Romantic Gold Foil Calligraphy Wedding Invitations

We may be heading into winter, but Spring will always be my favorite season in my heart. I adore the combination of spring floral illustrations and  whimsical calligraphy in these romantic gold foil calligraphy wedding invitations by Kara Anne Paper. Kara designed this invitation suite for her own wedding and incorporated many meaningful nods to her family, including her new family crest and an illustration of her father’s home. What a special invitation suite that will certainly be treasured for a long time to come!

Romantic Gold Foil Calligraphy Wedding Invitations by Kara Anne Paper

Romantic Gold Foil Calligraphy Wedding Invitations by Kara Anne Paper

From Kara: Designing my own wedding invitation suite came easy! After finalizing our wedding style and color scheme, the late night invitation doodles began. Staying cohesive with all the paper details was important to me.

Romantic Gold Foil Calligraphy Wedding Invitations by Kara Anne Paper

Romantic Gold Foil Calligraphy Wedding Invitations by Kara Anne Paper

William and I wanted a chic backyard wedding filled with beautiful spring colors and a touch of gold accents. I felt introducing an original watercolor invitation cover was just the perfect touch for our gold foil calligraphy invitation. The invitation was printed on 220# Crane’s Pearl White Lettra with gold painted edges. We also included a tri-fold reply card with our new family crest on the front and an illustration of the ceremony location and reception venue. This design was letterpress printed on 110# Pearl White Lettra. Our special wedding suite was all tied together beautifully with silk blue ribbon and placed inside a Crane’s Royalty envelope. The front of the envelope was graced with gold calligraphy to match the invitation.

Romantic Gold Foil Calligraphy Wedding Invitations by Kara Anne Paper

Romantic Gold Foil Calligraphy Wedding Invitations by Kara Anne Paper

The wedding program was one of my favorites! The small booklet included a cover page with a pop-up illustration of my father’s house, where I was raised and where William and I first met. To tie the program back in with the wedding suite the cover was a blind embossed printed impression of the same floral pattern used on the invitation cover. Behind the pop-up, on the inside page was the illustration of the pond and dock where William and I exchanged vows. The pages that followed included the ceremony and wedding party details.

Romantic Gold Foil Calligraphy Wedding Invitations by Kara Anne Paper

Romantic Gold Foil Calligraphy Wedding Invitations by Kara Anne Paper

Although our rehearsal dinner was indoors we wanted it to have a fresh spring, outdoor feel. We had fresh flowers that matched the watercolor paintings used on both invitations. The invitation was placed inside a wood and glass box with preserved green moss laid nicely on the bottom. The top of the box included the guest names with a pretty blue silk ribbon tied around it. Our closest friends and family were invited so we wanted these invitations to be extra special and personalized.

Romantic Gold Foil Calligraphy Wedding Invitations by Kara Anne Paper

Romantic Gold Foil Calligraphy Wedding Invitations by Kara Anne Paper

Thanks Kara!

Design: Kara Anne Paper

Check out the Designer Rolodex for more tal­ented wed­ding invi­ta­tion design­ers and the real invi­ta­tions gallery for more wedding invitation ideas!

Photo Credits: Kara Anne Paper and Kim Box Photography

Whimsical Floral Adoption Baby Shower Invitations

Baby showers are just the best. They’re both a chance for parents-to-be to celebrate with family and friends and stock up on a few new baby essentials (OMGbabiesneedsomuchstuff). And seriously, there really are so many things that new parents need – including moms and dads becoming parents through adoption. I’m beyond thrilled and honored that the talented Kristy Rice of Momental Designs is sharing her whimsical floral adoption baby shower invitations with us today! The invitations feature Kristy’s signature vibrant hand painted florals, rose gold foil printing, and fabric envelope liners, these festive baby shower invitations – perfect for celebrating Kristy’s newest addition!

