Oh So Beautiful Paper accepts submissions from independent artists, graphic designers, calligraphers, stationers and invitation studios, photographers, and brides. I also welcome DIY submissions! Please read the full submission guidelines below before submitting your product or invitations for editorial consideration. Any submission that incorrectly spells the word stationery will be automatically rejected. All submissions must be sent to our submissions email address – submissions sent to any other email address will be deleted.

IMPORTANT: Due to the high volume of submissions, we are currently unable to respond with regrets for general submissions (greeting cards, shop updates, etc.). For custom design or exclusive submissions, we will notify you of our decision at our earliest opportunity. Due to the high volume of email and submissions, we ask that you please do not send follow-up emails regarding the status of your submission. If necessary, we will contact you for additional information regarding your submission. Please limit custom project submissions to one (1) project per email and a total of three (3) submissions at any one time.

Oh So Beautiful Paper warmly welcomes submissions in the following areas:

  • Wedding Invitations and Save the Dates
  • Party Invitations (birthdays, showers, bar/bat mitzvahs, etc.)
  • Baby Announcements
  • Moving Announcements
  • Business Cards
  • General Stationery, Artwork, and Greeting Cards
  • Holiday Cards + Calendars (please see below for our holiday editorial calendar)

Oh So Beautiful Paper respectfully does not accept the following for editorial consideration:

  • Press Releases
  • PDFs or digital mock ups
  • Kickstarter campaigns

Exclusivity Requirements: Oh So Beautiful Paper is dedicated to showcasing fresh and original content, particularly features on custom design projects and real wedding invitations. Editorial priority will be given to products or designs submitted exclusively to Oh So Beautiful Paper. Please indicate in your email if your submission is currently awaiting decision from another blog or media outlet. Oh So Beautiful Paper reserves the right to reject submissions that have already been submitted or featured elsewhere. If your submission is accepted for publication, please allow a minimum of one week after publication before submitting your design for publication on another blog. Exclusivity requirements do not apply to seasonal stationery products such as holiday cards and calendars.

If you think your product or service would suit the Oh So Beautiful Paper audience, please email me with the information and images requested below.

General Submission Guidelines

  • A minimum of 5-8 attached images. Please do not send links to Google drive, dropbox folders, or online shops or galleries.
  • All images should be 640 pixels wide, less than 1MB per image.
  • Please include a link to your website/shop, as well as a short description of your company.

Custom Design Submissions (Wedding/Party Invitations, Save the Dates, Baby Announcements, etc.)

  • Please submit ONE custom design project per email. We regret that we are unable to “preview” submissions to Oh So Beautiful Paper. Any incomplete submissions may be bounced for any missing information or rejected completely.
  • 8-10 attached images of a specific project, including at least one photo of the entire invitation suite or project assembled together and detail shots of unique design elements. Please do not send links to Google drive, dropbox folders, or online galleries.
  • All images should 640 pixels wide. Strong preference for vertical images for custom design submissions. We recommend cropping images to a 4:5 ratio for horizontal images and 3:4 ratio for vertical images.
  • Submissions should include the following images: 1) at least one image of the full invitation suite or announcement with all enclosures, envelopes, etc.; 2) detail (close up) photos of any enclosures, including RSVP cards, reception cards, maps, etc.; 3) detail (close up) photos of any envelopes (including postage stamps), envelope liners, especially if calligraphy or special seals are used in the suite; 4) detail photos showcasing any special printing or production techniques, including edge painting, foil stamping, etc.
  • Photos should be taken from a straight-on perspective, with photos taken from an angle only to showcase edge painting details, letterpress printing impressions, foil stamping details, or other special embellishments.
  • Submissions must include the name and website of any design or print studios, calligraphers, illustrators, etc. that you worked with during the production process, if applicable.
  • A description (minimum of 250 words) of the inspiration behind the design and any relevant information about the production process.
  • Important: Photos must be of good quality and should be taken using natural or professional light to allow for the best possible photographs. Any blurry, out of focus, or grainy photos will be rejected. We strongly recommend styling your photos to showcase the design in the best possible way. Oh So Beautiful Paper reserves the right to request photo re-shoots if necessary prior to any editorial features. We do not accept watermarked images.
  • If submitting photos taken by a professional photographer, please confirm in your e-mail that you have approval from the photographer (as the copyright holder for the images) to submit the photographs for blog publication.

Designer Rolodex Submissions

The Designer Rolodex is a curated, invitation-only directory of wedding invitation designers.  You can find more information and an application link right here.

Holiday Editorial Calendar

Oh So Beautiful Paper currently does seasonal features on the following products: calendars and planners, holiday and new year cards, valentine’s day cards, easter cards, mother’s day cards, father’s day cards, and halloween cards. Designers are welcome to submit their products for consideration in these round-ups. Normal image guidelines apply; please submit one photo of each holiday card.

