DIY Rubber Stamp Equestrian Wedding Invitations

We love horses at Antiquaria and find ourselves constantly drawn to and inspired by vintage horse imagery.  Today we’re thrilled to be able to show you how to create a sophisticated equestrian themed invitation suite all your own!  This suite is subtle but definitely sets the stage for horse farm or equestrian center nuptials.  The color palette of hunter green, peach, and cream helps elevate the overall look and make it fresh.  The best part?  The stamped leather tag! – Bailey and Emma of Antiquaria

Wedding Invitation Ideas - DIY Equestrian Wedding Invitations

Wedding Invitation Ideas - DIY Equestrian Wedding Invitations

Step One: Set an A7 (5″x7″) piece of card stock on a hard, clean surface.  Ink your invitation stamp (we used our Equestrian Invitation stamp) thoroughly with a hunter green stamp pad.  Center stamp over card stock and carefully set down.  Press moderately on the stamp.  Too firm and it will smudge and too softly will not give a clear print.  Remove stamp and let the ink dry.

Wedding Invitation Ideas - DIY Equestrian Wedding Invitations

Step Two: Repeat the printing technique in step one on a 4bar (3.5″x5″) piece of paper.  We used our Equestrian reply card stamp for this piece.

Wedding Invitation Ideas - DIY Equestrian Wedding Invitations

Step Three: The little “extras” are what really make your invitation your own.  For this suite, we wanted to bring in a different texture for the monogram tag used to tie the whole thing together.  Cut leather into 2″ x 2″ squares.  Punch a 1/8″ hole in the left corner of the square.  Install a metal grommet in the hole to give it a clean and professional finish.

Now you’re ready to stamp!!  Ink your stamp (we used our Handwritten Calligraphy Names monogram) and center it on the leather.  Apply pressure (you can be a bit more gently this time since the surface is softer) and make your print. Let dry.

Wedding Invitation Ideas - DIY Equestrian Wedding Invitations

Step Four:  Stamp your return and reply address on the respective A7 and 4bar envelopes.  It is wise and a huge money saver to use the same stamp for both!  We used our Vintage Horseshoe return address stamp for this suite.  Cut a liner to fit your A7 outer envelope.  You will want it to sit right under the adhesive.  You can either cut it yourself or have your local print shop cut them all for you.  To insert the liner,  place a line of double stick tape or stick glue across the top  and slide it into position and press to secure.  Fold at the crease with a bone folder to get a nice, crisp edge.

Wedding Invitation Ideas - DIY Equestrian Wedding Invitations

Materials

Equestrian custom stamps: invitation, reply card, return address

Calligraphy Names Monogram stamp

A7 Cards

4Bar Cards

A7 Envelopes

4Bar Envelopes

Leather

Metal Eyelets

Twine

Vintage Postage

Anti­quaria is a mem­ber of the Designer Rolodex – you can see more of their beau­ti­ful work right here or visit the real wedding invitations gallery for more wedding invitation ideas!

Photo Credits: intertwyned for Antiquaria

The Printing Process: Screen Printing

While I’m away on vacation I’m running a series of guest posts on the various printing processes, from digital printing to engraving.  I’ve asked some designers and printers to share their expertise and lots of photos to fill you in on what you need to know about different stationery printing methods. Today I’ve asked two of my favorite screen printing ladies, Carrie and Laurie from Two Trick Pony, to walk us through the screen printing process.  Take it away ponies!

What is Screen Printing?

two-trick-pony-wedding-Invitation

Screen printing (also known as silk screening) is one of the oldest methods of printmaking, with examples dating back to the Song Dynasty in China.  The process involves creating a stencil of an image on a screen of porous mesh, traditionally made of silk.  A roller or squeegee is used to pull paint-like ink over the stencil, forcing it through the mesh onto the paper being printed.  Unlike the inks used in some other forms of printing, screen printing ink sits right on the surface of paper, resulting in incredibly rich, vibrant color.

The Printing Process

The screen printing process has multiple steps, starting with the process of creating the screen.

The screens are coated with a light sensitive emulsion, and exposed using a positive image.  Your positive can be created in a variety of ways, from digitally printed film, hand-cut rubylith, or hand drawn with ink on acetate.  The positive is positioned directly on the surface of the light table, and the screen placed over the positive, print side down.  The emulsion hardens when exposed to light, and remains soft and water-soluble where the positive blocks the light.  After exposure, we take the screen to the wash-out sink, and rinse away the soft emulsion.  Once the screen has dried completely, we lock the screen into hinges that are mounted onto our print surface.

We align the paper for printing, and mark the location with registration tabs.  Ink is applied directly to one end of the screen in a long bead, ready to be pulled over the screen with the squeegee.