Whimsical Floral Adoption Baby Shower Invitations by Momental Designs

From Kristy: These invitations were very special for me as I created them for my own baby shower for my recent adoption. The invitations are loosely based on the paintings of artist, Frida Khalo, and a blooming cactus watercolor painting that I did. They are very whimsical, featuring a variety of different fun elements to help the overall aesthetic come to life!

Whimsical Floral Adoption Baby Shower Invitations by Momental Designs

The highlights of the design for me were the rose gold foil printing, fabric elements, and the individually hand painted components of the invitations. All pieces are hand painted using various techniques like gold spatter, bold aqua watercolor washes, and fuchsia free hand outlines on the menus.

Whimsical Floral Adoption Baby Shower Invitations by Momental Designs

Whimsical Floral Adoption Baby Shower Invitations by Momental Designs

The envelopes were lined with fabric for an added touch! To complement everything inside the envelopes, we featured calligraphy envelope addressing with colorful artwork on front and oversized vintage stamp composition.

Whimsical Floral Adoption Baby Shower Invitations by Momental Designs

Whimsical Floral Adoption Baby Shower Invitations by Momental Designs

Each guest wore paper flower crown, even the babies! Made from handmade, painted papers and greens, each crown had its own personality. Each seating card featured a personal free hand watercolor sketch that I made for guests based on their favorite flowers, favorite pet, favorite collectibles, favorite food, or a nickname. Seating cards were hung on a dip dyed fabric backdrop featuring a calligraphy laser cut wood sign and greenery.

Whimsical Floral Adoption Baby Shower Invitations by Momental Designs

The menus were die cut on shimmering gold stock with a nearly-neon pink painted edge. The edge painting was done a bit differently than usual as it was painted on the face of the menu along with the edge. Each menu was unique depending on how much pressure was applied to the brush during painting.

Whimsical Floral Adoption Baby Shower Invitations by Momental Designs

The vibrant floral aesthetic continued throughout the party with floral watercolor pattern placemats featuring dahlias, mulberries, vines and ranunculus. I had a blast putting together all the elements for this special day and making my vision come to life.

Whimsical Floral Adoption Baby Shower Invitations by Momental Designs

Whimsical Floral Adoption Baby Shower Invitations by Momental Designs

Thanks Kristy!

Design: Momental Designs

Envelope Calligraphy: Designsgirl

Wooden Calligraphy Sign: Laura Hooper Calligraphy

Event Planning: Patchwork Planning

Momental Designs is a member of the Designer Rolodex – you can see more of their beautiful work right here or visit the real invi­ta­tions gallery for more wedding invitation ideas!

Photo Credits: Danielle Coons Photography

Timeless Black and White Wedding Invitations

When it comes to timeless wedding invitations, it really doesn’t get any better than classic black and white with a dose of gorgeous calligraphy. These timeless black and white wedding invitations from Megan of Ruby the Fox feature black letterpress printed text, spot calligraphy from Angelique, Ink, blind impression palm trees and mountains inspired by the Ojai, California wedding location! Add in a couple of modern touches, including black edge painting and colorful botanical envelope liners, and you’ve got one seriously gorgeous invitation suite!

Timeless Black and White Wedding Invitations by Ruby the Fox

From Megan: This Ojai Valley Inn wedding for Mia and Douglas was an absolute DREAM to work on! I was contacted by Amber Weir Events to create this timeless suite for the most lovely bride. Her vision was super refined, yet organic, and I was honestly smitten with every element of her big day.

Timeless Black and White Wedding Invitations by Ruby the Fox

We started the design process with a pared down palette of black, white, and pops of red. After the bride had mentioned she wanted her out-of-town guests to really embrace and enjoy the beautiful venue, we decided to incorporate a blind (no ink) letterpress printed silhouette of the mountains and palm trees. This touch pulled in the gorgeous California scenery while still letting the design feel really fresh and clean. It was such a treat to work on a black and white design that was honestly a bit out of my design element (in the very best possible way!).

