Oh So Beautiful Paper

I think it’s so cool when couples incorporate non-traditional materials into their wedding stationery – and save the dates are the perfect opportunity to try something unexpected and unique!  Rachel from Jolie Jolie created these wooden engraved save the date hang tags for a recent couple.  So fun!

Check out more from Jolie Jolie right here!

Photo Credits: Jolie Jolie Design

It’s time for more holiday cards!  There are so many beautiful designs to choose from this year, from illustrated to metallic to modern and everything in between.  Here are a few more of my favorites for this holiday season!

I love these sweet and whimsical holiday cards from Parrott Design Studio

 

Laid back holiday cards from Wild Horse Press

Cute illustrated cards from Nisee Made

 
 

Beautiful hand lettered blind impression letterpress cards from Gracie Finn

Modern holiday cards from Sweet Harvey

 

 

Lots and lots of pretty holiday card designs from Snow & Graham

Lovely letterpress Happy New Year cards from Campbell Raw Press

 

Very cool (and unique!) illustrated offset holiday cards from Yellow Owl Workshop

I can’t help but smile at these Kate Spade holiday cards

 
 

Beautiful engraved holiday cards from Crane & Co.

I’ll have more soon!  And just in case you missed it, you can check out the first holiday card round up right here!

{images via their respective sources}

While I’m away on vacation I’m running a series of guest posts on the various printing processes, from digital printing to engraving.  I’ve asked some designers and printers to share their expertise and lots of photos to fill you in on what you need to know about different stationery printing methods.  Today we’re joined by Chelsea and Jamie from Sugar Paper, telling us all about the elegant printing process known as engraving!

Hi OSBP!  We’re Chelsea and Jamie from Sugar Paper in Los Angeles, California!  At Sugar Paper our first love is (and will always be) letterpress printing.  That said, lately we’ve been intrigued by engraving.  Anyone who has ever printed on a letterpress knows that printing using white ink is a challenge.  If you work and work you can get a subtle image, but there is nothing like engraving for a crisp white image on brightly colored paper.

Luckily, a world renowned engraver is right in our backyard.  The oldest engraver in the United States, SF Cooper, is just down the road from us.  They recently allowed Jamie and I the opportunity to learn the process, and we’ll show you how it’s done in the images below.  We had fun!  It was like our own personal Sesame Street field trip.  We both loved those Sesame Street segments when we were kids…

What is Engraving?

Like letterpress, the process of engraving imposes ink onto paper under intense pressure, creating images with a unique look and feel unavailable through flat printing.  Unlike letterpress, however, type and graphics are raised on each piece of paper.  To achieve this result, metal plates are etched with a recessed image.  Metal plates are then hand-aligned on the press.  Once aligned, the plate is coated with ink and then blotted using kraft paper to clean the plate, leaving only the image with ink remaining.  The paper is then hand-fed and each piece is applied under two tons of pressure, creating an embossed image with startling clarity, color purity and depth.

The Printing Process

Like with any labor-intensive printing process, you really have to see the process in action.  The images below will help walk you through the engraving process step by step.

The plate is etched with the image and aligned in the press.

White ink is added to the press.

Blotter paper is added to the press to blot the plate between each impression.  The entire plate is inked and then blotted with kraft paper to leave only the etched image white.

The pressman feeds each piece of paper and then lines them on a heated conveyer belt to dry.

Caution – Hot!  The cards pass through the oven on a conveyer belt.  It’s like a conveyer belt toaster oven…

Each card passes through the oven to dry.

The finished cards.

Each set is counted…

and packaged…

Tadaa!  The final product is now in stores.  Nestled in with some of our other fall favorites from Oblation, Rifle Paper Company and Thomas Paul.

Tips and Advice

The beauty of engraving is best reserved for formal pieces, as the price and the printing style lends itself to more formal occasions.

When having collateral printed these are our tips:

1. Keep in mind that engraving requires longer turn-around times than most printing styles.  Engravers are generally old-school printers.  This means, they honor traditional printing and paper ordering policies that can delay an order.  If you’re in a hurry, this is not the printing method for you.  If you have 3 to 4 weeks (or more), you’re golden.

2.  Engraving is best used with fine typefaces.  The engraving technique captures fine details in a way unparalleled by other printing methods.  Shaded type or thin typefaces look terrific when engraved.

3. Engraving is a terrific option for white ink on colored paper.  Engraving prints white ink beautifully.  The ink sits on top of the paper and creates a bright white color.

4. Two-sided pieces should be avoided when choosing engraving as your printing method.  The process of engraving uses water that creates “bruising” on the backside of each piece of paper.  The “bruising” would conflict with a two-sided design making the design look muddled.  A note: The “bruising” is what creates a distinction between true engraving and thermography the less expensive version of raised printing.

Thank you so much ladies!  For more of the fabulous paper wares from Sugar Paper, click here!

Photo Credits: Sugar Paper

Last week I attended a party celebrating the launch of Crane & Co.‘s newest wedding invitation album.  I got a sneak peek at some of the album designs during my tour last September (which you can see here, here, here, and here), so I was really excited to see the designs in their final, printed form.  The Crane & Co. design team has worked on some cool new designs, including some more modern pieces alongside Crane’s more traditional and refined invitations.  Here are a few photos of the new collection that I took at the party:

{the envelope liner above is a gorgeous and vivid yellow in person – so pretty!}

{this invitation suite features modern san-serif engraved text – quite a departure from Crane’s traditional look}

{it’s hard to see in the photo, but this invitation has beautiful silver edge painting!}

You can check out a few more photos from the party on the Crane & Co. facebook page.  There’s a lot more where this came from, so if you’d like to see the album in person, you can find a list of Crane & Co. retailers right here!

{all photos by Oh So Beautiful Paper}