A nice, firm pass with the squeegee forces ink through the mesh, visibly showing on the print side of the screen.  The screen is lowered on the hinges, and the squeegee is used to press the inked mesh flat against the paper, transferring a thin, even layer of ink to the page.

The amount of ink transferred to the paper is controlled by the thickness of the emulsion, so crisp images need a fine, even coat of emulsion to maintain their detail.

Mixing the second color for this particular job was a challenge; we wanted to create the illusion of a 3rd color in the print, so the second ink needed to be transparent and overlay the first color to create a pleasing effect.  We settled on a yellowish green that would create a darker green where it overlapped the blue.

Registration was tight!  The blue and yellow-green had to line up perfectly along the sides of the image.

Printing finally completed, it’s time to cut!  Our cutter, Cooper, was made in 1867, and still works like a charm.

Two-Trick-Pony-Screen-Printed-Wedding-Invitation

Two-Trick-Pony-Screen-Printed-Wedding-Invitation-RSVP

The final piece; poster sized invite, ready to be rolled into tubes and mailed to guests!

Tips and Advice

Like most hand-printing methods, screen printing has a very distinctive look.  Even though the surface is flat, the velvety finish and extreme vibrancy of the ink cannot be replicated with any other technique.  Screen printing can also be used on a variety of surfaces, so anything that has a flat surface can be printed; paper, chip board, fabrics, wood, leather and metal are all viable candidates!

two-trick-pony-blue-wedding-Invitation

Like any other printing process, screen printing definitely has specific limitations, which makes it better suited for some projects (and not so well suited for others).  Fine details or delicate text can be lost or broken up in the printing process, and large blocks of text can be difficult to print consistently.  Light ink on dark paper works beautifully, but textured papers are out.  Thin papers also present difficulty, as the ink could cause them to buckle or warp.

Thank you so much Ponies!  You can see more of the talented screen printed designs from Two Trick Pony right here!

Photo Credits: Two Trick Pony

Musée Wedding Photo Album

I’m usually more likely to get really excited about a great wedding guestbook idea, but when Justine Ungaro sent over this amazing (and eco-friendly) wedding photo album that she created for her friends and recent clients, with beautiful cotton pages and embossed details, I knew it was just way too beautiful not to share!

Eco-Friendly-Wedding-Photo-Album

The album is from the Musée line by Queensberry and uses 100% cotton paper from Arches in France, with a cover made from fine European leather and wrapped with beautiful ribbon (for those of you not into leather, Queensberry also offers fabric cover options).

Eco-Friendly-Wedding-Photo-Album

Eco-Friendly-Wedding-Photo-Album

Eco-Friendly-Wedding-Photo-Album

Eco-Friendly-Wedding-Photo-Album

Eco-Friendly-Wedding-Photo-Album

Eco-Friendly-Wedding-Photo-Album

Eco-Friendly-Wedding-Photo-Album

Eco-Friendly-Wedding-Photo-Album

Eco-Friendly-Wedding-Photo-Album

Eco-Friendly-Wedding-Photo-Album

The photographs in the album are actually matted, giving the album a more classic and archival feel than some of the more recent flush mount albums.

Eco-Friendly-Wedding-Photo-Album

Eco-Friendly-Wedding-Photo-Album

Eco-Friendly-Wedding-Photo-Album

Eco-Friendly-Wedding-Photo-Album

Eco-Friendly-Wedding-Photo-Album

Of course, Justine’s lovely images make the album even more beautiful!  Justine did a little write-up about this album on her blog, and you can see more of her beautiful work right here!

{all images by Justine Ungaro}

Happy Weekend!

Hi everyone!  Are you all ready for the weekend?  I most definitely am!  I'm currently up in New York City for a few days on a work trip and my husband and I will be spending the weekend traipsing around the city and Brooklyn.  If you have any recommendations of cool things to do, particularly in Brooklyn, let me know!  In the meantime…

Helen-musselwhite-paper-sculpture-we-are-family {paper sculpture by Helen Musselwhite via design is mine}

…here are a few things making me happy right now:

Yellow-dress-black-shoes-wedding

  • These paintings that Katy found are so lovely
  • Kate Headley is offering a photography workshop for photographers and bloggers!  Check out the details right here. So exciting! 

That's it for me this week — I'll see you all back here on Monday.  Oh, and just a reminder to any designers out there — I'm starting to work on my 2010 calendar round-up, so don't forget to send me your calendars if you'd like them to be included!  Have a wonderful weekend everyone!
{image credits: paper sculpture by Helen Musselwhite via design is mine and automatism, dress + shoes by photosmashing}