Timeless Black and White Wedding Invitations by Ruby the Fox

We utilized stunning modern calligraphy from Angi Phillips of Angelique, Ink for the names of the bride and groom, the addresses, and the venue titles. The rest of the invitation text was done in a classic serif font. Using spot calligraphy is one of my FAVORITE ways to really personalize a design. The cards were letterpress printed on white extra heavy cotton stock and were finished with a bold black edge painting. The letterpress printing was done in black ink and a blind (no ink) impression — really showcasing the impression and letting the process shine!

Timeless Black and White Wedding Invitations by Ruby the Fox

The crisp white envelopes were lined with a beautiful vintage botanical print, which gave the perfect pop of color and mimicked the flowers used at the ceremony and reception! The bride’s vision came together perfectly and I must say, this is one of my favorite wedding invitations to date.

Timeless Black and White Wedding Invitations by Ruby the Fox

Thanks Megan!

Design: Ruby the Fox

Printing: Steracle Press

Calligraphy: Angelique, Ink

Styling: Caitlin Kruse

Wedding Planner: Amber Weir Events

Ruby the Fox is a member of the Designer Rolodex – you can see more of their beautiful work right here or visit the real invi­ta­tions gallery for more wedding invitation ideas!

Photo Credits: Krista Jones Photography

Wedding Invitation 101, Part 3: Printing Methods

Wedding Invitation 101, Part 3: Wedding Invitation Printing Methods / Fine Day Press for Oh So Beautiful Paper

Hi guys, Ashley from Fine Day Press  here! Welcome back to our Invitation 101 series, all about wedding invitations. Today’s post covers the different wedding invitation printing methods. Be sure to check out our first post, about how to get started, and the second post, about when to send.

When it comes to printing wedding invitations, the options really are endless. Your budget will likely play a role in what printing method(s) you choose. If your stationery budget is on the smaller side, digital or 1-color letterpress could be the best option. For a no-holds-barred affair, on the other hand, you might combine a few different printing methods, like letterpress, foil stamping, and edge painting. If these terms have you scratching your head in confusion, read on!

FLAT PRINTING

These days, the vast majority of invitations are flat – or digitally – printed. Digital printing has revolutionized the way we print invitations. It’s much more affordable, and the technology has come so far that the quality is very high. Plus, you can print with an endless amount of colors! You can even print on cotton stocks and heavier papers. Personally, I love the unlimited color capabilities that flat printing allows – it’s what gives our watercolor invitations their textural details. This look wouldn’t be possible with letterpress printing or screen printing. You can find examples of beautiful real wedding invitations that use digital printing here.

LETTERPRESS PRINTING

It’s hard to beat letterpress printing for sheer beauty; it has an amazing tactile quality that no other method conveys. Letterpress printing is a centuries-old technique in which ink is applied to a raised plate design and then pressed into paper – today often a thick cotton stock – resulting a wonderfully textured impression. Blind letterpress printing, or de-bossing, is created by stamping the impression onto the paper without using any ink and can be incredibly stunning. However, letterpress printing can be limiting in some ways. Because a new plate and press run is required for each color in the design, adding a second or third ink color can make already pricey letterpress printing exponentially more expensive. And because the design must be created from line art, you won’t get the subtle color changes and design variations that you can achieve with digital printing. You can read more about the letterpress printing process here.

Wedding Invitation 101, Part 3: Wedding Invitation Printing Methods / Fine Day Press for Oh So Beautiful Paper

Clockwise from top left: Marble watercolor invitations by Fine Day Press; Two-color letterpress by Cheree Berry Paper; Gold foil on navy stock by Megan Wright Design Co.; Blind letterpress designed by Kate Holgate via this post; Edge painting by Ladyfingers Letterpress; Screen printed foldout map by Jessica Roush via this post.

