Stationery A-Z: Father’s Day Cards

With the recent celebration of Mother’s Day (did you see our round ups here and here?), it’s high time to start planning Father’s Day. Whether you are celebrating your grandpa, the father of your children or your own dad, there is a bevy of options to honor their love and dedication. While everyone loves a homemade meal, the gift options for men are often limited to sports, business attire or drinking. If the men in your life aren’t golfers or whiskey drinkers, we’ve collected a range of Father’s Day greeting cards that don’t feature either – just thoughtful messages of appreciation. Add your own handwritten note of affection and it will surely be a day that dad won’t forget. – Shauna

Father's Day Cards

From top right:

1. Perfect for the father who loves puns, but hates that you never took your job of mowing the lawn quite as seriously as he would have liked. From Wild Hart Paper.

2. For the dad who can’t keep his wanted (and unwanted) advice to himself (see: ’emails yet another newspaper article’). From Egg Press .

3. For the rebel dad (and MJ fan) comes this sheep illustration from Lark & Raven.

4. For the pop you’ve always looked up to (this E. Frances Paper design is also a good choice for your husband or partner if your kids are too little to write their own greeting).

5. For the father who loved the 80’s (and still has the fanny pack to prove it) from Parrot Design Studio.

6. For any papa who deserves a little extra appreciation this father’s day. From Moglea.

7. For a brand new father who needs a little extra love to make up for those sleepless nights. From Smock Paper.

8. For your number one paternal figure (who appreciates the finer things). From Sugar Paper.

9. For your ever-youthful, cool pops who refuses to part with his leather jacket or combat boots. From Noteworthy Paper & Press.

10. For the master of #dadjokes. From Snow & Graham.

Behind the Stationery: Bunny Bear Press

On our next installment of Behind the Stationery, we’re bringing you to Bunny Bear Press in the great state of Washington! For Adina, taking great strides to pivot her stationery business came from a rediscovery of herself and her business. From discontinuing her greeting card line to dyeing her hair purple, Adina divulges us in the ways she has changed her business perspective, time management, and even the way she decides what to design. Here to share about her journey, design process, and favorite resources, here’s Adina! –Megan Soh

Behind the Stationery: Bunny Bear Press

From Adina: Here is the long-short version of how my first line came to be and why I decided to kill it. I fell in love with letterpress printing back in college. After the job market crash in 2008 and the birth of my first daughter in 2009, I decided I wanted to work from home and become a letterpress printer. I bought a tiny toy press and did a ton of playing.

In 2013 my husband, my parents, and I drove my (then) 2 kids down to Portland to buy my first big ass letterpress machine. Six short months later, I had signed up to do the 2014 National Stationery Show in a HUGE group booth with the Ladies of Letterpress.

Left: Penny, my 45 pound Kelsey 3×5 printing press, Right: Ruby, my 1,800 pound Chandler & Price 10 x 15 printing press

My professional background had been in print design, but I had only ever worked for other brands. While creating work for my debut launch I was exploring and trying finding my style and visual voice for the first time. Looking back, I think I ultimately played it safe with generic wording on my cards, beautiful found clip artwork, mixed with some minimal original illustrations.

I had no idea what I was doing. I didn’t really know much about how to define my target market, or really which direction I wanted to take my brand in. It was very much a trial by fire and I dove in head first. I found Tradeshow Bootcamp, created a huge amount of work in 6 short months, and headed off to NYC for the first time to the National Stationery Show. I wrote some orders, made some contacts, learned a TON, went to the incredible OSBP Paper Party, and came home pregnant with baby #3.

During the next 2 years I went through a transformation. My business wasn’t growing, my son wasn’t sleeping, I was becoming more and more sleep deprived and feeling more and more lost about what to do about my business.

Everything changed for me when I found podcasts and rediscovered a desire to create hand lettering. I was big into the seanwes podcast, and Confessions of a Female Entrepreneur. I was introduced to marketing and business strategies, I learned about target markets, crafting stories, and finding my WHY. Through all the brand soul searching I found something I didn’t expect. I realized that not only was my brand middle of the road, so was I. I had played it safe (in life and in business) and in doing so, not only was I not turning people off, I wasn’t turning people on either. My few close true friends knew the real me, but to everyone else I felt as though I was a hollow facade.