Please submit cards 1-2 months prior to the actual holiday (e.g. Valentine’s Day cards should be submitted no later than early January). I accept Christmas/Hanukkah/New Year’s card submissions beginning in mid-October. I accept calendar submissions for the following year beginning in August.

Please note, you MUST have an online shop where my readers can purchase your cards. If you are a wholesale-only company, please provide a link to an online retailer where your products may be purchased.

For our full editorial policy, please visit my policies page. If you are interested in advertising on Oh So Beautiful Paper, please click here to request a copy of our ad rates.

Note: Oh So Beautiful Paper reserves the right to edit any photos submitted for editorial consideration, including but not limited to: cropping, re-sizing, brightening, and hue/saturation adjustments. Oh So Beautiful Paper also reserves the right to edit descriptive text submitted for editorial consideration, including but not limited to spelling and grammar corrections.

Thank you!

Have you previously been featured on Oh So Beautiful Paper?  Feel free to download one of our badges here!

Business Card Inspiration #18

It has been a little while since I rounded up some pretty business cards! Here are a few recent favorites!

Business Card Inspiration / Oh So Beautiful Paper

1. Illustrator Meera Lee Patel‘s colorful painterly business cards (via Instagram)

2. Beautiful watercolor and letterpress business cards with gold edge painting by Holly Hollon for Joanne Lue Events (via Instagram)

3. GORGEOUS green and gold foil business cards by Christine Wisnieski for floral studio Molly Taylor & Co. (via Instagram)

4. Gold foil and offset printed business cards for Candlefish / Design by Fuzzco and gold foil by Mama’s Sauce (via Instagram)

5. Hand lettered letterpress printed business cards / Printed by Czar Press for Odd Daughter Paper Co. (via Instagram)

p.s. If you’d like to submit your own business cards for a future post just tag your photos with #osbpbusinesscardlove on Instagram!

Behind the Stationery: Underwood Letterpress

I had the pleasure of meeting Cara of Underwood Letterpress in person at The National Stationery Show this year. Though it was her first show, she is no printmaking or business rookie – she is (very quickly) taking over the California coast! Here’s the scoop on her business prowess, days at work, and design process. –Megan

Behind the Stationery: Underwood Letterpress / Oh So Beautiful Paper

I learned to letterpress print about 10 years ago in a printmaking class during college, but then I took a detour from the world of design for a bit, got my masters in public policy and built a career in philanthropy working with some of the most talented and generous people that I know. I gained skills in management, planning and collaboration that have influenced the way I run my business today. I thrived in my career, but couldn’t be happier about the switch. I love working with my hands again, designing beautiful things and being my own boss. I don’t know what the future holds, but I’m excited to have embraced this non-linear career path and am excited about where it may take me!

Behind the Stationery: Underwood Letterpress / Oh So Beautiful Paper

I officially launched Underwood Letterpress in 2012. When we launched, our custom work took off really quickly and we were fortunate to get some great exposure through various prominent design blogs including Apartment Therapy, One King’s Lane and Design Love Fest. We spent two years building our custom work and with a leap of faith we decided to launch our own greeting card line this year at the National Stationery Show. We were a finalist for Best New Product and had a really great response to our card’s simple, modern designs and playful color palette.

Behind the Stationery: Underwood Letterpress / Oh So Beautiful Paper underwood-38

Underwood Letterpress is located in the arts district in downtown Los Angeles in a shared workspace called The Unique Space. The building is a collective of designers, entrepreneurs, writers and bloggers, and also has a co-working space that brings different creative people to the building every day. While we are all hard at work running our own small business, we often find time to collaborate on projects or just bounce ideas off of one another. It’s a creative utopia!

Behind the Stationery: Underwood Letterpress / Oh So Beautiful Paper

Behind the Stationery: Underwood Letterpress / Oh So Beautiful Paper

Our studio consists of our 12×18 Chandler and Price printing press from 1915 (yes, there’s a 100 year birthday in the house!!), our guillotine paper cutter, workspace, and as much shelving as we could fit to house our paper, inks, and other wares. We are lucky to have access to storage in the building’s basement which has allowed us to house a ton of inventory and grow our product line without crowding us out of the studio.
Behind the Stationery: Underwood Letterpress / Oh So Beautiful Paper

Our incredibly talented studio associate Mallory is running the show in L.A., while I work on expanding our business in the Bay Area. With a “minor” turn of events, my husband was recruited to northern California for a new job early this year, so I figured I would take on the challenge of bringing the business to another part of California that I love. I have set up a home studio and am fortunate to be printing at the San Francisco Center for the Book until I set up a permanent studio there. I travel to L.A. every other month for various projects and to meet with clients.Behind the Stationery: Underwood Letterpress / Oh So Beautiful Paper

Running a business in two locations means there is no “typical” day in the office. Each day is a unique combination of client consultations, emails, and designing. I am on the press about twice per week and spend the rest of the time building the business. I’ve found that I actually love working on the business side of things — finances, marketing, planning — all of it. This is an area I want to grow in and can’t wait to attend Business Boot Camp organized by the paper industry’s amazing professional network TSBC.