SCREEN PRINTING

Screen printing is one of the oldest printing techniques and involves pushing thick, opaque ink through a fine mesh screen, resulting in a bright, tactile design that sits on the surface of paper.This method is great for using special inks like fluorescents and metallics, or for printing with opaque white ink onto a dark background color. As a result, screen printing can be a wonderful choice for vibrant and colorful modern wedding invitations. Screen printing also allows for printing on a variety of surfaces – like fabric or super-thick chipboard – so the possibilities for creativity run high. Budget-wise, it’s comparable to letterpress printing but can vary widely depending on the size of the screen and the number of inks. Each color requires its own separate screen so, like letterpress printing, a more colorful design means a higher overall cost. You can read more about the screen printing process here.

ENGRAVING

Engraving is the most classic of all wedding invitation printing methods – and most likely the method that your parents and grandparents used to print their wedding invitations! Engraving has fallen somewhat out of favor in recent years with the return of letterpress printing and improvements in digital printing, but it’s still one of the best options for a classic invitation design or black tie affair. Like letterpress printing, the engraving process transfers ink from a metal plate to paper by using intense pressure. However, unlike letterpress printing, with engraving the type and graphics are raised and create an embossed result. Engraving requires two metal plates etched with an image or text, which are then aligned on the press. Once aligned, ink is applied to the top plate and each piece of paper is then hand-fed through the press, receiving two tons of pressure and creating an embossed image with startling clarity, color purity and depth. You can read more about the engraving process here.

FOIL STAMPING, DIE CUTS, EDGE PAINTING, AND MORE!

Special printing and finishing techniques include things like foil stamping, die cutting, perforations, edge painting, and duplexing. Foil-stamping adds a high shine factor and adds a super special touch – it can be used on its own to beautiful effect or combined with digital printing for an extra shine. Want your invitations in the shape of a heart or another funky shape? You’ll be needing a custom die cut. Duplexing is when 2 sheets of thick stock are glued together to give a double-thick result. If you are printing on a double-thick stock, consider edge-painting to add a bright or metallic color to the edges of the card. So pretty! You can also use duplexing to combine a two different colors of card stock, like ecru and navy, to create major impact on both the front and back of an invitation. You can read about edge painting here, die cutting here, and foil stamping here.

DIY

Yes, it’s possible to print your invitations by your own bad self! Going this route takes some gumption, design savvy, and a willingness to be hands on. If you and your fiancé are both crafty, this could be a really fun project to tackle together. For example, you might take a letterpress printing class and then rent time at a studio to print your design. Or you could have screens made and silkscreen the cards yourself. Keep in mind that, with these options, you’ll need to supply your own paper stock and take care of trimming the paper as well. You can take your printed invitations to a local print shop for trimming if you don’t own a paper cutter.

I’ll be back soon with a post about Wording & Etiquette – stay tuned and happy printing!

DIY Shibori-Inspired Watercolor Placemats

Hi Everyone! We have another fantastic guest post from Nichole of Coral Pheasant coming up in just a bit, but first I wanted to pop back in to share a quick DIY project that I’ve had brewing in my head for the past couple of months. I thought these DIY Shibori-inspired watercolor placemats might be fun for outdoor celebrations over the long Labor Day weekend – or even for the holidays once we’re forced to move things back indoors. I love Shibori patterns, and I also love dyeing fabric, but the fabric dyeing process can be kind of intense and I wanted a bit more control over the results. So! I decided to break out my 30-color Koi Watercolor Pocket Field Sketch Box and see what I could do with watercolor paint and placemat-sized watercolor paper. These placemats would be a fun and unfussy addition to an informal dinner party (when you don’t necessarily want to bust out the fancy linens) or put a few together to create a colorful table runner!