So I did what anyone would do while going through an existential crisis: I dyed my hair purple, pulled away the barriers between myself and the way I present myself to others, pursued my consuming desire to draw letters, and began to express my inner monologue through my card line and blog.

Photo by Belathée

It was during these 2 years that I determined that my “safe designs” weren’t serving me OR the people I was trying to help. So I killed them all.

I took on a 365 lettering challenge to force myself to create and not to become so attached to each of my drawings. In doing this I helped to push aside my perfectionism and instead focus on creating a large body of work. The natural result of doing so many was that I improved my technique. And in letting go of a little bit of my perfectionism, I had so many lettering pieces that I felt were good enough as opposed to 1 or 2 that I could never finish because they were never quite right. I know looking into the future I will be a better letterer for it, and with the work I am making now I can help my target audience today and not in some imaginary distant future.

I didn’t make 365 lettering pieces but I did do well over 80 and that was 80 more than I had ever done before. I learned that, in the doing, my creation process is very cyclical. I work in batches like on a production line. So first I sketch a ton to pieces, then I ink them all, scan them into the computer and send away for a large volume of plates at once. (This also helps me save on shipping costs and I never sit on designs waiting to fill up an order.) Once my plates arrive I can now print them in batches.

In letterpress printing you can only print one color at a time so I will print all the cards with pink, for example, before moving on to the next. This allows me to maximize my press time and to minimize the number of times I switch colors.

My original line was a whopping 27 core colors and some cards were as many as 6 colors all on their own. I learned really fast that when you needed to print a ton of cards that were similar colors it is easier to get a large volume of them done, but when having to reprint just one card in those 6 colors suddenly you had a huge problem. The amount of labor required no longer justified the cost of that $5 card (retail and even less for wholesale).

Right now my typical day is all over the place, and I wouldn’t recommend my schedule to anyone. Once all of my 3 kids are old enough to be in all day school, I am hopeful things will get more consistent. I wake up between 5 and 6am before my kids get up to write for my blog. This is the time of day where I am my most focused. On the days I start with writing I find that I feel more productive overall than on the days that I don’t.

At 7 am, my husband and I work on getting my kids out the door and to their various schools and daycare. On the 3 days a week my son goes to daycare, I have 2 and a half hours to work before I need to pick my middle daughter up from preschool. It’s in these hours that I will draw, print, or send emails to my list of stores and buyers I would love to work with.

The end of my work day is after the kids go to bed around 8:30pm. During this time I try to finish up on the tasks that didn’t get done during the day. Like I said, I wouldn’t recommend this schedule to anyone. There is always too much to do and not enough time to do it.

In order to figure out what to focus on in my limited hours, I look at my balance finding worksheet that I filled out for myself (you can read more about this worksheet here). I look at what I goals I set for myself and then try to only focus on the tasks that will get me there. This really helps me cut through the noise of ALL THE THINGS that are screaming for my attention. Right now my team consists of myself and a friend who occasionally helps me with packaging cards. Delegating the packaging production was a huge relief and I don’t know why I waited as long as I did to bring in help there.

If I had to give any advice to my younger self starting this company, it would be to focus on the people you are trying to help. Create something that they will love and be drawn to. In order to create that desire you are also going to turn other people off and that is OK. Don’t try to please everyone because in the end you please no one, not even yourself.

Have fun, be curious and let that curiosity and the fear you feel about doing something unknown be your guiding compass. Fear is something to be embraced because on the other side of that fear are your dreams and if you want them you need to go and get them.

Pushing through my fear and following my curiosity has renewed my passion for paper and making greeting cards. I feel good when I am creating the designs and feel excited once I see them come out of my printing press. Before I began lettering my cards the task of design felt more like a chore, but now I have lists and lists of cards I want to create.

I am really excited about my newest release! Here are some photos from my newest release. The new cards are available wholesale now and will be shipping to my website customers starting June 15th.

All photos courtesy of Bunny Bear Press except where noted.

Want to be featured? Reach out to Megan at megan[at]ohsobeautifulpaper.com for details.

Happy Weekend!