Behind the Stationery: Underwood Letterpress / Oh So Beautiful Paper

Our greeting card line incorporates bold color, pattern, geometry and juxtaposition. I take a lot of cues from fashion, home and lifestyle trends and love Scandinavian design. When designing a new card, I focus on color and design first. The sentiment or occasion comes next and usually organically pops right out at me.
Behind the Stationery: Underwood Letterpress / Oh So Beautiful Paper

All of the cards are hand drawn which means that I start the process with a trusty Sharpie pen. I like to lay out a large piece of paper on my workspace and cover it with doodles, to do lists and reminders. That way, I have access to a canvas all day long and can sketch my ideas as they come to me. From there, I convert the images to digital artwork, refine the designs in Illustrator and then determine the color palette.

Behind the Stationery: Underwood Letterpress / Oh So Beautiful PaperUnderwoodLetterpressStudioTour058-9UnderwoodLetterpressStudioTour069-11UnderwoodLetterpressStudioTour066-10

We specialize in letterpress printing, but offer foil printing, edge painting and embossing. We dip dye in house using a special technique that allows us to get really rich and textured color. We also work with handmade papers to create custom envelope liners and other special finishes. I’ve had a lot of people tell me that they like to frame our cards and I love that! We work hard to make sure everything we touch turns in to a piece of art which I think makes our card line unique.

Behind the Stationery: Underwood Letterpress / Oh So Beautiful Paper

We also have a love affair with vintage postage and offer curated postage sets through our Etsy shop. We believe that the outside of our mail should be just as pretty as the inside. The U.S. Postal Service has been issuing beautiful stamps for the last 150+ years, so why not send them out in to the world so they can be enjoyed! We just started selling our curated postage through card shops all over the country this year, so definitely be on the lookout!Behind the Stationery: Underwood Letterpress / Oh So Beautiful Paper

All photos by Jen Emerling.

Interested in being featured on the Behind the Stationery column? Please contact Megan at

National Stationery Show 2015, Part 3

If you love color, you’re going to LOVE today’s recap from the 2015 National Stationery Show! From bright explosions of neon to understated pastels, each of the following stationers incorporated color (and more than a few pops of gold foil) into their booths in a major way. Let’s start with Parrott Design Studio – Sarah’s booth design with colorful oversized acrylic hearts was one of my favorites from the entire show! Sarah incorporated those same colors throughout her new designs, from letterpress and gold foil greeting cards to laser cut cake toppers!













Parrott Design Studio

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Kearsley + Edward’s New England Quahog Wedding Invitations

Well this is fun! A collaboration between artist Kearsley Lloyd and Albertine Press, these invitations feature a bright and colorful color palette with a regional New England Quahog inspired design – and some beautiful watercolor illustrations to boot. Pretty!


From KearsleyHaving designed custom wedding monograms and crests for years, I was especially eager to craft an invitation suite for my own wedding. All of my designs begin by hand with an original watercolor and gouache illustration, which I then manipulate digitally. The watercolor painting is preserved for use on stationery and paper goods while the digital version can be converted to any color scheme to feature on embroidery, screen printing, stamping, and other decorative uses for weddings…and well beyond.


Our save the date was flat printed to preserve the unique appearance of the watercolor, and then invitations were letterpress printed by Albertine Press. It introduced and established the colorful theme and playful impression that carried through the invitation and entire sequence of wedding events.



Our wedding was to take place at my family’s home on the Rhode Island coast, so we chose to feature the well-recognized Rhode Island Quahog (also known as a cherrystone clam) in our theme. Since my husband and I live in Bermuda, a British colony, the Hog Penny had become a symbol of our new life together and a fun secondary theme. Finally, a little research turned up a handy coincidence: my fiancé’s Celtic family crest indeed featured wild boars! You can imagine what fun we had, once the ‘Qua-Hog’ theme was established!


I love taking a twist on traditional letterpress printing by infusing it with unusual colors and pattern. Echoing the fish scale pattern of our save the date card, I introduced an intertwined monogram design that served as the central theme of our wedding day décor. The painted edge on the invitation tied the color palette together beautifully. To that, I added a colorful tri-fold schedule of weekend events, as well as custom postage for the outer and RSVP envelopes. The design from the back of the dave the date greeting became the perfect pattern for the envelope liner, and my vibrant watercolor map design was a handy travel guide, included in a welcome bag for out-of-town guests.





Thanks Kearsley and Abby!

Design: Kearsley Lloyd

Letterpress Printing: Albertine Press

Styling: Abby Capalbo

Calligraphy: Deanna Wiles

Custom Postage:

Albertine Press is a member of the Designer Rolodex – you can see more of their fabulous work right here!

Photo Credits: Erin McGinn