DIY Shibori-Inspired Watercolor Placemats / Oh So Beautiful Paper

DIY Shibori-Inspired Watercolor Placemats / Oh So Beautiful Paper

DIY Shibori-Inspired Watercolor Placemats / Oh So Beautiful Paper

I made two placemat designs: one inspired by the traditional Shibori triangle fold technique, and another striped design loosely inspired by the rubber band resist technique. The triangle fold pattern was actually inspired by my Shibori-inspired shower curtain that I picked up from Target a couple of years ago (of all things), and the striped pattern was inspired by the pattern on this chair. The two patterns work really well together, and I love the mix of cobalt and indigo blue. Also! This is a first for me, but I thought it might be easier for all of you to watch the actual painting process rather than try to photograph each and every step – so I made a video tutorial! Please forgive the video quality (it was just me and Hyperlapse on my phone), but it was so fun to put the whole process together, so hopefully I’ll be able to do more of these videos down the road!

DIY Shibori-Inspired Watercolor Placemats / Oh So Beautiful Paper

DIY Shibori-Inspired Watercolor Placemats / Oh So Beautiful Paper

DIY Shibori-Inspired Watercolor Placemats / Oh So Beautiful Paper

Supplies

12″ x 18″ watercolor paper

30-Color Koi Watercolor Pocket Field Sketch Box

Size 6 Round Brush (I used this one)

3/4″ or 1″ Flat Wash Brush (I used a 3/4″ flat brush from this set)

12″ Ruler

18″ Ruler

Pencil

DIY Shibori-Inspired Watercolor Placemats / Oh So Beautiful Paper

To Make the “Triangle Fold” Placemats

Step 1. Using a pencil and the 12″ ruler, draw very light straight vertical lines at 3″ intervals along your paper. Then, starting in the top left corner and continuing across the page, use the 18″ ruler to draw very light diagonal lines to connect the vertical lines. Once all of the lines have been drawn, the paper should look something like this (I highlighted my lines in lavender so you could see them more easily):

DIY Shibori-Inspired Watercolor Placemats / Oh So Beautiful Paper

Step 2. Using the brush provided in the Koi Watercolor Pocket Field Sketch Box or a Size 6 round brush, paint the lines a deep indigo color. Use a lot of the indigo pigment and very little water to achieve a deep, saturated watercolor paint color. I recommend working in small sections from left to right (or right to left if you’re left handed) – you’ll see why in the video, because I made a mistake and smudged the wet watercolor paint after painting too far down one of the diagonal lines! Apply different levels of pressure along each line to create wider and thinner sections of each line. Let everything dry completely, about 10 minutes. You can use the drying time to paint more placemats.

Step 3. Use the round brush to add a small amount of indigo pigment to a small cup of water. Once the placemat is fully dry, use the tinted water to go over each line to create a diffuse dye-like effect. Finally, add an extra dose of indigo pigment where the lines intersect. Let the placemats dry completely and they’ll be ready to use!

To Make the Striped Placemats:

Step 1. Using a pencil and a 12″ ruler, draw very light straight vertical lines at 3″ intervals along your paper.

Step 2. Using a 3/4″ flat wash brush, paint varying horizontal widths (mine were between 1/4″ wide and 1″ wide) along each vertical line and alternating between cobalt and indigo on every other line.

Step 3. Use the thin edge of the brush to connect the horizontal sections along each vertical line. Add a layer of tinted water over each horizontal width to blend and create a more diffuse dye-like effect. Let the placemats dry completely and they’ll be ready to use!

DIY Shibori-Inspired Watercolor Placemats / Oh So Beautiful Paper

DIY Shibori-Inspired Watercolor Placemats / Oh So Beautiful Paper

DIY Shibori-Inspired Watercolor Placemats / Oh So Beautiful Paper

DIY Shibori-Inspired Watercolor Placemats / Oh So Beautiful Paper

DIY Shibori-Inspired Watercolor Placemats / Oh So Beautiful Paper

These placemats could easily pull double duty as place cards by writing the name of each guest in a visible location. Or, if placemats just aren’t your vibe, put a few together to make them into a custom table runner! I could totally see them providing a much-needed pop of color between a wood table and a wood or slate cheese plate. Or on top of a console table serving as a temporary bar or dessert station! So many options!

Photo Credit: Nole Garey for Oh So Beautiful Paper