Happy Saturday everyone! I’m on the train to New York as I write this, making my way towards the 2017 National Stationery Show! If you don’t already, follow me over on Instagram for some real-time updates from the show, and of course I’ll be back here next week to share recaps and highlights from the show – along with some of our regularly-scheduled content. But in the meantime…

 Azalea-Inspired Envelope by Mary Kate Moon

Photo by Mary Kate Moon via Instagram

…a few links for your weekend!

How gorgeous is this skirt?? I want one in every color!

Loving the new Parachute tabletop linen collection

Such great embroidered t-shirts from Anne Robin Calligraphy – the proceeds all go to Planned Parenthood! I especially love this Make America Kind Again kid’s shirt.

NEED these hologram envelope sets from The Social Type!

Thinking I might need this for future trade shows – it’s the perfect way to store business cards!

Make: Thai iced tea ice cream

Card of the week!

 

This week on Oh So Beautiful Paper:

Playful floral pinwheel wedding invitations

Beautiful blue agate-inspired watercolor and calligraphy wedding invitations

Fun cards to congratulate friends and family on a new home!

Super fun neon acrylic birthday party invitations

NSS 2017 Sneak Peeks: Wild Ink Press, Inclosed, Amy Heitman, and Egg Press

A Tequila and Mezcal Old Fashioned cocktail recipe

Stationery A-Z: More Graduation Cards

If you saw our post on graduation cards last week, you know that commencement season is in high gear. Before donning that classic polyester robe and mortarboard, take the time to pen a meaningful message of congratulations to celebrate hard-earned success. From food puns to neon typography, we’ve rounded up a wide assortment of cards to congratulate, celebrate and encourage any newly minted graduate on your list. Check out a few more of our selections below! Shauna

Graduation Card Round Up!

From top right:

1. I’m not sure exactly what ‘adulting’ entails, but I’m guessing it starts somewhere between paying bills and eating cookies for breakfast. From Orlando-based The Paper Cub.

2. Go places with this letterpress printed travel inspired graduation design from Wolf & Wren.

3. Animals in sunglasses. (Glitterati illustrated dog courtesy of Alice Bowsher for Wrap Magazine).

4. Saying it with bold typography and bright neon is the definitive way to get any point across. At least, according to Fig. 2 Design.

5. For those who are unfamiliar with letterpress printing, each individual color requires another run through the press. Which means this Parrot Design Studio card is a downright steal at $5 a pop.

6. Share with your hard-working graduate an encouraging message of posterior strength with this watercolor illustration from Antiquaria.

7. Present this diploma inspired greeting to the now legitimately certified college graduate (as well as some petty cash to get their new adult life going). Illustrated and designed by Idlewild Co.

8. If you know me, you know I literally never tire of a good food pun. This seasonally appropriate, BBQ-inspired design by Amy Heitman in no exception.

9. If your graduate is headed into the workforce, business casual will most likely be a part of their sartorial future. Share a precursor with this plaid greeting from One Canoe Two.

10. Your future IS so bright! Please note this card is the perfect size for a generous check (c’mon – they earned it!). From Hartland Brooklyn.

Behind the Stationery: Cheree Berry Paper

There’s something so incredible about seeing a small business started by one designer turn into a team of 20 employees over the course of 10 years! We’ve admired the work of Cheree from Cheree Berry Paper for every single one of those 10 years, and we’re beyond thrilled to welcome her to our newest installment of Behind the Stationery! Balancing her signature custom work with the retail stationery side of her business, Cheree shares about her team’s design process for both kinds of work and how they maintain that Cheree Berry touch. Take it away, Cheree! –Megan Soh

Behind the Stationery: Cheree Berry

From Cheree: My love of all things paper started as a child. Visiting the Hallmark store was a treasured outing –there was just never enough time to open all of those cards. Fast forward to college, I chose graphic design as my major. With a BFA in hand from Washington University, I moved to NYC for my first design job at the graphic design powerhouse, Pentagram. Shortly after, I landed a position at the fashion company Kate Spade. It was at KS that I really fostered my love for paper, helping to create the company’s wedding stationery line with Crane & Co. In 2006, I returned to the Midwest for a beau (turned husband) and upon my arrival, I quickly started Cheree Berry Paper in my apartment.

