mini screen printing setup in the corner of my drawing studio. (Since we print in larger quantities of our products right now with legitimate professional equipment, I haven’t printed something by myself in years). In 2018, I’m looking forward to getting messy, and reuniting myself with the roots of my love for screen printing, and of course continuing to find inspiration for my card and print designs.

Behind the Stationery: Worthwhile Paper

Photos by Heather Nash Photography.

Want to be featured in the Behind the Stationery column? Reach out to Megan at megan [at] ohsobeautifulpaper [dot] com for more details.