Behind the Stationery: Cheree Berry

Work started coming in from across the country, and one employee has since turned into over twenty! And now that we are in our tenth year, you could say that we have two businesses camouflaged as one – the custom invitations and graphic design side that our business was built on and now the retail stationery side. Our love is the clever and unexpected. For our custom designs, our challenge is bringing stories to life on paper. For our retail stationery line, it’s creating something that is engaging and supportive of our visual voice.

Behind the Stationery: Cheree Berry

Custom: Our business was started on creating custom solutions for our clients, and this is where our passion still remains today. During the custom process, our first task at hand is to listen to the client’s story and vision. We love leaving a meeting or ending a call with lots of material, but not the exact design solution. After our client interaction, we sketch, research, and refine until we come up with two to three different design solutions to present. From there, with feedback from our clients, we work through revisions and ultimately get to the end result – it’s our job to ensure that our clients are as happy with the design as we are.

Behind the Stationery: Cheree Berry

Retail: We are our very own test market. Our first mini line of stationery, produced about eight years ago, was created out of necessity in order to keep our own stationery drawers fully stocked. How do we create a line from scratch? We open our treasure chest of snail mail keeps and think about how these particular pieces made an impact. You’d be hard pressed to find a card in our retail stationery offering that is simply a rectangular card with a pretty design on the front. What you can find in our line? Unexpected formats, clever copywriting, hidden details, fun envelope touches that create anticipation, interactive moments and items that feel personalized without much DIY commitment.

Behind the Stationery: Cheree Berry

The design process typically starts with a client meeting or call including a project manager and a designer. We listen and ask questions to be able to achieve our ultimate goal – telling a personal story on paper with great design. Often the next step is mood boards or sketches to narrow a design direction. Timelines and budgets are set and then the design phase begins!

Behind the Stationery: Cheree Berry

A few design options are presented to the client, then we get feedback and move to revisions before settling on a final design. Most of our designs mix lots of processes – letterpress, foil stamping, painted edges; really, whatever it takes to make the piece a stand-out while maintaining the budget we’ve been given. The final stop? Our production departments applies the finishing touches. We may be tying a booklet, lining an envelope, or placing the stamp just so. We delight in all the details.

Behind the Stationery: Cheree Berry

No one day is like another, but after coffee, I’m ready to check my email and see what happened after midnight. I make my to-do list for the day and the brainstorming, sketching and meetings begin. Lunch is usually at my desk, and when I need to fully focus, you might find me at a nearby coffee shop or bookstore. Four o’clock becomes six o’clock and then I’m rushing home to relieve my nanny. After dinner and a lengthy bedtime routine with my kids (that usually starts with a short dance party and ends with a Mo Willems book), I plug back into work once lights are out.

Behind the Stationery: Cheree Berry

Our team consists of designers, project managers, and a full production staff. Every department touches each job throughout the design and printing processes – without one department, our job could not get done! Our design team has a range of talents, so projects are assigned according to the project style and content. For example, we match the designer to the project based on whether the client’s vision includes a custom hand-drawn illustration, more focus on typography, hand lettering, etc.

Behind the Stationery: Cheree Berry

Our project managers work very closely with our clients to ensure great communication throughout the process. Once a job has gone to print, it moves through a very thorough production process. There is no piece of stationery that leaves Cheree Berry Paper without being quality checked. Our jobs must finish as strong as they started.

Behind the Stationery: Cheree Berry

The evolution for me is to focus on the big picture. I have a staff of fabulous designers and art directors so their talents allow me to think about vision, voice and concepts. I love connecting with them daily to see the brilliance brewing. Marketing is my big push right now. I am driven to get my Instagram message out there – a place where I showcase our work and occasionally my values.

Behind the Stationery: Cheree Berry

I’m hands-on when I need to be but really rely on my personal projects – holiday cards, kids birthday invites, etc. – to get me back to my love for design. And I don’t forget what 10 years ago looked like when I was designing invoices to look pretty and taking too long to send them out and working for what seemed like every minute of every day.

Here’s a very special sneak peek at a brand new line of all-occasion cards by Cheree Berry Paper, produced and distributed by Galison Gifts. The designs will debut at the National Stationery Show this month!

Cheree Berry Paper for Galison Gifts

Write-On Cards offer stickers and spaces to handwrite, so each card can be personalized.

Cheree Berry Paper for Galison Gifts

Expanding Cards unfold and expand to reveal the message.

All photos courtesy of Cheree Berry Paper